| 91 |
Seattle Post-Intelligencer
It's crammed full of the dash, filmmaking flair, swashbuckling magic, impossible stunts and tongue-in-cheek humor that made the series such a phenomenon of its time, and -- for those versed in its traditions -- almost every frame is enjoyable on some level.
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| 90 |
Salon.com
It miraculously pulled off the effect of feeling like a surprise: The picture both fulfilled some vague, unexpressed hopes I didn't know I had and also left me with the sense that I'd just seen something I wasn't quite prepared for -- the kind of contradiction that great showmanship can bridge.
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| 88 |
Chicago Sun-Times
I can say that if you liked the other Indiana Jones movies, you will like this one, and that if you did not, there is no talking to you.
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| 83 |
Baltimore Sun
Despite the merry duo of Ford and Connery, The Last Crusade offered a familiar pursuit of the Holy Grail. The Kingdom of the Crystal Skull makes a better move: It goes back to the future. Once again, the Indiana Jones series is the rare franchise that treasures knowledge and embraces the unknown.
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| 80 |
New York Daily News
Entertaining, inventive and old-fashioned in the best way.
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| 80 |
Variety
Nineteen years after their last adventure, director Steven Spielberg and star Harrison Ford have no trouble getting back in the groove with a story and style very much in keeping with what has made the series so perennially popular.
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| 80 |
Empire
A slick, fun film that has by no means sacrificed the fast action beats of the first three.
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| 80 |
Los Angeles Times
Though the film stars a relaxed and capable Harrison Ford as everyone's favorite intrepid archaeologist and boasts supporting players ranging from Cate Blanchett as a superb villainess to Shia LaBeouf as the inevitable youngster, the real heroes of this film are director Steven Spielberg and the veritable army of superb technicians who turn the film's numerous stunts and special effects into trains that insist on running on time.
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| 78 |
Austin Chronicle
Ford's Indy, who doesn't quite hang up his fedora at film's end, is still the only cinematic smartass-cum-bullwhipping scholar of antiquities I'd want by my side when push comes to shove comes to Nazis ("I hate these guys"), Russkies, or, for that matter, Al Quaeda. Go get 'em, Indy, and cue the John Williams while you''e at it.
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| 75 |
Portland Oregonian
The movie's pretty good, occasionally very good. But I also kind of hope they don't make another one.
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| 75 |
Charlotte Observer
Both the good and bad remind us that the most special thing about "Skull" is the man wearing the fedora and the rakish grin. He has never worn out his welcome, and this valedictory – it can be nothing else – is a fitting one.
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| 75 |
San Francisco Chronicle
The movie moves. It has action sequences that are so enormous that they won't just wow audiences, but rock them back in their seats and make them laugh at the audacity of it all.
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| 75 |
TV Guide
The overall effect is either exhilarating or exhausting, depending on your emotional investment in the franchise, but credit where credit is due: Steven Spielberg and George Lucas set out to make one for the fans and delivered.
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| 75 |
New York Post
Often thrilling, sometimes charming, occasionally clunky family entertainment that perhaps wisely doesn't attempt to scale the heights of "Raiders of the Lost Ark."
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| 75 |
Boston Globe
Merely grand old-school fun - a rollicking class reunion that stands as the second best entry in the venerable series.
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| 75 |
Christian Science Monitor
Crystal Skull is a fun ride, but if we have to wait 19 years for the next one, that's OK by me.
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| 70 |
Time
There are scenes in the new movie that seem like stretching exercises at a retirement home; there are garrulous stretches, and even the title seems a few words too long. But once it gets going, Crystal Skull delivers smart, robust, familiar entertainment.
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| 70 |
Salon.com
It's enough to make you forgive a great deal of this film's dumbness and appreciate it as meaningless, goodhearted and mostly non-obnoxious entertainment.
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| 70 |
Chicago Reader
The character and plot contrivances are dumber than ever, but this is basically vaudeville, not narrative, and the thrills keep coming.
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| 70 |
Film Threat
I can't deny it: I had a shit-eating grin on my face for most of the ensuing two hours. I also can't deny that many of the criticisms about to be leveled at Spielberg and Lucas over "Kingdom of the Crystal Skull" are well-deserved, but it's still good to see Indiana Jones, and Marion, back in action one last time.
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| 70 |
Washington Post
It's romantic manliness at its purest, almost but not quite schmaltz, ideally calculated to please true believers and ironic snorters at once.
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| 67 |
The Onion (A.V. Club)
The biggest problem with Crystal Skull is one that's lately plagued Spielberg in otherwise excellent films like "Munich" and "War Of The Worlds": He fails to stick the landing. And for an entertainment with nothing much on its mind, that hurts.
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| 67 |
Entertainment Weekly
Harrison Ford? Terrific -- and re-energized.
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| 63 |
USA Today
Even with the ponderous dialogue, it's hard not to have fun on this adventure, and it's good to see that Indy, though slightly weary, still has the goods.
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| 63 |
Rolling Stone
Audiences looking for emotional resonance in Indy 4 are doomed to the temple of disappointment. Spielberg and Lucas aren't upping their creative game -- they're taking care of business.
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| 63 |
Miami Herald
The script was kept under unusually tight wraps during filming, but the biggest surprise in the picture is how talky the whole enterprise is. Particularly deadly is a long stretch in mid-film where the heroes walk through caves, talk about what they're seeing, get captured and talk with their captors, escape and talk some more.
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| 63 |
Philadelphia Inquirer
While the production values are top-notch, and the action artfully choreographed, in the end - and quite well before the end - a sense of tedium sets in.
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| 60 |
Slate
Dana Stevens
Even the most enthusiastic future Indy scholar would have to concede that the movie's habit of quoting from venerable Hollywood antiquities sometimes has the unfortunate effect of reminding the viewer that those movies were better.
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| 60 |
LA Weekly
Things could be worse. At the end of the day, Indiana Jones and the Kingdom of the Crystal Skull is nothing if not consistent -- taking care of business solidly, professionally and without a lick of the genuine wonderment or inspiration that you can find in surplus in Jon Favreau's Spielberg-influenced "Iron Man."
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| 60 |
Newsweek
Jennie Yabroff
Like Norma Desmond in "Sunset Boulevard," Indy is still big; it's just that, in the new world of movie franchises, The Crystal Skull feels smaller.
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| 60 |
The New York Times
There's plenty of frantic energy here, lots of noise and money too, but what's absent is any sense of rediscovery, the kind that's necessary whenever a filmmaker dusts off an old formula or a genre standard.
|
| 60 |
The Hollywood Reporter
Director Steven Spielberg seems intent on celebrating his entire early career here. Whatever the story there is, a vague journey to return a spectacular archeological find to its rightful home -- an unusual goal of the old grave-robber, you must admit -- gets swamped in a sea of stunts and CGI that are relentless as the scenes and character relationships are charmless.
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| 50 |
Chicago Tribune
Does not know when to quit. Nor does it extract much fun from a cockamamie story provided by George Lucas.
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| 50 |
ReelViews
Simply isn't a very good motion picture.
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| 50 |
Wall Street Journal
All of it amounts to a been-there-done-that-better recapitulation of Mr. Spielberg's career.
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| 50 |
The Globe and Mail (Toronto)
Conducting another symphony in action, Spielberg seems a bit bored – always competent but never inspired – and who can really blame him? He tries to fire his interest by swiping a few tropes from the fifties pop bin, not-so-sly allusions to teen-trash movies and those McCarthy-era horror flicks. After that, there's really nowhere to go but inwards, which is when Spielberg starts looting Spielberg.
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| 50 |
Premiere
Gregory Christie
It's clear the creators wanted to bring our hero back but were uncertain where to put him. Sadly, Indiana Jones is not relevant amidst the atomic blasts and disillusionment of the Soviet era, and he's not even recognizable in the pixilated universe of recent cinema. To quote the great Dr. Jones, "It belongs in a museum!"
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| 50 |
New York Magazine
No mainstream filmmaker since Orson Welles can touch Steven Spielberg when it comes to camera movement and composition--or, more precisely, to composition that gets more vivid as the camera moves...It's the work of a man with film storytelling in his blood. What a bummer when the story he has to tell is a cosmic nothing.
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| 50 |
The New Yorker
Crystal Skull isn't bad--there are a few dazzling sequences, and a couple of good performances--but the unprecedented blend of comedy and action that made the movies so much more fun than any other adventure series is mostly gone.
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| 30 |
Village Voice
Robert Wilonsky
It's hard to tell whether Spielberg and Lucas are trying too hard or trying at all--the thing's such a mess, such an unmitigated disaster, that damned is the scholar stuck with the unfortunate task of deciphering this cynical, clinical gibberish in decades to come.
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