Metacritic Film

Jane Austen Book Club, The

Starring Maria Bello, Emily Blunt, Amy Brenneman, Kathy Baker, Hugh Dancy, Marc Blucas, Chris Burket, and Lynn Redgrave

MPAA RATING: PG-13 for mature thematic material, sexual content, brief strong language and some drug use

Sony Pictures Classics
Drama  |  Romance
105 minutes | Color
USA
Released In Theaters September 21, 2007

Six book-club members, six Austen books, and six story-lines are interwoven over six months in the busy modern setting of Sacramento, where city and suburban sprawl meet natural beauty. While the contemporary stories never slavishly parallel the Austen plots, the six characters find echoes, predictions, warnings, and wisdom about their own trajectories within Austen's beloved narratives. (Sony Pictures Classics)

WRITTEN BY
Karen Joy Fowler (book)
Robin Swicord

DIRECTED BY
Robin Swicord

Overall Metascore

This is a weighted, normalized average of all individual scores given by critics, on a scale of 0 (worst) to 100 (best).

61 / 100

Critic Reviews

88 Chicago Sun-Times
Chick Flick indeed! Guys, take your best buddy to see this movie. Tell him, "It's really cool, dude, even though there aren't any eviscerations."
75 San Francisco Chronicle
An enjoyable if fairly predictable film.
75 TV Guide
Neither trite nor pandering, and that's what makes the film better than most of its peers.
75 Entertainment Weekly
For a visual bonus, Hugh Dancy appears in bike shorts as the lone male Jane-ite.
75 Chicago Tribune Tasha Robinson
Overall, The Jane Austen Book Club is an admirable mix of heady and fluffy, the kind of wish-fulfillment fantasy that needn’t make filmgoers ashamed of what they wished for.
75 Christian Science Monitor
The entire enterprise ultimately seems designed to turn Austen into a self-help guru.
75 USA Today
This is Austen lite, but pleasantly so. You can hardly fault a movie that fashions itself around a consummate writer whose keen sense of humor and gift for fully realized characters have resulted in countless screen adaptations.
75 Portland Oregonian
The domestic and romantic turmoil all gets resolved a bit too neatly to seem realistic, but realism isn't the goal; this is comfort food, plain and simple, and achieves its modest goals in nearly effortless fashion.
70 Washington Post
Everyone is given their due and dignity in this funny, sexy, humanist film that, if it is a chick flick, gives the genre a good name.
70 Los Angeles Times
Swicord has a playful sense of humor and a good ear for dialogue, and the movie pleasantly accomplishes what it set out to accomplish.
70 The Hollywood Reporter
The film's characters are lively, the women all look terrific (the guys do too, for that matter), and its many romantic story threads weave into artfully told tales of love lost and found.
70 Variety
Cast is first-rate all around, unafraid to play up the annoying, insensitive or self-pitying aspects of their nonetheless likeable characters.
70 The New York Times
Such a well-acted, literate adaptation of Karen Joy Fowler’s 2004 best seller that your impulse is to forgive it for being the formulaic, feel-good chick flick that it is.
67 Seattle Post-Intelligencer
Swicord has enough savvy to conjure up a terrific cast that compensates for her rote direction.
63 Philadelphia Inquirer
Those who know Austen novels will recognize how much each character resembles a figure in one of them. Those who do not will enjoy the amusing types. Men, this means you.
63 New York Daily News
There are no surprises here, in other words, but there aren't supposed to be: This is a comfort film, the on-screen equivalent of mac and cheese - though with a splash of truffle oil to class things up.
63 New York Post
Worth watching primarily for Blunt, the delicious scene-stealer from "The Devil Wears Prada."
63 The Globe and Mail (Toronto)
The novels remain a witty portrait of life; this flick is just a study in preciousness.
63 ReelViews
The film comes across like a soap opera and there are too many characters and storylines for any one of them to grab the heart and imagination. The film isn't painful but it is disappointing.
60 Village Voice Ella Taylor
Perfectly pleasant, perfectly undistinguished adaptation of a market-driven novel about six Sacramento lovelies trying to mend their stalled or broken lives while massaging each other's feet.
60 Empire
Quite a nice little relationship comedy-drama, but essentially for an audience of what the French charmingly call ‘women of a certain age’. Totally not the Superbad set, then.
58 Baltimore Sun
First-time director Swicord brews an atmosphere of geniality and warmth and brings a modicum of momentum to a happily discursive book.
50 Austin Chronicle
Though it’s as estrogenic as dong quai, this amiable adaptation of Karen Joy Fowler’s eponymous bestseller about six friends and their book club is thoughtfully rendered with a certain universality of spirit – in that sense not unlike the books of Jane Austen herself.
50 The Onion (A.V. Club)
There's no subtext to The Jane Austen Book Club, just a skim across the books' surface that winds up re-shelving a great author into the self-help section.
50 Chicago Reader
Being male, I can't relate to this at all; on the other hand, I don't need Midol either, but I'm glad it's on the market.
50 Premiere Ryan Stewart
Ultimately, The Jane Austen Book Club amounts to little more than a lukewarm collection of half-realized rom-com scenarios not fleshy enough to warrant their own movie.
50 Boston Globe
It's a lot like a pumpkin spice frappuccino with extra sugar and extra cream. You'll laugh. You'll cry. You'll leave with foam on your nose. So cute. As a friend said on the way out: At least no books were harmed in the making of this movie. And he's right. But that's only because no one really tried.
38 Charlotte Observer
It's almost impossible for a movie to go irrevocably wrong during the opening credits, but the ceaselessly irritating The Jane Austen Book Club does just that.

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