Critic Reviews
| 100 |
Chicago Sun-Times
One of the most effective thrillers ever made.
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| 100 |
Empire
Ian Nathan
It was the complete nightmare that invented the "summer blockbuster", launched the genius on a global scale and delivered an astonishingly effective thriller built on a very primal level: fear.
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| 100 |
Entertainment Weekly
Steven Spielberg overcame the lumpy plotting of Peter Benchley's novel to create an efficient, graceful fright machine in Jaws.
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| 100 |
ReelViews
The first is the best. When it comes to this kind of thriller, no movie has been able to top Jaws, although many have tried. And, as the years go by, it seems increasingly unlikely that anything will come close.
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| 90 |
Variety
Staff (Not Credited)
Robert Shaw [is] absolutely magnificent as a coarse fisherman finally hired to locate the Great White Shark; and Richard Dreyfuss, in another excellent characterization as a likeable young scientist.
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| 80 |
TV Guide
Staff (Not Credited)
From the outrageously frightening opening--in which a beautiful young woman skinny-dipping in the moonlight is devoured by the unseen shark--to the claustrophobic climax aboard Quint's fishing boat, Spielberg has us in his grip and rarely lets go.
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| 80 |
The New York Times
If you think about Jaws for more than 45 seconds you will recognize it as nonsense, but it's the sort of nonsense that can be a good deal of fun, if you like to have the wits scared out of you at irregular intervals.
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| 75 |
Chicago Tribune
What this movie is about, and where it succeeds best, is the primordial level of fear. The characters, for the most part, and the non-fish elements in the story, are comparatively weak and not believable. [20 June 1975]
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| 40 |
Chicago Reader
Steven Spielberg's mechanical thriller is guaranteed to make you scream on schedule (John Williams's score even has the audience reactions programmed into the melodies), particularly if your tolerance for weak motivation and other minor inconsistencies is high.
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