| 100 |
San Francisco Chronicle
One great monster movie. [11 June 1993, Daily Notebook, p.C1]
|
| 100 |
Empire
Caroline Westbrook
So the script and the performances aren't exactly Oscar material, but it scarcely matters given that the real stars here are the ILM-created dinosaurs, a miracle of modern moviemaking.
|
| 91 |
Entertainment Weekly
As a flight of fantasy, Jurassic Park lacks the emotional unity of Spielberg's classics ("Jaws," "Close Encounters," "E.T."), yet it has enough of his innocent, playful virtuosity to send you out of the theater grinning with delight.
|
| 90 |
Time
For dinosaurs to rule the earth again, the monsters needed majesty as well as menace. And Spielberg got it all right. [14 June 1993, p.69]
|
| 88 |
Rolling Stone
Colossal entertainment -- the eye-popping, mind-bending, kick-out-the-jams thrill ride of summer and probably the year.
|
| 88 |
USA Today
Spielberg's must-see is so wondrous at depicting things that go crunch in the night that its human characterizations and pokey exposition seem astonishingly halfhearted… On a "people" level, Park isn't “Jaws,” but on a jolt level - oh, yes, it is. [11 June 1993, Life, p.1D]
|
| 75 |
ReelViews
The biggest weakness of the novel is characterization, and the same flaw is fully evident in the screen adaptation.
|
| 75 |
Chicago Tribune
Given the complexity of attitudes and the ambiguous take on the family represented in such Spielberg films as “E.T.'' and “Poltergeist,'' the bland affirmations of Jurassic Park seem platitudinous and insincere. He's forcing it here, and it shows. [11 June 1993, Friday, p.A]
|
| 75 |
Chicago Sun-Times
The movie delivers all too well on its promise to show us dinosaurs. We see them early and often, and they are indeed a triumph of special effects artistry, but the movie is lacking other qualities that it needs even more, such as a sense of awe and wonderment, and strong human story values.
|
| 75 |
Christian Science Monitor
There's only one kind of movie that Spielberg has truly mastered: the kind that looks like a wide-screen video game complete with loony plot twists and mind-bending special effects. And that's Jurassic Park down to its bones. [11 June 1993, Arts, p.12]
|
| 70 |
Variety
Staff (Not Credited)
Spielberg's scary and horrific thriller may be one-dimensional and even clunky in story and characterization, but definitely delivers where it counts, in excitement, suspense and the stupendous realization of giant reptiles.
|
| 70 |
The New York Times
It becomes less crisp on screen than it was on the page, with much of the enjoyable jargon either mumbled confusingly or otherwise thrown away. [11 June 1993, p.C1]
|
| 70 |
Washington Post
A dumbed-down adaptation of Michael Crichton's techno-novel on the dangers of dinosaur cloning, it's not Spielberg at the top of his game, but it's dino-mite just the same.
|
| 70 |
TV Guide
Staff (Non Credited)
An exhilarating, sometimes terrifying monster of a movie that, once it gets you in its clutches, won't put you down again until the closing credits start to roll.
|
| 67 |
Austin Chronicle
I continually found myself longing for the sheer intensity of the director's past glories, like Jaws, or even Duel. Spielberg seems to be trying so very hard for that elusive “Gosh, Wow, Sense of Wonder!” that it all looks strained in spots.
|
| 60 |
Washington Post
The suspense and technical wizardry are the only reason to watch Jurassic Park. In a summer movie, that's more than enough, of course. But screenwriter Michael Crichton, adapting his popular novel with David Koepp, slashes almost everything that made the book an entertaining read.
|
| 60 |
The New Republic
The results make poor old King Kong look like something from a Macy's Thanksgiving Day parade. Such is progress. [12 July 1993, p.26]
|
| 50 |
Los Angeles Times
All the imagination and effort (including 18 months of pre-production) that went into making the dinosaurs state-of-the-art exciting apparently left no time to make the people similarly believable or involving. In fact, when the big guys leave the screen, you'll be tempted to leave the theater with them. [11 June 1993, Calendar, p.F-1]
|
| 40 |
Chicago Reader
There's more soul to be found in any Kong close-up than in this film's overplayed reactions, which are used to instruct us what we should be feeling at any given moment. This is never boring, but I can't recall another Spielberg film that left me with a more hollow feeling.
|
| 25 |
The Globe and Mail (Toronto)
Perfectly passable kiddie escapism. It has a thrill or two, and a chill or three, but it has no poetry, little sense of wonder, no resonant subtext (Jungian or otherwise), no art... When it's over, it's gone. Extinct.
|
