Metacritic Film

Keeping the Faith

Starring Edward Norton, Ben Stiller, and Jenna Elfman

MPAA RATING: PG-13 for some sexuality and language

Touchstone Pictures
Romance
128 minutes | Color
USA
Released In Theaters April 14, 2000

Best friends since they were kids, Jake (Stiller), a rabbi, and Brian (Norton), a Catholic priest, are single, successful, handsome, and confident young men living on New York's Upper West Side. When Anna (Elfman), their childhood friend, returns to New York, she reenters their lives and hearts with a vengeance and a complicated love triangle is created. (Touchstone Pictures)

WRITTEN BY
Stuart Blumberg

DIRECTED BY
Edward Norton

Overall Metascore

This is a weighted, normalized average of all individual scores given by critics, on a scale of 0 (worst) to 100 (best).

60 / 100

Critic Reviews

88 New York Post
The ideal date movie for the Passover-Easter season and beyond, guaranteed to keep audiences rolling in the pews.
88 San Francisco Examiner
Funny and untouched by cynical, ironic bids to be taken seriously.
80 Washington Post
May be the most ruggedly decent film to come along in a couple of decades.
80 Los Angeles Times
All the more rewarding because of the challenge the material presented.
80 Rolling Stone
A funny and touching date movie that dares to celebrate decency.
80 Film.com
It's adult and humane, genuinely sexy, laugh-out-loud funny.
80 TNT RoughCut Graham Verdon
What more can we ask from a romantic comedy?
78 Austin Chronicle
A disarmingly enjoyable film.
75 Chicago Sun-Times
We're swept up in the story's need to find a happy ending.
75 New York Daily News
A mostly accomplished first film, with precise comic timing and some hilarious moments.
75 Christian Science Monitor
Norton gives the comedy unexpected sparkle in his directorial debut.
70 TV Guide
A very entertaining, hugely neurotic romantic comedy.
70 Film.com
In a sterling ensemble cast, (Elfman) just about walks off with the movie.
67 Seattle Post-Intelligencer
A pleasant, old-fashioned kind of a love triangle.
65 Mr. Showbiz
Works so hard at being pleasant and ingratiating that it wears out its welcome.
63 Baltimore Sun
Depends on breezy attitude and effortless delivery for its success.
63 USA Today
Even surly moviegoers may discover how pleasant it can be to actually like movie characters.
63 Miami Herald
Does more than pay lip service to its subtexts.
63 Chicago Tribune Marc Caro
Despite scattered bits of nice writing, the movie never quite comes together.
60 Variety
Norton directs with assurance.
60 Slate
A slick, not-too-thoughtful love story.
60 Chicago Reader
The charm of the three leads makes it a movie worth seeing.
60 LA Weekly Paul Cullum
Unbearably talky and earnest in equal measure.
50 Film.com
Too long, too predictable.
50 Entertainment Weekly
Commits sins of romantic comedy as well as sins of spiritual tragedy.
50 San Francisco Chronicle
The audience is made to wait a long time for an ending that's not worth waiting for.
50 Newsweek
A fine film; as an Ed Norton picture, it's a disappointment.
40 Village Voice
Its exploration of faith and love is skin deep.
30 Salon.com
Edward Norton's dopey directorial debut gives interfaith romance a bad name.
30 Dallas Observer
Banal sit-comedy masquerading as religious deepthink dolled up as boy-meets-goy love story.
0 Portland Oregonian
Chock-full of the sort of levity that leaves you feeling you've been beaten about the head with a lead pipe.

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