Metacritic Film

Kiss Me, Guido

Starring Nick Scotti, Anthony Barrile, Anthony DeSando, Craig Chester, Domenick Lombardozzi, Molly Price, and Christopher Lawford

MPAA RATING: R for sexuality and strong language

Paramount Pictures
Comedy
86 minutes | Color
USA
Released In Theaters July 18, 1997

Kiss Me Guido puts lifestyles on a comic collision course. One hilarious mix-up follows another as straight-arrow Frankie (Scotti), a pizza maker from the Bronx, comes to terms with Greenwich Village gay culture -- and his new roomie, actor/choreographer Warren (Barrile), comes to terms with Frankie. (Paramount Pictures)

WRITTEN BY
Tony Vitale

DIRECTED BY
Tony Vitale

Overall Metascore

This is a weighted, normalized average of all individual scores given by critics, on a scale of 0 (worst) to 100 (best).

46 / 100

Critic Reviews

75 San Francisco Chronicle
It's a bouncy, occasionally awkward diversion with sharply written characters and good actors.
63 ReelViews
A clunky script that reduces the characters to one-dimensional stereotypes.
60 Los Angeles Times
If Tony Vitale's Kiss Me, Guido isn't quite the laff riot its trailer suggests, it nonetheless abounds in good-hearted humor, adding up to a perfectly pleasant summer diversion.
60 Variety
A bright, snappy culture-clash farce in the mode of "Desperately Seeking Susan" and its ilk, Kiss Me, Guido plays gay and Italian-American stereotypes against one another to good-natured, crowd-pleasing results.
60 The New York Times
Manages to have playful comic ingenuity of its own.
58 Entertainment Weekly
If writer-director Tony Vitale ladles on the cliches with extra sauce, Guido still has a hey-Ma-I'm-makin'-a-movie enthusiasm that's more infectious than it has a right to be.
50 Chicago Sun-Times
A movie with a lot of funny one-liners, but no place to go with them.
50 San Francisco Examiner
Neither offensive nor inspired.
50 Austin Chronicle
The film's biggest shortcoming is that its caricatured strokes aren't broad enough; it lacks the slam-bang energy of the comically grotesque.
50 TV Guide
Clumsy and amateurish. But it's also occasionally quite charming, and ultimately more commendable for what it ISN'T than worthy of censure for being nothing more than an inconsequential comedy.
40 Chicago Reader
If spelling out stereotypes were inherently funny the movie would be a hoot.
40 Empire Jake Hamilton
30 LA Weekly
That crack in Vitale's storytelling foundation would be forgivable if the writing, acting and character epiphanies . . . well, existed. As it is, not even Scotti's formidable lips can blow life into this stillborn flick.
30 Washington Post
An unfunny comedy by Tony Vitale that is enacted not by fleshed-out characters but by hackneyed, two-dimensional stereotypes. There’re so many sexual and ethnic caricatures, it’s hard to know which is most offensive.

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