Metacritic Film

Left Behind: The Movie

Starring Brad Johnson, Chelsea Noble, Kirk Cameron, and Clarence Gilyard Jr.

MPAA RATING: PG-13 for violence

Cloud Ten Pictures
Suspense/Thriller
95 minutes | Color
Canada
Released In Theaters February 2, 2001

In one chaotic moment, millions people around the world suddenly disappear. This is the rapture that God has planned as the first sign to begin the unraveling of the end of time. (Left Behind Productions)

WRITTEN BY
John Bishop
Alan B. McElroy
Jerry B. Jenkins (novel)
Tim LaHaye (novel)

DIRECTED BY
Victor Sarin

Overall Metascore

This is a weighted, normalized average of all individual scores given by critics, on a scale of 0 (worst) to 100 (best).

22 / 100

Critic Reviews

66 Mr. Showbiz
Hark! A Christian thriller about the Last Days that doesn't (totally) suck. That's got to be a sign of the times.
50 Variety
Might be extremely effective while preaching to the converted, but it's no great shakes as secular entertainment.
50 New York Daily News
With an appealing lead in Cameron, and a nicely brisk pace, there's a decent, midlevel Apocalypse movie here. But be aware that you will have to peel away several pages of the Bible to get to it.
40 TV Guide
This picture's b-movie values probably play better on video than in theaters.
40 Chicago Reader
Seems perfectly timed to coincide with the ascension to office of George W. Bush. It's a clunky effort Bush could have written and directed.
38 Philadelphia Inquirer
Piously acted, stiffly directed, and infused with a view of world politics that might charitably be described as delusional.
30 The New York Times
For all its intimations of fire and brimstone, the film isn't remotely frightening, and the high-school-level acting doesn't help.
25 New York Post
A slow-moving, dirt-dull narrative crammed with clunky expository dialogue and obscure Biblical references.
20 Film.com
Watching Left Behind's plodding screen adaptation may make you feel the Deity has already abandoned us to a shockingly dull post-apocalypse.
10 Washington Post
A blundering cringefest, thanks to unintentionally laughable dialogue, hackneyed writing and uninspired direction.
0 Charlotte Observer
It's well-shot and well-edited by Hollywood standards, though special effects don't reach the top Hollywood level. The stars have their hearts in their work: Cameron and Johnson don't have great depth but give their all. Currie makes a subtle villain.
0 Austin Chronicle
The loosely scripted story is further burdened with clunky dialogue and performances, shoddy continuity.

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