Metacritic Film

Left Luggage

Starring Laura Fraser, Adam Monty, Isabella Rossellini, Jeroen Krabbé, and Topol

MPAA RATING: Not Rated

Caste Hill Productions
Drama
100 minutes | Color
Belgium / Netherlands / USA
Released In Theaters September 22, 2000

Chaja (Fraser), a young and free-spirted liberal Jewish girl in 1970's Amsterdam, becomes the nanny to a retarded Jewish boy in a strict Hassidic Family.

WRITTEN BY
Carl Friedman (novel)
Edwin de Vries

DIRECTED BY
Jeroen Krabbé

Overall Metascore

This is a weighted, normalized average of all individual scores given by critics, on a scale of 0 (worst) to 100 (best).

51 / 100

Critic Reviews

75 Philadelphia Inquirer
An exceptional film -- unpacks long-buried suitcases, both figuratively and literally.
75 New York Daily News
Krabbe attempts to stuff too many themes and subplots into the story.
75 Baltimore Sun Staff (Not credited)
The film is a thoughtful, but by no means somber, look at an issue that might strike a particular chord with Jews.
70 Village Voice
Krabbé alternates exaggeration with sentiment, but the main characters are relatively complex, and its surprise ending is genuinely affecting.
63 Chicago Tribune Robert K. Elder
The only glaring fault of this otherwise fine film is that director Jeroen Krabbe's sense of drama is far too heavy-handed in spots.
60 Los Angeles Times
Becomes disarmingly warm and even a little folksy at times, but Edwin de Vries' script proves devastatingly deceptive.
60 LA Weekly
Manipulative filmmaking at its most gently persuasive.
50 Austin Chronicle
Not for everyone's taste, I'd think, but a notably thoughtful effort nonetheless.
50 Variety David Stratton
A well intentioned but uneven and overly sentimental film.
50 New York Post
After a dreadfully clunky start, Left Luggage picks up and becomes quite moving.
50 Chicago Sun-Times
One of those movies where the audience knows the message before the film begins and the characters are still learning it when the film ends.
50 Christian Science Monitor
The drama has compelling moments and touches of imagination, but it relies more on sentiment than sense in conveying its messages about faith, family, and tradition.
41 Mr. Showbiz
Has only its actors to keep it afloat.
40 TV Guide
Can a adorable, freckle-faced four-year-old save an entire movie? Sadly no.
40 The New York Times
So intent on pushing its virtuous agenda that its characters often sound like mouthpieces parroting predigested attitudes.

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