Metacritic Film

L'Ennui

Starring Charles Berling, Sophie Guillemin, Arielle Dombasle, and Robert Kramer

MPAA RATING: Not rated

Phaedra Cinema
Romance
120 minutes | Color
France
Released In Theaters October 15, 1999

A fortysomething, recently separated philosophy professor (Berling) encounters the former model of a painter who apparently died while having intercourse with her. The professor begins having sex with the teenage girl on a daily basis and becomes obsessed with her.

WRITTEN BY
Cedric Kahn
Laurence Ferreira Barbosa
Alberto Moravia (novel)

DIRECTED BY
Cedric Kahn

Overall Metascore

This is a weighted, normalized average of all individual scores given by critics, on a scale of 0 (worst) to 100 (best).

59 / 100

Critic Reviews

80 Chicago Reader
A must-see.
75 San Francisco Examiner
There's enough sexual manic depression to justify house calls from Dr. Laura.
75 Seattle Post-Intelligencer
Kahn manages to turn his feast of flesh, navel-gazing talk and self-destructive jealousy into a thoughtful reflection on the subject.
70 Los Angeles Times
Such a rigorous exploration of sexual obsession that it proves to be a most demanding film.
70 Village Voice Elliott Stein
The plump, Rubenesque Guillemin steals the show. Her understated simplicity is her strength -- this is one of the major movie debuts of recent years.
70 TV Guide
Catches you with a creepy sucker punch.
63 New York Post
Talky, overlong and, ultimately, just as predictable and repetitive as the maddening relationship it depicts.
63 New York Daily News Robert Dominguez
Only mildly interesting.
60 The New York Times
Overly schematic, not always believable in its crude sexual mechanics and ultimately unsensual. But it lays out the laws of erotic attraction with a brutal directness that is downright scary.
50 Christian Science Monitor
Energetic acting and directing make it a less exasperating experience than it might have been.
50 San Francisco Chronicle
It's a movie about an idiot in the grip of something common place. He starts off as a garden-variety idiot and progresses to a big idiot.
40 LA Weekly
As exasperating as it is insightful. The film ultimately falters, though, because it's so resolutely old-fashioned.

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