Metacritic Film

Little Voice

Starring Brenda Blethyn, Jane Horrocks, Ewan McGregor, and Michael Caine

MPAA RATING: R for language and brief nudity

Miramax Films
Comedy
96 minutes | Color
UK
Released In Theaters December 4, 1998

A magical musical comedy about the power and perils of expression. (Miramax Films)

WRITTEN BY
Jim Cartwright (play The Rise and Fall of Little Voice)
Mark Herman

DIRECTED BY
Mark Herman

Overall Metascore

This is a weighted, normalized average of all individual scores given by critics, on a scale of 0 (worst) to 100 (best).

68 / 100

Critic Reviews

90 New Times (L.A.)
This terrific movie manages to invest kitchen-sink realism with the soul of a fairy tale.
90 Film.com
Little Voice is that rarity, a filmed adaptation of a stage play that actually works.
90 Washington Post
The trick of this movie is that it's so changeable: You think you've got it nailed and it slithers away to become some other new, fabulous thing.
88 ReelViews
By offering opportunities to laugh, cry, and cheer, Little Voice satisfies in a big way.
80 Washington Post
Little Voice may be more of a confection than a square meal, but it's proof of how good a dish can be when the ingredients are of the highest order.
80 Rolling Stone Arthur Borman
Taking it's framework from classic fairly-tale characters like Cinderella, the British story of Little Voice is one of compassion, humor and music.
80 Variety
A small picture with a big heart.
80 The New York Times
Horrocks's phenomenal mimicry of musical grande dames...makes a splendid centerpiece for the otherwise more ordinary film built around it.
80 Los Angeles Times
British actress Jane Horrocks plays Little Voice, and it is a transfixing, tour de force performance.
80 Chicago Reader
Many of the elements in this story about a woman who's nearly eclipsed by her overbearing mother are all too familiar, yet the combination is utterly charming.
80 Village Voice
The show that Horrocks puts on when she finally takes to the stage is more than worth the wait.
75 USA Today
Engagingly offbeat. [4 December 1998, Life, p.13E]
75 Christian Science Monitor
The movie is often as raucous and seedy as its less-attractive characters, but it gains power from inventive acting and poignant touches.
75 Chicago Tribune
A slightly more light-hearted version of the "Shine" story. [4 December 1998, Friday, p.A]
75 Chicago Sun-Times
Little Voice is unthinkable without the special and unexpected talent of its star.
75 San Francisco Examiner
The drawbacks to Little Voice might sink a lesser movie, but not this one.
75 San Francisco Chronicle
They're great, every one of them, but the real joy of Little Voice is Horrocks: her impeccable evocation of a timid soul and that eerie voice that sounds so surprising coming out of her.
70 Salon.com
Jane Horrocks saves the annoyingly noisy Little Voice.
63 The Globe and Mail (Toronto)
Ultimately, Little Voice comes to us from an indeterminate place that is no longer the theatre but not quite the movies. Let's call it music videoland -- best just to sit back and enjoy golden-oldie tunes belted out by a quicksilver mimic.
60 Film Threat Ilana Lindsey
The screenplay has a strong sense of fun but after establishing its concept and characters it doesn't know where to take them.
60 TV Guide
Actress Jane Horrocks is so good in this drama that you'll hardly notice -- or care -- that the rest of the film isn't quite up to snuff.
58 Entertainment Weekly Staff(not credited)
The movie adaptation suffers the symptoms of so many stage-to-screen transplants: What seemed thrillingly big and bold in live performance comes across shrunken and hemmed in when "opened up" to fill a feature film.
50 The Onion (A.V. Club) Joshua Klein
Though it's got some funny one-liners, sight gags, and Blethyn's over-the-top histrionics, Little Voice is often painfully dramatic, right down to its final mother-daughter confrontation.
40 Austin Chronicle
The decibel level in Little Voice ranges from a delicate whisper to seismic bellowing; aurally speaking, it traverses the spectrum of human sounds.
20 LA Weekly
As mean-spirited toward its working-class characters, especially its women, as it is profoundly unfunny.

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