| 100 |
Entertainment Weekly
Jim Carrey's performance is an impersonation on the level of genius.
|
| 100 |
Christian Science Monitor
Less a biography than an essay on theatrical illusion and the changing nature of comedy. Love it or hate it, you've never seen anything quite like it.
|
| 100 |
Baltimore Sun
Actually moves, whisking the audience on a funny, sad and extraordinary journey through a singularly compelling moment in American pop culture.
|
| 100 |
New York Post
Less a conventional biography than a performance film - one that stuns and delights.
|
| 88 |
Chicago Sun-Times
What is most wonderful about Man on the Moon, a very good film, is that it remains true to Kaufman's stubborn vision.
|
| 80 |
Time
Just gives us Andy, the pop postmodernist, and permits us to make what we will of him, which is a fascinating activity.
|
| 80 |
TNT RoughCut
Sarah Raskin
This Andy has "Oscar" written all over it.
|
| 75 |
Seattle Post-Intelligencer
It offers no special insights into its subject, it doesn't connect on any higher level, and it left me feeling vaguely dissatisfied and let down.
|
| 75 |
New York Daily News
Carrey gives an otherworldly, possessed performance as Kaufman.
|
| 75 |
San Francisco Examiner
A fascinating, sometimes profound curiosity.
|
| 75 |
USA Today
A movie of moments whose ultimate legacy may be to get Carrey out of formula comedies forever.
|
| 75 |
Miami Herald
Carrey's amazing transformation in Man on the Moon does justice to Kaufman's undefinable talents and his peculiar outlook on entertainment.
|
| 67 |
Portland Oregonian
Strictly texture, a romp over the surfaces of Andy Kaufman's life with not much insight into its core.
|
| 63 |
Mr. Showbiz
Unsuccessfully attempts to fathom Kaufman's lunatic sensibilities, supplying scant psychological insight into what made the outrageous comic tick.
|
| 63 |
Chicago Tribune
It's not that the movie is bad; it's merely uninspired and relatively clueless about Kaufman.
|
| 63 |
Boston Globe
Remains a frustratingly opaque study. There's something missing, namely Kaufman.
|
| 60 |
Chicago Reader
Though it suggests intriguing ideas about the nature of performance, humor, ambition, and the consumption of spectacle, the movie only superficially explores them.
|
| 60 |
Film.com
Jim Carrey is magnificent as Kaufman.
|
| 60 |
LA Weekly
Chuck Stephens
The sort of sick humor even Andy Kaufman would have recognized as well beyond the pale.
|
| 60 |
Newsweek
Forman's decision to stick to the surface is probably, in the end, a wise one. Kaufman always wanted to keep us guessing, and this movie respects his wishes.
|
| 60 |
Rolling Stone
You won't forget the way Carrey transcends mere impersonation to find the roots of Andy's torment.
|
| 60 |
The New York Times
Janet Maslin
What is missing here, though it might have been the first thing expected from an ostensible film biography, is an answer to the simplest question: Who was Andy Kaufman, and how did he get that way?
|
| 50 |
Dallas Observer
If this movie is a pedestal, it is far too tall and wide for a performer of Kaufman's stature.
|
| 50 |
Los Angeles Times
Unfortunately for Man on the Moon, Kaufman is definitely a person more interesting to hear about than to experience, an acquired taste few will be tempted to acquire.
|
| 50 |
Washington Post
All credit to Carrey, whose one-man performance is almost enough to redeem the movie.
|
| 50 |
Film.com
Carrey's performance, and Forman's lively attempts to ask serious questions about the nature of comedy, keep it interesting. Certainly it's never dull.
|
| 50 |
San Francisco Chronicle
Though Man on the Moon is lost when it comes to Kaufman's inner life and motivations, it offers a detailed account of his career.
|
| 50 |
TV Guide
Milos Forman's film is a series of incredible simulations that never quite cohere into a movie.
|
| 40 |
Film.com
Regretfully, the beginning of this movie is as good as it ever gets.
|
| 40 |
Village Voice
The filmmakers don't even attempt to give Kaufman an inner life.
|
| 40 |
Slate
I bet that what Carrey saw from inside Kaufman's head would be more illuminating than anything in the movie.
|
| 40 |
Austin Chronicle
It would seem the purpose of this movie, if not to deify, is to define -- and in this it fails miserably.
|
| 40 |
Salon.com
Too conventional to capture Kaufman's insanity and too haphazard, too shapeless, to recapture Kaufman's energy in any meaningful way.
|
| 30 |
Variety
Never comes close to making the case that its subject is worthy of the viewer's interest.
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