| 75 |
Chicago Sun-Times
Griffiths is one of the most intensely interesting actresses at work today.
|
| 75 |
San Francisco Chronicle
At heart this is a thoughtful, well-made movie about something serious.
|
| 70 |
Rolling Stone
Karmel delivers feminist fun even a guy can get.
|
| 67 |
Seattle Post-Intelligencer
Likely to provide many points of identification for many women.
|
| 63 |
Chicago Tribune
Far too self-absorbed a picture.
|
| 58 |
Portland Oregonian
Takes a look at the bumpy path to self-discovery.
|
| 50 |
Chicago Reader
Easy to take but ultimately rather aimless.
|
| 50 |
Film.com
Though the film is generally weak, treading very familiar ground, those dashes of insight and humor - along with Griffiths' performance - pull you into the film.
|
| 50 |
Entertainment Weekly
Rachel Griffiths...is the best reason, nay, the only reason to pay attention to Me Myself I.
|
| 50 |
The New York Times
A sugarcoated romantic comedy that is just clever enough to make you wish it were three times as smart and only a third as sweet.
|
| 50 |
Los Angeles Times
Griffiths' Pam holds your attention without any gratuitous mannerisms or broad asides. It's a sleek, rangy performance that all but redeems the hackneyed familiarity of the premise.
|
| 50 |
TV Guide
If you were watching it at home you wouldn't feel compelled to pause the film before going into the kitchen to fix a snack.
|
| 50 |
Dallas Observer
Ambitious in scope and humble in execution.
|
| 50 |
Boston Globe
A comic vehicle for that valuable Australian export, Rachel Griffiths.
|
| 40 |
Village Voice
A feel-good, fatalist placebo.
|
| 40 |
Film.com
The script is a minefield of ideas that need more work.
|
| 38 |
New York Daily News
A fascinating contrast in lifestyles.
|
| 20 |
LA Weekly
It's bad enough that Australian writer-director Pip Karmel feels she must attempt the alternate-reality gimmick.
|
| 20 |
Film.com
Despite this chance to experience something thrilling and new, her life is just as dull the second time around.
|
