| 89 |
Austin Chronicle
For my money the most gloriously, enchantingly trivial play in the Shakespearean canon, A Midsummer Night's Dream may also be the most screwup-proof of the bard's works.
|
| 88 |
ReelViews
A thoroughly enjoyable piece of cinema that does credit to its director and cast.
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| 80 |
Washington Post
Jane Horwitz
Only the title is clunky in this felicitous marriage of cinematic trickery, theatrical whimsy and the Bard's fabulous tale.
|
| 80 |
The Onion (A.V. Club)
Hoffman (Soapdish, One Fine Day) leads a first-rate cast in an intelligent, fully realized adaptation of Shakespeare's most popular comedy that's at once highly cinematic and true to its source.
|
| 80 |
Dallas Observer
M. V. Moorhead
One of the best of the many delights of director Michael Hoffman's new film -- is that he manages to have it both ways -- the gauzy fantasy and the bacchanal.
|
| 75 |
The Globe and Mail (Toronto)
The well chosen cast helps -- no one strikes a false note.
|
| 75 |
Chicago Tribune
Most of the original play's magical speeches are preserved here, and however far this film may seem to stray from the original text, the delights remain. [14 May 1999, Friday, p.A]
|
| 75 |
San Francisco Examiner
A gorgeous sliver of grown-up ambrosia.
|
| 75 |
San Francisco Chronicle
A playful, sexy piece of work -- just what the Bard might have conjured up for a movie adaptation of his beloved spring-fever comedy.
|
| 75 |
Chicago Sun-Times
It is an enchanted folly suggesting that romance is a matter of chance, since love is blind; at the right moment we are likely to fall in love with the first person our eyes light upon.
|
| 70 |
Washington Post
Hoffman introduces a memorable sensuality to the movie.
|
| 70 |
Slate
Hoffman has wedged the play into a weirdly inapposite setting, has stupidly cut and even more stupidly embellished it, and has miscast it almost to a player. And yet the damn thing works: Shakespeare staggers through, mutilated but triumphant.
|
| 63 |
USA Today
The major flaw, the clash of acting styles, is at least fascinating to observe. [14 May 1999, Life, p.8E]
|
| 60 |
Variety
Whimsical, intermittently enjoyable but decidedly unmagical.
|
| 60 |
Newsweek
Jack Kroll
Uneven but spunkily energetic movie.
|
| 58 |
Entertainment Weekly
Alice King
Kline turns in a bravura performance -- he's one of the few in this star-packed cast who actually knows what to do with Shakespeare's poetry.
|
| 50 |
The New York Times
A parade of incongruities, with performances ranging from the sublime to the you-know-what.
|
| 50 |
Seattle Post-Intelligencer
Shakespeare's comical, all-too-human tale of lust, foreplay and wordplay is buried beneath bad taste.
|
| 50 |
LA Weekly
The set design is gung-ho Hallmark (Tinkerbell lights, that sort of thing) with a strong whiff of Fellini (the fairy glade looks like a pre-Raphaelite red-light district).
|
| 50 |
Christian Science Monitor
If the picture is often less spellbinding than it wants to be, it's partly Hoffman's fault for creating fantasy moods through traditional stage devices -- lavish props, cute makeup, peek-a-boo costumes -- that seem rather tame for this age of morphed-up visual surprises.
|
| 50 |
TV Guide
A thoroughly respectable affair: Your high school English teacher would approve, and parts are terrifically enjoyable.
|
| 50 |
Village Voice
The early scenes whir and buzz along to create quite a pleasing clamor.
|
| 50 |
Los Angeles Times
This is a chance to see Shakespeare with mud wrestling, something the Bard surely would have put in if only he'd thought of it himself… Though the actors have no major problems handling the language, the whole venture is listless when it should be sparkling. Shakespeare, even with mud wrestling, needn't be quite so much of a slog. [14 May 1999, Calendar, p.F-6]
|
| 40 |
The New Yorker
Kevin Kline does his best movie work yet as Nick Bottom...But in most other ways this "Midsummer Night" is hard to endure.
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