Metacritic Film

Nines, The

Starring Ryan Reynolds, Hope Davis, Melissa McCarthy, Elle Fanning, and Dahlia Salem

MPAA RATING: R for language, some drug content and sexuality

Newmarket Films
Drama
99 minutes | Color
USA
Released In Theaters August 31, 2007

The Nines consists of three short films, each featuring the same actors in different--and sometimes overlapping--roles. Together, the three stories form a single narrative that explores the relationships between author and character, actor and role, creator and creation. Alternately funny and unsettling, The Nines is like a riddle where the answer is the question: "How does it all add up?" (Newmarket Films)

WRITTEN BY
John August

DIRECTED BY
John August

Overall Metascore

This is a weighted, normalized average of all individual scores given by critics, on a scale of 0 (worst) to 100 (best).

52 / 100

Critic Reviews

75 Entertainment Weekly
John August directs it briskly, as a gossip-era "Twilight Zone" of image and reality.
75 New York Daily News
It's an intricate, at times incoherent, but often funny and consistently fascinating trio of stories with the same actors in different but related roles.
70 Los Angeles Times
Rather than come across as fantastic or dreamlike, the stories have a vivid, hyperreal quality to them.
70 Film Threat Jamie Tipps
This movie is metaphysical fun, and while some elements are predictable, it’s an engaging mystery.
63 Premiere
It's an overall heady conceit about image and invention, clever and fun with compelling lead performances -- especially Reynolds, who finally gets to show some chops in a career littered with Van Wilder–grade junk.
63 TV Guide
The payoff fizzles, but the buildup is intriguing until it topples under its own weight.
60 Variety
The Nines arcs from witty Hollywood insiderdom to a climactic metaphysical leap that may leave many viewers nonplussed. Nonetheless, there's more than enough intelligence, intrigue and performance dazzle to make this an adventuresome gizmo for grownups.
50 Salon.com
The movie never fails to be crisply written and cannily delivered, but it's way too steeped in TV-culture inside jokes for its own good, and August's attempts to suffuse the whole thing with ontological or theological meaning are ultimately pretty dumb.
50 The New York Times
Think of it as a kind of “Twilight Zone 2007” in which the paranoia endemic to an industry that runs on illusion, hype and extravagant grandiosity comes home to roost.
38 New York Post
Wavers uncomfortably between satire and dime-store existentialism on the big screen. It's sort of as if Charlie Kaufman rewrote "The Fountain."
30 Austin Chronicle
The Nines is the feature-film-directing debut from screenwriter John August (Go, Big Fish), but it feels much more like some Bizarro World collaboration between Jean-Paul Sartre and Charlie Kaufman, and not in a good way, either.
30 Village Voice Scott Foundas
It's hardly a novel idea, but at least when Kaufman, David Lynch, or Michel Gondry invites us on a tour of his chaotic subconscious, it's a fascinating place to visit. Plunging into August's gray matter is more like a season in vacation hell.

CLOSE THIS WINDOW

©2009 CNET Networks Inc. All rights reserved.