Metacritic Film

Onegin

Starring Ralph Fiennes, Liv Tyler, Toby Stephens, Lena Headey, and Martin Donovan

MPAA RATING: R for brief violence and a sexual image

Samuel Goldwyn Films
Drama
106 minutes | Color
UK
Released In Theaters December 17, 1999

Director Martha Fiennes explores the theme of unrequited love in this drama based on Aleksandr Pushkin's verse novel. Eugene Onegin (Ralph Fiennes), an 1820s Saint Petersberg aristocrat is introduced to the young and passionate Tatiana (Tyler) who falls in love with him and is intially refused.

WRITTEN BY
Peter Ettedgui
Michael Ignattief
Alexander Pushkin (poem)

DIRECTED BY
Martha Fiennes

Overall Metascore

This is a weighted, normalized average of all individual scores given by critics, on a scale of 0 (worst) to 100 (best).

59 / 100

Critic Reviews

90 Los Angeles Times
A pleasure in all ways.
90 Chicago Reader
Few things are more enthralling than unrequited love, as demonstrated by this drama.
80 Film.com
A deliciously romantic story, in all senses of the word.
80 Time
Handsome, well-acted, richly textured adaptation of Alexander Pushkin's novel.
80 Mr. Showbiz
A riveting, unsentimental tragedy of unrequited love.
75 New York Post
The pace slackens a little after the first hour, but the photography by Remi Adefarasin and music by Magnus Fiennes keep the emotion stoked.
75 San Francisco Examiner
Hot-blooded.
75 Philadelphia Inquirer
Fiennes does this sort of inner pain thing exceedingly well, Tyler is beguiling and believable, and there is an edge of wit and grace to the proceedings.
75 Seattle Post-Intelligencer
(Fiennes's) Onegin is clueless to anything other than the sensual world, and is finally more repellent than sympathetic.
67 Entertainment Weekly
Tatyana, the embodiment of a heroine whose still waters run deep, requires more maturity than Tyler as yet possesses.
67 Portland Oregonian
A handsome, somewhat draggy and abrupt film that's more memorable in snippets than as a whole.
63 Chicago Tribune
Despite Fiennes' splendid moodiness and Tyler's radiant vulnerability, despite lovely settings... this movie is dull.
63 Chicago Sun-Times
There is a cool, mannered elegance to the picture that I like, but it's dead at its center.
63 Boston Globe
A confident and promising directorial debut, one that has the feel of an experienced director to it, from the hypnotic unfolding of scenes to the finely observed character details.
60 Film.com
(Tyler's) voice is still mall American, and Onegin's rejection of her is nowhere near as puzzling or as tragic as it's supposed to be.
50 Austin Chronicle Editor
A sumptuous yet unexceptional story.
50 TV Guide
Overall, this is the kind of thing that gives literary adaptations their bad name.
50 New York Daily News
Makes you appreciate opera, or NoDoz.
50 San Francisco Chronicle
Would have been a stronger movie if it didn't require a strong cup of coffee going in.
40 The New York Times
Feels too cramped, indoorsy and bloodless to catch romantic fire.
20 Village Voice
Unable to capture either its wit, psychological acuity, or formal rigor, the movie essentially reduces the schematic, seesaw narrative to doomy clichés.

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