| 100 |
Los Angeles Times
The film's immense cast and crew, headed by director Michael Bay, writer Randall Wallace and stars Ben Affleck, Josh Hartnett and Kate Beckinsale, blend artistry and technology to create a blockbuster entertainment that has passion, valor and tremendous action.
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| 75 |
Seattle Post-Intelligencer
The cast is engaging, the overall visual effects are tremendous and I found myself fairly swept away for most of the fast-moving, three-hour running time.
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| 75 |
Boston Globe
The film never quite hits a sure-footed stride. The fictional love story stays fictional. But ''Pearl Harbor'' delivers the main event.
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| 75 |
San Francisco Chronicle
It expertly capitalizes on the emotional associations Americans have with Pearl Harbor and renders the battle scenes with an excellence that goes beyond proficiency and into the realm of art.
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| 70 |
Washington Post
Until a disappointing tailspin in the last hour, Pearl Harbor is the best piece of popular entertainment to come along in years.
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| 70 |
Newsweek
Ninety minutes into this massive movie the attack commences, and the spectacular images come hurtling like fireballs. This is, let's be honest, what we're here for, and what most Jerry Bruckheimer-produced movies serve up best: the poetry of destruction.
|
| 70 |
Film.com
Parts of this three-hour World War II epic are brilliant -- especially the 40-minute sequence in which the sneak attack on Pearl Harbor is stunningly re-created.
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| 67 |
Entertainment Weekly
The picture is nearly painstaking in its traditionalism, a tale of love, war, and valor in which nostalgia for ''simpler times'' gets mashed together, almost fetishistically, with nostalgia for old movies and for the spirit of knightly self sacrifice during World War II.
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| 63 |
Chicago Tribune
A movie meant to explode off the screen -- and it's at its best when those explosions are going full blast.
|
| 60 |
The New York Times
Works best as a bang-and- boom action picture, a loud symphony of bombardment and explosion juiced up with frantic editing and shiny computer-generated imagery.
|
| 60 |
New Times (L.A.)
It's war porn, a movie that revels in the carnage.
|
| 50 |
New York Magazine
For all its agonizing true-life trappings, has the staying power of a grand-scale video game. Manhattan's sushi bars are in no danger of going dark.
|
| 50 |
Portland Oregonian
It's a Ritalin-deprived sensibility, but it keeps you skating over the dull spots, in which the film unfortunately is rich.
|
| 50 |
Austin Chronicle
A crowd-pleasing blockbuster if ever there was one, features as its centerpiece a jaw-droppingly vivid re-creation of the Japanese attack on the U.S.'s fabled (and extremely vulnerable, as it turned out) Pacific fleet.
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| 50 |
Salon.com
"Pearl Harbor" is exactly the kind of prestige project you'd expect from a director like Bay, hitting all its targets with plodding precision and never once achieving surprise.
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| 50 |
TV Guide
Clearly, neither screenwriter Randall Wallace nor director Michael Bay ever met a cliche he didn't embrace.
|
| 50 |
New York Daily News
The 2,400 Americans who lost their lives at Pearl Harbor deserve a nobler memorial than this sentimental hogwash that reduces heroism to "Top Gun" antics and pretty cinematography.
|
| 50 |
Charlotte Observer
The filmmakers would have been better advised to stick with the Zeroes and spend less time making up heroes.
|
| 50 |
Philadelphia Inquirer
A script with the most underdeveloped characters and spectacularly realized visuals since "Titanic."
|
| 50 |
USA Today
It's an extravaganza worth seeing once -- and maybe later on DVD.
|
| 50 |
Miami Herald
With all the obvious work that went into this beautifully detailed, giant-scale movie, and considering the historical importance of the subject matter, was it too much to ask for a trace of intelligence, or maturity, or even insight?
|
| 50 |
New York Post
Unfortunately, the bulk of the three-hour epic is third-rate schmaltz that pays only lip service to history.
|
| 40 |
Rolling Stone
The film has no soul. An epic about this day of infamy should shake you to the core. But the real infamy about Pearl Harbor is that when you exit, you don't feel a thing.
|
| 40 |
Slate
I found "Pearl Harbor" annoying but not excruciating—even at three hours, it's less assaultive than either "The Mummy Returns" or "Moulin Rouge."
|
| 40 |
Mr. Showbiz
What comes before and after the sound and fury of the bombing raid are reams of banal dialogue.
|
| 40 |
LA Weekly
A Michael Bay movie: bang bang, paper-thin characters, wooden screenplay.
|
| 40 |
Time
The net result of this mighty effort is perhaps predictable: near total inconsequence.
|
| 40 |
Chicago Reader
If you decide to hit the concessions stand (where you're bound to have lots of company), I'd suggest going out for popcorn during either the first hour or the third, because the second features some pretty good big-screen effects involving planes, ships, and explosions.
|
| 40 |
Village Voice
The chaos is convincing, but, less ruthless than Steven Spielberg, Bay eschews D-day panic and mutilation.
|
| 38 |
Chicago Sun-Times
Its centerpiece is 40 minutes of redundant special effects, surrounded by a love story of stunning banality.
|
| 30 |
Variety
Just compare their superficiality to the complex characters in "From Here to Eternity" and what's missing here becomes terribly clear.
|
| 30 |
Washington Post
Perhaps they should have called this "Bore-a, Bore-a, Bore-a."
|
| 25 |
Baltimore Sun
A brain-dead buddy-movie tearjerker with semi-tasteful romance and tasteful gore mixed in with the derring-do.
|
| 25 |
Christian Science Monitor
Fiction and fantasy to evade reflection on the world we actually live in.
|
| 10 |
Wall Street Journal
Littered with low points -- lame comedy, dubious history, fumbling drama and a love story so inept as to make a pacifist long for war.
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