| 91 |
Seattle Post-Intelligencer
Christopher Matthews
Jonathan Demme's long-awaited Philadelphia is so expertly acted, well-meaning and gutsy that you find yourself constantly pulling for it to be the definitive AIDS movie. [14 Jan 1994, p.13]
|
| 88 |
Chicago Sun-Times
And yet Philadelphia is quite a good film, on its own terms. And for moviegoers with an antipathy to AIDS but an enthusiasm for stars like Tom Hanks and Denzel Washington, it may help to broaden understanding of the disease.
|
| 88 |
ReelViews
The story is timely and powerful, and the performances of Hanks and Washington assure that the characters will not immediately vanish into obscurity.
|
| 88 |
The Globe and Mail (Toronto)
This Hollywood movie about a gay man afflicted with AIDS is evocative, understated and ultimately deeply affecting. Hard-earned tears of truth. [22 Dec 1993, p.C1]
|
| 80 |
Variety
On a scene-by-scene basis, in terms of performance and the grave issues under consideration, the film is quite absorbing.
|
| 75 |
TV Guide
Staff (Not Credited)
Philadelphia fails to create complex characters or finely nuanced drama, but it succeeds in its real goal; the education of an audience whose thinking about AIDS and gay life has been shaped by notions of perversion and divine retribution.
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| 75 |
Boston Globe
Phildelphia, with its velvety textures and rhythms and heads-up soundtrack, does a good job of at least putting the topic on the mainstream table. And it's dramatically potent as well as historically important. [14 Jan 1994, p.73]
|
| 75 |
Chicago Tribune
Chrissie Bielinski
Even with its imperfections, Philadelphia is still an entertaining and moving film. Although it preaches, it also forces us to look at ourselves. [21 Jan 1994, p.N]
|
| 75 |
San Francisco Chronicle
Forgiving its moments of melodrama, Philadelphia makes emotional power punches out of every smile, embrace and tear in its story of a regular guy contracting AIDS and getting booted out of the law firm that once lifted him to glory. [14 Jan 1994, p.C1]
|
| 70 |
The New York Times
In the end, thanks to such effects and to the simple grace of Mr. Hanks's performance, this film does accomplish what it means to. Philadelphia rises above its flaws to convey the full urgency of its difficult subject, and to bring that subject home.
|
| 70 |
Washington Post
It's less like a film by Demme than the best of Frank Capra. It is not just canny, corny and blatantly patriotic, but compassionate, compelling and emotionally devastating.
|
| 70 |
The New Yorker
The result is an unorthodox blend of courtroom drama and old-style weepie, and somehow it comes off. [23 Dec 1993]
|
| 67 |
Entertainment Weekly
But Philadelphia turns out to be a scattershot liberal message movie, one that ties itself in knots trying to render its subject matter acceptable to a mass audience.
|
| 67 |
Christian Science Monitor
Staff (Not Credited)
Demme's filmmaking makes up in sincerity what it lacks in originality, and he gets a remarkable amount of emotional mileage from simple close-ups of expressive faces. [24 Dec 1993]
|
| 67 |
Austin Chronicle
Still, Philadelphia is comprised of enough “little moments” that provide all the richness and grace we need to get us past the film's more inelegant moments. Primary here are the transcendent lead performances by Hanks and Washington, both of whom are, at all times, exciting to watch.
|
| 60 |
Empire
For all its weaker aspects, it is to be recommended as a denunciation of intolerence made with understanding, compassion, and some humour.
|
| 60 |
Los Angeles Times
Genuinely moving at times, Philadelphia is trying, perhaps too hard, to break America's heart. [22 Dec 1993, p.1]
|
| 60 |
Wall Street Journal
They have also stripped out almost all complexity, reducing the drama to a familiar match between good and evil. You've heard all the speeches before; only the nouns have been changed. [23 Dec 1993, p.A9]
|
| 50 |
USA Today
Jonathan Demme's Philadelphia labors ambitiously on two socially conscious fronts - relating the story of an AIDS-afflicted lawyer while exploring a much broader issue.
Unlike almost any other Demme movie - it's a film where you feel the gears struggling to mesh. [22 Dec 1993, p.1D]
|
| 40 |
Chicago Reader
Even a good performance by Tom Hanks and noble intentions can't save this mainstream look at AIDS from the worst effects of nervous committeethink.
|
| 10 |
Washington Post
Desson Howe
Directed by Jonathan Demme, and starring Tom Hanks and Denzel Washington, this AIDS courtroom drama is so pumped full of nitrous oxide, you could get your teeth drilled on it.
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