Metacritic Film

Piano Teacher, The

Starring Isabelle Huppert, Annie Girardot, Benoît Magimel, Susanne Lothar, Udo Samel, Anna Sigalevitch, Cornelia Köndgen, and Thomas Weinhappel

MPAA RATING: Not Rated

Kino International
Foreign
130 minutes | Color
Austria / France
Released In Theaters March 29, 2002

Erika (Huppert) is a piano teacher at a prestigious music school in Vienna. In her early forties and single, she lives with her overprotective and controlling mother (Girardot). Lonely and alienated, Erika finds solace by visiting sex shops and experimenting with masochism. (Kino International)

WRITTEN BY
Michael Haneke
Elfriede Jelinek (novel)

DIRECTED BY
Michael Haneke

Overall Metascore

This is a weighted, normalized average of all individual scores given by critics, on a scale of 0 (worst) to 100 (best).

79 / 100

Critic Reviews

100 Portland Oregonian
Daring work of genius.
100 Washington Post Ann Hornaday
Seems less like a fictional story than a tour through Freud's forgotten files.
100 San Francisco Chronicle
Powerful and outrageous.
90 LA Weekly
At once an emotional thriller and a domestic horror movie -- a woman's picture with a vengeance, in which the bloodletting is kept to a minimum, and ends up all the more powerful and profound for it.
90 The Onion (A.V. Club)
A viscerally punishing study of repression and masochism, carried out with the utmost discretion and chilling reserve.
90 Salon.com Jeff Stark
When you see The Piano Teacher in a movie theater you get a chance to go back in time, back to the days when French movies were titillating, provocative and kind of smart.
90 Washington Post
A disconcertingly assured tango between tenderness and brutality.
90 Los Angeles Times
The Piano Teacher will surely be too strong for some audiences and is best left to those who like films that take big risks and get away with them.
88 Chicago Sun-Times
There is an old saying: Be careful what you ask for, because you might get it. The Piano Teacher has a more ominous lesson: Be especially careful with someone who has asked for you.
88 Chicago Tribune
You will not forget The Piano Teacher. Nor will you forget Isabelle Huppert, a brave, brilliant actress who here plays her masterpiece.
88 Miami Herald
The result is a gripping psychological thriller that, while lacking the power of "Funny Games," is still the work of a master.
88 New York Daily News
Haneke has made a masterly, disturbing movie.
80 New Times (L.A.)
Huppert has never looked more beautiful. Despite her severe expression and lack of makeup, her face communicates enormous character. She proves absolutely spellbinding.
80 Rolling Stone
Watching Haneke's film is, aptly enough, a challenge and a punishment. But watching Huppert, a great actress tearing into a landmark role, is riveting.
80 The New York Times
Has the feel of a clinical case study elevated into a subject of aesthetic and philosophical discourse.
80 New York Magazine
Haneke is an exploitation filmmaker of the highest gifts. His movies are not to be entered into lightly.
80 The New Yorker
A seriously scandalous work, beautifully made, and it deserves a sizable audience that might argue over it, appreciate it -- even hate it. [1 April 2002, p. 98]
78 Austin Chronicle
Although little is ultimately “solved” or demystified in The Piano Teacher, the movie allows a chaperoned peek into the mind of one of civilization's “discontents.”
75 Christian Science Monitor
Its grimness is explicit, so approach it with caution.
75 Entertainment Weekly
The audience for this grimly disquieting film is, or ought to be, self-selecting.
70 Village Voice
The Piano Teacher's study in lurid sexual pathology occasions a tour de force by Isabelle Huppert as the title character.
63 New York Post
Thanks to a superb performance by Isabelle Huppert, it's compulsively, gruesomely watchable.
63 Philadelphia Inquirer
A squirmingly strange and brutal study of sexual power, masochism and mother-daughter madness.
60 Chicago Reader
If you like being shaken up and don't care too much why or how, this is probably for you; Huppert gives her all to the part, and you won't be bored.
50 Variety
Whatever valid points are being explored are hopelessly clouded by the film's unwavering earnestness as it descends into silliness and excess.
40 TV Guide
This is a psychological study that rejects psychology, an erotic drama of surpassing coldness, and a story of amour fou in which the madness is calculated and the love frozen.

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