| 100 |
Washington Post
Through this miasma of pain and suffering, love may not flicker more strongly than a dim lamp. But it's the only beacon to consider. Can Barry find his? Thanks to Anderson's assured picture, a symphony of cinematic textures, that disarmingly simple question becomes incredibly compelling.
|
| 100 |
Rolling Stone
Anderson orchestrates a comic romance like no other. The effect is intoxicating. Sandler and the movie will knock you for a loop.
|
| 100 |
Philadelphia Inquirer
With its feverish, percussive soundtrack and bravura cinematography, is like a bolt from the blue, chock-full of unexpected delight.
|
| 91 |
Portland Oregonian
Anderson delivers a satisfyingly quirky, cinematically masterful valentine that contains more seeds of truth about the human heart than a hundred big fat Greek comedies.
|
| 90 |
Salon.com
Something we haven't seen before: a manic-depressive romantic comedy that aspires to the soul of a musical. It's a new-fashioned love song.
|
| 90 |
Slate
I found it exquisite. In part I responded out of sheer amazement: I've never seen anything like the sequences in which Sandler, in his boxy, sea-blue suit, charges around his warehouse to the rhythm of Brion's harsh drums.
|
| 90 |
Variety
Entirely unpredictable and marked by audacious strokes of directorial bravado.
|
| 88 |
Chicago Sun-Times
The film is exhilarating to watch because Sandler, liberated from the constraints of formula, reveals unexpected depths as an actor.
|
| 88 |
Chicago Tribune
An Adam Sandler movie with class, and if that sounds like an oxymoron, so be it. The movie is a happy nightmare of silly-smart movie comedy that defies category - and challenges expectations involving Sandler and his pictures.
|
| 88 |
The Globe and Mail (Toronto)
No film this year has offered quite the cerebral tickle, weird invention and slaphappy gusto.
|
| 88 |
USA Today
Despite its title, Punch-Drunk Love is never heavy-handed. The jabs it employs are short, carefully placed and dead-center.
|
| 88 |
Boston Globe
It's a honey of a performance: controlled, achingly human, and funny in the deepest ways.
|
| 88 |
Miami Herald
It's a small victory, but Punch-Drunk Love knows how to reap epic delight from the most precious of details.
|
| 88 |
New York Daily News
Whether Adam Sandler can actually act is not actually answered in Paul Thomas Anderson's Punch-Drunk Love. But he's great in it.
|
| 83 |
Entertainment Weekly
Deeply rich and strange new romantic comedy.
|
| 80 |
Newsweek
Punch-Drunk Love is one dark, strange-tasting sorbet, its sweetness shot through with startling, unexpected flavors. It’s a romantic comedy on the verge of a nervous breakdown.
|
| 80 |
Film Threat
Darrin Keene
It works because of Anderson's ability to challenge viewer expectations. Instead of making his principal actors change, he manipulates the story and dialogue to match their characters. His exquisite art-house camera shots and sense of pacing set Sandler up to do his usual thing in an almost poetic manner.
|
| 80 |
Los Angeles Times
Charming and outlandish by turns, this misfit love story of disconnected people trying to find one another in an antagonistic world is a comedy of discomfort and rage that turns unexpectedly sweet and pure.
|
| 80 |
New York Magazine
A startling achievement, but its lack of psychological dimension prevents it from making much human contact with us. It ends where it begins: in a state of shock.
|
| 80 |
Dallas Observer
Anderson and Sandler were meant for each other, and their romance is, unbelievably, our reward.
|
| 80 |
Wall Street Journal
Difficult too, and certainly problematic, but it's sometimes quite wonderful. Do see it if you're curious about one-of-a-kind films, and if you care about the ever-evolving career of one of our most gifted filmmakers.
|
| 80 |
The Onion (A.V. Club)
It's funny, too, though marked by an uneasy humor that's usually difficult to achieve. Anderson handles it with expert ease: At this point in his career, he moves the camera like a skilled dance partner, investing the smallest gesture with significance.
|
| 80 |
The New York Times
Poetry is perhaps the best way to think about Mr. Anderson's suave, exuberant balance of free-form inspiration and formal control.
|
| 80 |
LA Weekly
John Powers
The movie winds up being his sunniest, for Anderson takes care to keep their love sweet, daffy and punch-drunk. This is a film in which that modern obsession, frequent-flier mileage, becomes proof of fidelity, and true intimacy is portrayed by a man telling his lover, "I'm sorry I beat up the bathroom."
|
| 80 |
Washington Post
Ann Hornaday
The outlandish story and exaggerated colors ... swirl together to create an ethereal, sometimes sinister dreamscape.
|
| 80 |
Time
There is something arresting about it too. The damned thing keeps gnawing at your mind -- if only for its almost perfect lack of conventional sentiment. Or movieness.
|
| 75 |
Baltimore Sun
The result is a treat for Sandler fans and a revelation for those of us who've spent the last decade wondering what on earth his appeal is.
|
| 75 |
ReelViews
Quirky and stylish, but not in a manner that comes across as overly artsy or pretentious.
|
| 75 |
Christian Science Monitor
One of the most inventive offerings so far this season.
|
| 75 |
San Francisco Chronicle
Carla Meyer
Sweet-natured, meticulously observed love story.
|
| 70 |
TV Guide
The strangest thing about writer-director Paul Thomas Anderson's unusual romantic comedy is how much of it is based on a true story.
|
| 67 |
Austin Chronicle
Unconventional and idiosyncratic love story.
|
| 67 |
Seattle Post-Intelligencer
Sandler and Watson make something out of their underwritten roles, and that they do is testament to their talents: They make this punchy romantic comedy more engaging than it should be.
|
| 50 |
Chicago Reader
I wouldn't have minded even the Hollywood schlock lurking behind the studied weirdness if I'd believed in any of the characters on any level.
|
| 50 |
Village Voice
As elegantly crafted as it often is, Anderson's movie is essentially a one-trick pony that, hampered by an undeveloped script, ultimately pulls up lame.
|
| 38 |
Charlotte Observer
Punch-Drunk Love buries a terrific performance by Adam Sandler under a heap of faux cleverness, meaningless symbolism and irritating mannerisms.
|
| 25 |
New York Post
Essentially a weird series of nonsequiturs. I'd rather be watching a sequel to the much-maligned "Little Nicky" -- a Sandler film that was at least trying to do something interesting -- than this failed experiment in fusing high and low culture.
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