| 90 |
The Hollywood Reporter
De Palma's screenplay is outstanding, and he draws wonderfully naturalistic performances from his youthful cast.
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| 88 |
Chicago Sun-Times
The result of the film is shocking, saddening and frustrating.
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| 75 |
Christian Science Monitor
He intercuts documentary sequences from a French news crew and also includes Arab website footage of insurgents and YouTube confessions from soldiers who witnessed a barbarous act, which we also see, involving the platoon and a young Iraqi girl. The concept is audacious but the actors are too theatrical.
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| 75 |
TV Guide
The film is by turns strident, obvious, righteously angry and inspired.
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| 75 |
New York Post
De Palma is extreme, visceral, usually in bad taste but almost always riveting. De Palma's Redacted, a no-budget fake documentary that imagines the circumstances behind a real rape and murder of a civilian girl committed by US troops in Iraq, is a piece of anti-war propaganda whose aims I don't agree with, but it jolted me nonetheless.
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| 75 |
The Globe and Mail (Toronto)
Love it, hate it, but be sure to watch it, because this odd and disturbing picture is as different as the war it reflects, and that difference is vast enough to seem profound.
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| 75 |
San Francisco Chronicle
It isn't elegiac, but enraged. It doesn't look back with sorrow, but forward in dread. And it's made with a clear intention - to stop the Iraq war.
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| 75 |
Baltimore Sun
Redacted is a bristling act of protest that obliterates a target it isn't aiming for.
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| 70 |
The New Yorker
Redacted is hell to sit through, but I think De Palma is bravely trying to imagine his way inside an atrocity, and that he’s onto something powerful with his multisided approach.
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| 70 |
Time
Redacted pretty successfully sustains a dual level of hysteria (in its content) and disinterest (in its film-long framing devices). It's an amazingly vigorous work for a filmmaker who turns 67 on Sept. 11... The movie is a cry of national shame; for De Palma, it's a new badge of honor for a wily old vet.
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| 70 |
New York Magazine
Anyone who sees the suffering faces of the victims in "Casualties" and "Redacted" knows that De Palma not only despairs over what he’s showing us but implicates his own medium--his own male gaze--in the crimes against nature.
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| 67 |
Portland Oregonian
As a manipulator of images and emotions, De Palma has few equals, and this is his most gripping film in at least a decade. Viewed simply as cinema and not as political rhetoric, it's often a kick in the guts -- even when it makes you roll your eyes.
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| 67 |
Austin Chronicle
Despite its shortcomings, Redacted is nevertheless a film brimming with spontaneity and fury, and in a season of often-ambiguous films about the war in Iraq, there is a lot to be said for this kind of combustible energy.
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| 67 |
Seattle Post-Intelligencer
Under De Palma's cool disconnection is an anger, and it's this anger that drives his act of political theater.
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| 63 |
Chicago Tribune
Tasha Robinson
Like so many of his movies, Redacted is difficult to watch but queasily fascinating.
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| 63 |
New York Daily News
Like "Lions for Lambs," Redacted is more significant in its sense of purpose than its uneven execution.
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| 60 |
Salon.com
Brian De Palma's Redacted doesn't quite work as a movie. But it works as SOMETHING.
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| 60 |
Village Voice
The most authentic thing about Redacted is the rage with which it was made.
|
| 58 |
The Onion (A.V. Club)
As an expression of from-the-gut anti-war rage, Redacted is admirable, but as art, it's undercooked.
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| 50 |
Variety
Deeply felt but dramatically unconvincing "fictional documentary" -- inspired by the March 2006 rape and killings by U.S. troops in Mahmoudiya, south of Baghdad -- has almost nothing new to say about the Iraq situation and can't make up its mind about how to package its anger in an alternative cinematic form.
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| 50 |
Philadelphia Inquirer
DePalma's movie offers its own doctoring and processing, without delivering an ounce of real humanity - good or bad - in the bargain.
|
| 50 |
Chicago Reader
It shows rare courage in protesting the widespread abuse of innocent Iraqis, but its pseudodocumentary form is full of awkward misfires (such as a protracted use of theme music from Barry Lyndon) and its acting is often terrible.
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| 50 |
Premiere
The problem here, which vitiates the picture's ingenuity and causes it, finally, to sink like a stone, is in the physical execution of the material.
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| 40 |
Empire
Ian Freer
De Palma is incapable of making a dull movie, but poor performances and a see-sawing tone make this an unsatisfying experience.
|
| 40 |
Newsweek
if you're trying to make us believe we're watching "reality" by using a faux documentary style, you need actors who never look like they are acting, and this is where Redacted stumbles.
|
| 40 |
The New York Times
Its formal novelty aside, Redacted rarely hits the audience with a genuine shock or a clarifying insight. It churns through a set of ideas and emotions that are confusing and unpleasant, to be sure, but also, by now, dispiritingly familiar.
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| 33 |
Entertainment Weekly
For all of De Palma's studious multimedia trickery -- a valid, even inspired idea -- Redacted is so naive it's an embarrassment.
|
| 30 |
Washington Post
The film's moral commentary is De Palma redux: same old Brian enjoying the peeping, bringing us into the guilt zone, then saying shame on all of us.
|
| 20 |
Los Angeles Times
By any rational standard, this film is kind of a mess. Even if you agree with its politics, you will probably weep at the ineptitude of it all.
|
| 0 |
Wall Street Journal
The Americans are portrayed with varying degrees of loathsomeness, but there's not much variety in the film. It's all an awful aberration.
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