Metacritic Film

Ring, The

Starring Naomi Watts, Martin Henderson, David Dorfman, Brian Cox, Jane Alexander, Lindsay Frost, Amber Tamblyn, and Rachael Bella

MPAA RATING: PG-13 for thematic elements, disturbing images, language and some drug references

DreamWorks Distribution LLC
Suspense/Thriller
109 minutes | Color
USA / Japan
Released In Theaters October 18, 2002

In this remake of one of Japan's biggest box office hits, Naomi Watts plays a journalist who discovers a mysterious videotape that is connected to several deaths.

WRITTEN BY
Ehren Kruger
Hiroshi Takahashi (1998 screenplay Ringu)
Kôji Suzuki (novel Ringu)

DIRECTED BY
Gore Verbinski

Overall Metascore

This is a weighted, normalized average of all individual scores given by critics, on a scale of 0 (worst) to 100 (best).

57 / 100

Critic Reviews

100 San Francisco Chronicle C.W. Nevius
So good it's scary.
90 Washington Post
The creepiest, clammiest, twitchiest squealfest in months. It offers, among its many pleasures, the happiness of safe fear.
80 Dallas Observer
At last Dreamworks has given us the stuff of nightmare.
80 Film Threat Jim Agnew
Dark, disturbing and original throughout. You know that you’re going to see something a little different than your usual studio crap.
80 Rolling Stone
The pickings are slim for scares this Halloween season (Ghost Ship, Below), so The Ring wins first prize by default.
80 The Onion (A.V. Club)
As a marriage of big-budget filmmaking and old-fashioned scare tactics, it easily ranks alongside last year's "The Others."
80 Time
An edgy, watchable film, but one that makes you feel more squeamish than screamish.
78 Austin Chronicle
The less said about The Ring, the better for you, the sooner-to-be-freaked-out.
75 Chicago Tribune
Ends up a few frames short of the perfect horror film, but very few.
75 Entertainment Weekly
The best thing about the movie, which is a very elegantly crafted piece of gothic snuff hokum, is the way it teases and intrigues us with the revelation of what's on that tape.
75 Seattle Post-Intelligencer
The Ring, is going to be this year's version of the "Blair Witch" and "Sixth Sense" phenomenon.
75 Charlotte Observer
If your senses haven't been dulled by slasher films and gorefests, if you're a connoisseur of psychological horror, this is your ticket.
70 TV Guide
A frighteningly good horror movie with enough solid scares to freeze the blood of ardent fans and newcomers alike.
70 Newsweek
This visually stunning movie serves up generous dollops of designer creepiness.
70 Salon.com
A deviously engineered parasite that'll crawl under your skin and live in your nervous system for a while if you give it half a chance.
63 The Globe and Mail (Toronto)
It's a workmanlike, passably engrossing horror flick that copies well from the Japanese original. When it's good, it's not original, and when it's original, it's not so good.
63 USA Today
Too many threads are left dangling and the movie ultimately proves too implausible to put alongside those horror classics.
63 Baltimore Sun
What we have here is a suburban-legend movie stripped of rough edges and cut off from any depth that might have made it insidiously haunting.
63 Miami Herald
It's an understatement to say that The Ring is not your ordinary horror film. And never forget to rewind.
60 Slate
The movie is meant to get into you like a virus, and it does.
60 LA Weekly
In the final reel, the tension dissipates with a flabby hiss, as the film devolves into a banal, conventional ghost story.
58 Portland Oregonian
Never quite catches fire. They take a crackerjack premise and a comely, committed leading lady and turn in a merely OK film.
50 Chicago Sun-Times
The kind of dread dark horror film where you better hope nobody in the audience snickers, because the film teeters right on the edge of the ridiculous.
50 New York Post
A stylish but distressingly generic and not particularly scary American remake of a phenomenally popular Japanese supernatural thriller that spawned two sequels and a TV miniseries.
50 ReelViews
Takes things too far by leaving about 75% of its questions unanswered. This isn't an artistic choice; it's screenwriting sloppiness, and it results in a profoundly dissatisfying experience.
50 Philadelphia Inquirer
A creepy, oozy, dopey remake of the stylish 1998 Japanese thriller, "Ringu."
50 Washington Post
Has its creepy moments, but also its cliches.
50 Los Angeles Times
Certainly acceptable. But no one seeing it is going to feel as spooked as executive producer Roy Lee. To make an audience feel that intensely, you need a different kind of director and a different kind of film.
50 Boston Globe
The unworthy new Hollywood remake of Japan's horror phenomenon, ''Ring,'' has packed on a definite article and a whole lot of hooey.
50 Variety
Comes across in muted fashion, with uninvolving characters and lack of genuine excitement or fright creating a second-rate, second-hand feel.
40 The New York Times
While impressively made, this impassive and cold feature fails, in a spectacular fashion, to deliver the thrills.
40 Film Threat
Watts is extra-watchable and, as I say, the filmmaker does achieve a style and tone the script never comes close to living up to. Otherwise, Verbinski's adaptation of the 1998 Japanese hit "Ringu" misses the mark almost completely.
38 New York Daily News
I hated it, but I grant that it does tap into a vein of technological horror - the fear of the VCR! - that will have young videophiles chatting it up for weeks
30 Village Voice
Requiring an enormous amount of suspended disbelief, the original Rings may be a culture-specific phenom; despite strenuous efforts to Americanize Nakata's field of bad dreams, the preview audience did a lot of cackling.
30 Wall Street Journal
Won't kill you, but it could bore you half to death.
30 Chicago Reader
It's an utter waste of Watts; there's not a trace here of the talent on display in Mulholland Drive, perhaps because the script doesn't bother to give her a character.

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