Metacritic Film

Rize

MPAA RATING: PG-13 for suggestive content, drug references, language and brief nudity

Lions Gate Films Inc.
Documentary
84 minutes | Color
USA
Released In Theaters June 24, 2005

Rize reveals a groundbreaking dance phenomenon that's exploding on the streets of South Central, Los Angeles. Taking advantage of unprecedented access, this documentary film brings to first light a revolutionary form of artistic expression borne from oppression. (Lions Gate Entertainment)

DIRECTED BY
David LaChapelle

Overall Metascore

This is a weighted, normalized average of all individual scores given by critics, on a scale of 0 (worst) to 100 (best).

74 / 100

Critic Reviews

90 New York Magazine
Stunning, explosively moving.
90 Wall Street Journal
Bursting with joy and throbbing with music, Rize has a tragic dimension too. When you see the clown cry, you'll be with him all the way.
88 New York Post Kyle Smith
If the director had more gospel and less blues in him, it might have brought him closer to really understanding these talents. Still, I can't wait for "Rize 2: Electric Boogaloo."
88 Boston Globe
There's a delicate balance here between expression and belligerence.
83 Entertainment Weekly
As long as it showcases the art of krump, underscoring the dancers with ominous hip-hop beats, Rize is such a vibrant eruption of motion and attitude that you can forgive the film for being disorganized and too skimpy on street-dance history.
80 Film Threat Bob Westal
It's the speed and intensity that makes the dance style remarkable.
80 Dallas Observer
Fashion photographer David LaChapelle expands upon his award-winning short film "Krumped," introducing us to the new dance forms popular in South Central Los Angeles via the charismatic "ghetto celebrity" known as Tommy the Clown.
80 LA Weekly
The film soars when the camera is trained on its young subjects in action.
80 Variety
Eye-popping lensing and an appreciation of social complexities combine for an entirely satisfying experience.
80 Los Angeles Times
José Cancella's original score complement the tremendous wit, vitality and sensuality of the dancers.
80 The Hollywood Reporter
Word-of-mouth should make it one of the best-performing nonfiction films of the year.
75 Baltimore Sun
It's the pushiest film around - "in your face" is still in-your-face, even if the dancers are in white-face.
75 Chicago Sun-Times
The most remarkable thing about Rize is that it is real.
75 San Francisco Chronicle
Riveting.
75 The Globe and Mail (Toronto)
The Clowns and the Krumpers have a rivalry that parallels the Bloods and the Crips battle for the neighbourhood, but fought out in moves, not bullets.
75 USA Today
A touching story of hope, vitality and art rising from the bleakest conditions.
75 Chicago Tribune Sid Smith
A compelling, bittersweet hybrid of a movie.
75 New York Daily News
Exhilarating.
75 Miami Herald
The result is an eye-opening social portrait in the tradition of "Paris Is Burning," the landmark 1990 documentary that introduced drag balls and ''vogueing'' to the mainstream, but it lacks the earlier film's structure and focus.
75 Philadelphia Inquirer
Rize shows how clowning led to krumping, and argues that its practitioners' fierce dedication to dance has saved countless kids from drugs, crime and gangs.
75 Rolling Stone
There's no way to take your eyes off it.
70 The Onion (A.V. Club)
Rize eventually gets a little preachy and sentimental, but a little sermonizing seems a small price to pay for such an industrial jolt of kinetic electricity.
70 Village Voice Ed Halter
Highly entertaining but underdeveloped documentary.
70 Washington Post Richard Harrington
Part valentine, part invitation to the dance.
70 The New York Times
Indeed, the movie sometimes has trouble living up to the richness of its subject, or keeping up with the dances' rapid spread and evolution.
70 Washington Post Clare Croft
Worth seeing both for its visual beauty and its insight into a little-known form
67 Austin Chronicle
With a running time of only 84 minutes, Rize frequently feels padded. However, there’s no denying the fascination of watching these bodies in motion, and perhaps the ascendency of a new, American-born art form.
60 Empire Dorian Lynesky
For all its flaws, it's thrilling viewing whenever LaChapelle opts to show rather than tell.
50 Seattle Post-Intelligencer
Although entertaining, Rize is a somewhat duplicitous undertaking.
50 Chicago Reader
Emotionally charged but not entirely honest documentary.

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