Metacritic Film

Rock Star

Starring Mark Wahlberg, Jennifer Aniston, Jason Flemyng, Timothy Olyphant, and Timothy Spall

MPAA RATING: R for language, sexuality and some drug content

Warner Bros.
Musical
104 minutes | Color
USA
Released In Theaters September 7, 2001

In an instant, Chris Cole (Whalberg) rockets to the dizzying heights of sudden stardom, rising from devotee to icon, from the ultimate rock fan to the ultimate rock god -- the wanna-be who got to be. So what happens when an average guy gets everything he wants...and discovers it's not enough? (Warner Bros.)

WRITTEN BY
John Stockwell
Callie Khouri

DIRECTED BY
Stephen Herek

Overall Metascore

This is a weighted, normalized average of all individual scores given by critics, on a scale of 0 (worst) to 100 (best).

54 / 100

Critic Reviews

80 Washington Post
Even though it's weak in the final stages, Rock Star has more than enough sparkle to last you. That's chiefly thanks to Wahlberg, the main firework of this movie.
80 Salon.com
But even here, in a role that doesn't ask much of Wahlberg, I find plenty of evidence that he's among the finest actors of his generation.
80 LA Weekly
Wahlberg has turned into one of the most sympathetic and persuasive young actors around, and while his new movie remains safely, even shrewdly, in the middle of the road, he rocks.
75 New York Post
Easily one of the most enjoyable big-budget Hollywood movies to come along in a while, Rock Star is an unexpected pleasure.
75 Boston Globe
As generic as its title, but two things enable it to land: the basic likability of Mark Wahlberg as the wannabe protagonist, and the contagious energies in the rock concert sequences.
75 Christian Science Monitor
The acting is excellent, and the movie has a good-natured spirit to match its ultimate faith in the hero's deep-down goodness.
75 San Francisco Chronicle
An irresistible movie about a guy who goes on a journey, the kind an audience can't wait to take with him.
70 Village Voice
Raking over the same clichés as "Almost Famous," Rock Star is far less reverential -- it isn't burdened by generational nostalgia and doesn't take itself too seriously.
70 The New York Times
Represents the usual victory of simplistic screenwriting conventions over the rich, gamy ambiguities of the subject. But while its slide into perfunctory storytelling dilutes the raw, silly spectacle of sex and noise, the movie still has enough wit and insight to make it worth watching.
70 Washington Post
The most unlikely of undertakings: an energetic feel-good movie about sex, drugs and other rock-related depravities.
70 Los Angeles Times
A genial look at what happens when a wannabe becomes a headliner, Rock Star only stumbles when it decides it has to deliver a lesson about What's Really Important.
67 Austin Chronicle
It's a goofy, tongue-in-cheek, my-gawd-how-could-we-be-so-dumb shrine, but a shrine nonetheless.
67 Entertainment Weekly
This movie is as packed with flashy bogusness as a lead singer's tight leather trousers. On the other hand, there's nothing bogus about the charisma and tough sweetness of Wahlberg.
63 Charlotte Observer
Its familiar story has pleasing quirks.
63 Chicago Sun-Times
By the end of the film I conceded, yes, there are good performances and the period is well captured, but the movie didn't convince me of the feel and the flavor of its experiences.
50 Seattle Post-Intelligencer
Rock Star roars to life with a promise of something inspired and inventive whenever Wahlberg leaps onstage. Offstage, however, even he can't breathe life into this same old song.
50 Time
This is a good-natured retro romp that is truer to Golden Age movies than to golden oldies songs.
50 Philadelphia Inquirer
Rock Star sinks into a morass of melodrama.
50 TV Guide
Herek does capture the rush and crush of a stadium concert, and the music (more Leppard than Priest) isn't half bad -- in a disposable, arena-rock sort of way.
50 Miami Herald
Like the type of music it celebrates, Rock Star is just a lot of posing, adding up to very little.
50 New Times (L.A.)
Rock Star takes itself so seriously it becomes full-on parody -- "This Is Spinal Tap" as a sanctimonious cautionary tale. And how rock 'n' roll is that?
50 Chicago Tribune
The movie can't quite embrace its characters or their scene; Wahlberg even cracks a joke over the end credits that heralds the late-'80s ascendance of hip-hop, which, of course, spawned Marky Mark and the Funky Bunch.
50 New York Daily News
It's sweet but not the least bit plausible that any kid in the mid-'80s would be surprised that along with rock 'n' roll come sex and drugs.
50 Wall Street Journal
The deeper problem with Rock Star is its insistence on turning a heavy-metal fairy tale into a morality tale that's as heavy as lead.
42 Portland Oregonian
Somewhere along the way, Stephen Herek's Rock Star decided to become a dippy, cliche-ridden drama and, worse, an odd indictment of metal music. Joy.
40 Mr. Showbiz
By the time Rock Star reaches its cop-out, "All About Eve"-ish ending, the only thrashing that should be going on is of the filmmakers, for bungling such a promising premise.
40 Variety
Feels particularly like old news after the risks of the rock 'n' roll lifestyle were laid out for the previously uninformed in last year's "Almost Famous."
38 Baltimore Sun
Rock Star neither touches a raw nerve nor garners any resonance as a period piece. You'd be better off renting "This is Spinal Tap."
38 USA Today Claudia Puig
When it's not aspiring, unsuccessfully, to satirize the world of metallica, Rock Star veers into even drearier territory and becomes a head-banging, sex, drugs and rock 'n' roll version of "A Star Is Born."
30 Chicago Reader Staff (Not Credited)
The music could have been better in this spineless drama, which has several angles but no perspective.
20 Rolling Stone
Launches the fall season with a crashing thud.
10 New York Magazine
Has a terrific premise that shatters almost upon arrival; no bad-boy legend trashing a hotel room could have done a more complete job.

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