Metacritic Film

Romeo Must Die

Starring Jet Li, Isaiah Washington, Russell Wong, Aaliyah, Delroy Lindo, and DMX

MPAA RATING: R for violence, some language and brief nudity

Warner Bros.
Romance
115 minutes | Color
USA
Released In Theaters March 22, 2000

Loosely based on Shakespeare's "Romeo and Juliet," this crime plot features Jet Li as an emprisoned son of a Chinese crime family who escapes his Hong Kong prison and flees to Oakland to avenge the death of his brother who is killed by the rival black crime family. Both families become involved in competing corrupt schemes to finance the building of a waterfront football stadium.

WRITTEN BY
Mitchell Kapner (story)
Eric Bernt
John Jarrell

DIRECTED BY
Andrzej Bartkowiak

Overall Metascore

This is a weighted, normalized average of all individual scores given by critics, on a scale of 0 (worst) to 100 (best).

52 / 100

Critic Reviews

80 Los Angeles Times
Has a great look and an edgy feel, along with some broad swaths of humor.
75 New York Daily News
This is not for the Merchant-Ivory crowd, but action fans will feel their pulses quicken.
70 LA Weekly
Doesn't even come close to being a good movie, but it is a lot of fun.
70 Dallas Observer
May not have the best script in the world, but it brings Jet Li to the big screen in a way that all action junkies, not just the video-store geeks, will appreciate.
70 Rolling Stone
Who needs iambic pentameter when you have Jet Li around?
70 TNT RoughCut Ryon Justin Horne
Although Romeo Must Die sets new standards for action films, the action drowns to a predictable and ridiculous plot.
70 Salon.com
A canny, ingeniously crafted guilty pleasure.
70 Film.com
The gravity-defying harness maneuvers popularized in the U.S. with "The Matrix" -- ... look really cool, but seem out of place in a realistic gang-style action movie.
67 Entertainment Weekly
Doesn't take advantage of its own possibilities, either as a hard-boiled gangland battle or as a soft-boiled, interracial Shakespearean love story.
63 USA Today
A plodding, play-it-safe rendition of "The Family Feud."
63 Boston Globe
The reason to sit through its uninspired, formulaic moves, however, is its half-dozen spectacular fight sequences.
60 Chicago Reader
The hinted romance, featuring Aaliyah, makes for some decent drama and some fine comedy.
60 Time
Doesn't touch (Li's Hong Kong movies). But it is trying something clever.
58 Seattle Post-Intelligencer
In fact, when not kicking butt, (Li)'s kind of a blank spot in the center of the screen.
50 Washington Post
Based on "Romeo and Juliet" the way a martini is "based" on vermouth.
50 Charlotte Observer
Aspires to rise above the conventional drugs-and-action genre and succeeds about half the time.
50 Baltimore Sun
Just don't think about what's going on, and you should be OK.
50 San Francisco Chronicle
Li is a phenomenon.
50 The New York Times
Sadly, if this movie was a fight, they'd have stopped it.
49 Mr. Showbiz
Li's light touch and explosive fighting skills deserve a better vehicle than this overcooked pot of New Jack suey.
42 Portland Oregonian
To be fair, the film is trash and doesn't aspire to very much, but it's bad trash -- inept -- and that really isn't forgivable.
40 Austin Chronicle
The fight scenes are splendidly choreographed...but they're shot in that grating, thoroughly American flashcut style that leaves you wondering just who the hell is hitting who.
40 TV Guide
Then there's the utter lack of sexual chemistry between Li and Aaliyah, sucking all the urgency out of the relationship between the star-crossed lovers.
38 Chicago Sun-Times
(Li)'s scenes are so clearly computer-aided that his moves are about as impressive as Bugs Bunny doing the same.
38 San Francisco Examiner
Between fights, the film can't even rely on the luxury of Lindo, Isaiah Washington, Russell Wong, Rottweiler rapper DMX or the scary Henry O as Han's father to make it watchable - the dialogue is wreaking more havoc than Li.
30 Village Voice
The wall-to-wall rap score is as kinetic as the acrobatic fight choreography, and nothing else matters.
25 Miami Herald
So needlessly convoluted, so crammed with subplots within subplots, it simply forgets about its gangland "Romeo & Juliet" premise.

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