Metacritic Film

Secrets & Lies

Starring Brenda Blethyn, Marianne Jean-Baptiste, Timothy Spall, Phyllis Logan, Claire Rushbrook, Elizabeth Berrington, Michele Austin, and Lee Ross

MPAA RATING: R for language

October Films
Drama
136 minutes | Color
France / UK
Released In Theaters September 27, 1996

A middle-aged London factory worker (Blethyn) is shocked when the mixed-race daughter she gave up at birth decides to track her down. At first she denies she is her mother. All family members become emotional, as everyone's secrets are exposed.

WRITTEN BY
Mike Leigh

DIRECTED BY
Mike Leigh

Overall Metascore

This is a weighted, normalized average of all individual scores given by critics, on a scale of 0 (worst) to 100 (best).

91 / 100

Critic Reviews

100 ReelViews
Represents the director at his best -- unsentimental yet powerful, funny and poignant, and, in the end, undeniably satisfying.
100 Washington Post
Reveals itself detail by searing detail.
100 USA Today
Blethyn is so astonishing that you forget you're seeing a performance.
100 Chicago Tribune
Leigh is an artist not at all blind to the world's darkness and pain. But the generosity and togetherness he and his company show in Secrets and Lies is something the movies -- and the world -- truly need. [25 October 1996, Friday, p.A]
100 The New Republic
Leigh, the writer, ties up things somewhat neatly and is a touch homiletic. Leigh, the director of cast and camera, is masterly. [Sept. 30, 1996]
100 Los Angeles Times
If film means anything to you, if emotional truth is a quality you care about, this is an event that ought not be missed.
100 Chicago Sun-Times
It moves us on a human level, it keeps us guessing during scenes as unpredictable as life, and it shows us how ordinary people have a chance of somehow coping with their problems, which are rather ordinary, too.
100 San Francisco Chronicle
Leigh goes right to the core of his character's lives and mines the place where we're weakest, most alone and sometimes the cruelest.
100 TNT RoughCut Jason Puskar
A masterful mix of wit and humor, sympathy and sadness.
100 Washington Post
A magnificent melodrama that draws both tears and laughter from the everyday give-and-take of seemingly ordinary souls.
90 The Onion (A.V. Club)
There's not a weak performance in Secrets And Lies, a fact made more notable by the seeming ease with which the cast performs as an ensemble.
90 Film.com
By creating characters from emotional wellsprings rather than concepts, Leigh thrills us with the possibilities that emerge when people are merely in the same room.
90 TV Guide
A radiant, heartbreaking film.
90 Chicago Reader
The acting is so strong--with Spall a particular standout--that you're carried along as by a tidal wave.
90 Film.com
Breathtaking, heartbreaking.
90 Time
Rich in humor, pained or frolicking.
90 Mr. Showbiz
The ride is remarkable.
90 The New York Times
Unfolds beautifully, with a rueful, knowing intelligence that rises above easy assumptions. [27 September 1996, p.C1]
90 Newsweek
The results are wondrous, wrenching and crazily funny to behold.
88 San Francisco Examiner
Leigh has a gift for demonstrating character from the outside in.
80 Film.com
So meticulously acted that you feel you're reading the characters' minds.
80 Dallas Observer Arnold Wayne Jones
Secrets & Lies is all about wounds and our tendency to embrace placebos rather than the harder courses of treatment.
75 Entertainment Weekly
A crowd-pleaser, all right, but, for all its appeal, a naggingly sanctimonious one.
75 Baltimore Sun
Crammed, cheek to jowl, with bleak moments, high hopes, sweetness and naked emotion.
70 Slate Sarah Kett
Leigh at his best is a renderer of moments--the wisest and deepest observer, probably, among living directors.
67 Austin Chronicle
Secrets & Lies, despite my dwelling on its problems, is a really solid and enjoyable movie. It's just not what I would call "best of the fest."
60 Variety Staff [not credited]
Unquestionably a finely observed, deeply felt work, though with some nagging problems in pacing and structure.

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