| 100 |
San Francisco Chronicle
Remarkably fresh and inventive.
|
| 90 |
Newsweek
Devin Gordon
Takes the prize. It's a bloody hoot.
|
| 89 |
Austin Chronicle
The most original comedy from either side of the pond in years.
|
| 88 |
Premiere
Whatever you want to label this quick-paced crowd-pleaser, it is definitely one of the year's must-sees.
|
| 88 |
Chicago Tribune
A gleefully gory, pitch-perfect parody of George Romero's zombie films. But this isn't a movie about other movies. Shaun of the Dead stands on its own.
|
| 83 |
Seattle Post-Intelligencer
It's bloody brilliant.
|
| 83 |
Entertainment Weekly
The daffy, innately British joke that propels the cheeky U.K. comedy hit Shaun of the Dead is that although real zombies have risen up -- slacker wankers Shaun (Simon Pegg) and his best pal and roommate, Ed (Nick Frost), are too slack, wankerish, and blitheringly British to notice.
|
| 80 |
LA Weekly
In this truly retro horror flick, the heroes and heroines don't just quip over the action (though they do get off some funny lines); they're knee-deep in it, and scared sh------.
|
| 80 |
Film Threat
Jim Agnew
Extremely funny, side splitting good time.
|
| 80 |
The New York Times
By treating the genre as a joke, this satire, whose title plays off George A. Romero's 1979 golden oldie, "Dawn of the Dead," yields ironic dramatic dividends.
|
| 80 |
Washington Post
If the zombie genre steadfastly refuses to die, we can be grateful to Shaun of the Dead for breathing fresh, diverting life into the form, with subtle visual humor and a smart, impish sense of fun.
|
| 80 |
The Onion (A.V. Club)
Mixing horror and humor is no mean feat, but Shaun Of The Dead tightens throats in fear without making the laughs stick there in the process.
|
| 80 |
Washington Post
The movie's wonderfully original, fast-moving and funny.
|
| 80 |
Chicago Reader
Pegg and Wright are out of their depth in the second half, when they try to engage the more disturbing elements of Romero's movies, but their disaffected slacker take on the genre is a welcome alternative to the usual bloodbaths.
|
| 75 |
Boston Globe
Every moment... is a cleverly constructed live-action joke on aloofness: The world is ending, and these people are too self-centered to notice.
|
| 75 |
Chicago Sun-Times
I like the way the slacker characters maintain their slothful gormlessness in the face of urgent danger, and I like the way the British bourgeois values of Shaun's mum and dad assert themselves even in the face of catastrophe.
|
| 75 |
The Globe and Mail (Toronto)
Leah McLaren
Plays perfectly on two levels — it's a clever comedy, but disguised as a fun, dumb horror flick. A movie made to delight, and even accidentally enlighten, both the living and the dead.
|
| 75 |
New York Daily News
Its social satire is so dead-on.
|
| 75 |
Baltimore Sun
Offers a welcome riff on a well-worn horror standard.
|
| 75 |
ReelViews
This is an unusual source of entertainment.
|
| 75 |
New York Post
Pegg and director/co-writer Edgar Wright mix numerous references to other zombie flicks with hilarious bits of their own. The best has Ed and Shaun deciding which LPs can be used as ammo.
|
| 75 |
Miami Herald
Mines a great deal of its humor from the can't-be-bothered attitude of British culture, but the jokes survive the trip across the Atlantic mostly intact.
|
| 75 |
Philadelphia Inquirer
This gory horror romp is a goofball medley of "Dawn of the Dead," "28 Days Later" . . . , and Monty Python-style severed-limbs/blood-spurting sicko comedy.
|
| 75 |
Rolling Stone
Blast of fright and fun.
|
| 70 |
Variety
A classic example of a clever idea that could easily have run out of steam halfway. However, co-scripters Pegg and Wright structure it as a classic three-acter (set-up, journey, finale) with enough twists, character development and small set pieces to keep the comedy boiling.
|
| 70 |
The New Yorker
Pegg co-wrote the screenplay with the director, Edgar Wright, and together they have fashioned a smart, cultish, semi-disgusting homage to the fine British art of not bothering.
|
| 70 |
The Hollywood Reporter
Ray Bennett
It's worth sticking around for the coda too as it contains some hilarious and very politically incorrect suggestions as to how zombies might be put to work once they've been tamed.
|
| 70 |
Dallas Observer
Good, goofy fun, but given the attendant hype, there may be a danger of excessively high expectations from horror fans.
|
| 70 |
Village Voice
The actors are all on target (particularly Penelope Wilton as Shaun's relentlessly cheery mum), and taken on its own shaky legs it's a wittier genre coda than "Abbott and Costello Meet Frankenstein."
|
| 70 |
Slate
The comic high point in Shaun of the Dead comes when Lucy Davis, from the great BBC sitcom "The Office," teaches the band of survivors how to lurch like zombies so that they can pass among the undead.
|
| 70 |
Los Angeles Times
Carina Chocano
It's a grisly but sweet ode to friendship, love and the George Romero zombie trilogy.
|
| 70 |
TV Guide
Both genuinely funny and authentically horrifying, it puts the average horror comedy to shame.
|
| 67 |
Portland Oregonian
M. E. Russell
Enjoys the weird distinction of being one of the year's funniest comedies and one of the best zombie movies ever made.
|
| 63 |
USA Today
For those who like their spoofs silly and their cartoonish gore vivid, Shaun offers some amusement.
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