Metacritic Film

Shine

Starring Geoffrey Rush, Lynn Redgrave, John Gielgud, Armin Mueller-Stahl, and Noah Taylor

MPAA RATING: PG-13 for nudity/sensuality and intense thematic elements

Fine Line Features
Romance
105 minutes | Color
Australia
Released In Theaters November 20, 1996

Inspired by the troubled but ultimately triumphant life of classical pianist David Helfgott, Shine focuses on Helfgott's painful retreat into a private world while still in his early 20's and on the brink of a glittering international career. Spanning the 1950's to the 1980's, Shine dramatizes the deeply moving way in which Helfgott, after a decade of obscurity, achieves both personal and professional fulfillment through the love and support of a remarkable woman. (Fine Line Features)

WRITTEN BY
Scott Hicks (story)
Jan Sardi

DIRECTED BY
Scott Hicks

Overall Metascore

This is a weighted, normalized average of all individual scores given by critics, on a scale of 0 (worst) to 100 (best).

87 / 100

Critic Reviews

100 The New Republic
If this weren't a true story, who would believe it? Well, a good many of us, probably. First, it's the kind of exceptional circumstance we like to dwell on as proof that pessimists are wrong; second, Shine is markedly well made, therefore persuasive. [Nov. 18, 1996]
100 Los Angeles Times
Popular filmmaking at its smartest and most persuasive.
100 Chicago Sun-Times
The fact that David Helfgott lived the outlines of these events--that he triumphed, that he fell, that he came slowly back--adds an enormous weight of meaning to the film.
100 Chicago Tribune
All but sweeps you away with its dazzling technique and shattering emotion. [27 November 1996, Tempo, p.1]
100 San Francisco Chronicle
Delivers a full emotional palette without undue sentimentalizing.
100 ReelViews
This is unbelievably rich material, and I can say without reservation that Scott Hicks' work deserves the highest recognition. Shine truly does what its name says.
90 Film.com Mary Brennan
A film of elegant small moments and complex, bittersweet motivations.
90 Variety
An unconventional biopic about a brilliant young pianist.
90 TNT RoughCut Andy Jones
A deeply affecting allegory that explores the symbiotic relationship between genius and madness.
90 Film.com Lucy Mohl
The complex weight of this almost flawless drama lies in layered details and the fearless letting go that Gielguld's teacher exhorts - "attack the music, David, play as if there were no tomorrow."
90 Mr. Showbiz
It's a film which aims to persuade us of its truth without props or signposts--and it does so with unforgettable beauty.
90 Washington Post
The movie does what any great musician should: It lifts an idea to the heights of ecstasy; it sells its song.
88 New York Daily News
A sublimely uplifting movie.
88 Baltimore Sun
Hard to take in its particulars.
83 Entertainment Weekly
Shine beams with warmth, sensitivity, and fine taste.
80 Newsweek
Thanks to fine acting and its vividly unconventional protagonist, it pumps fresh blood into a conventional formula.
80 Film.com
A very moving and surprisingly funny experience.
80 Chicago Reader
The high-powered drive of both the storytelling and the music is riveting.
80 The New York Times
Fortunately, Hicks's direction has an elegance and dignity that rescue Shine from the exploitative and give the film an acute, genuinely sensitive style.
80 The Onion (A.V. Club)
Memorable, deeply affecting movie.
78 Austin Chronicle
If, at times, Shine's luster reveals more elbow grease than internal radiance, the movie is still a moving tribute to the human capacity to overcome all odds.
75 USA Today
Shine has a story to reckon with and powerhouse male performances.
70 TV Guide
Feel-good tone notwithstanding (and creepy to boot), there are nagging riddles about the Helfgott story that the film has neither the nerve nor the sense to tackle.
70 Dallas Observer Peter Rainer
The gaga uplift in Shine knocks the malaise right out of your head--along with just about everything else.
70 Time
Ceases to be a cogent study of the disease of genius and devolves into two lesser creatures: an ordinary weepie and an Oscar contender.
63 San Francisco Examiner
The movie is meant to be uplifting and to the degree that you can ignore its unquestioning treatment of mental illness, I suppose it is.

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