| 63 |
ReelViews
It packs in a few scary moments and offers a nicely ambiguous conclusion. In Silent Hill, atmosphere trumps storyline.
|
| 60 |
Empire
James Dyer
A step in the right direction for console-to-screen transitions and a twisted masterpiece of set design. Ultimately, though, it's a little too much like watching someone else play the game.
|
| 50 |
TV Guide
Runs out of story a good half hour before it runs out of spooky images, but it comes to a quietly chilling conclusion far more haunting than any bloody mayhem.
|
| 50 |
Los Angeles Times
Works up a decent amount of solid, creep-show atmosphere in its first act before making some absurd decisions of its own in its second.
|
| 50 |
Austin Chronicle
Silent Hill's main attraction, for genre fans, certainly, lies not in its plot nor in its characters (you could place anyone in this particular township and whatever might happen, you could be sure it'd be unnerving), but in its relentlessly nightmarish imagery.
|
| 42 |
The Onion (A.V. Club)
Recommended to those who feel "The Crucible" doesn't feature enough bodies ripped in half vertically. Others are duly warned.
|
| 40 |
Film Threat
Don R. Lewis
As I sat through this two hour stumble through what looked like fog, I just kept thinking to myself how this might be the best looking bad film I've ever seen.
|
| 40 |
Chicago Reader
Horror maestro Christophe Gans ("Brotherhood of the Wolf") directed this feature, worth seeing for the zombie nurses who gyrate like a Bob Fosse chorus line before slicing each other to ribbons.
|
| 40 |
Variety
In the end, Silent Hill degenerates into an overblown replay of all those "Twilight Zone" and Stephen King stories in which outsiders stumble upon a time-warped location from which there's no escape.
|
| 40 |
Village Voice
Bill Gallo
Stuffed with cheap effects and devoid of tension, this French-Japanese-U.S. co-production contributes exactly zilch to the rich film history of those three nations; the most horror-crazed teen may be hard-pressed to find any authentic thrills here.
|
| 38 |
Chicago Sun-Times
Although I did not understand the story, I would have appreciated a great deal less explanation. All through the movie, characters are pausing in order to offer arcane back-stories and historical perspectives and metaphysical insights and occult orientations. They talk and talk and somehow their words do not light up any synapses in my brain.
|
| 38 |
The Globe and Mail (Toronto)
Jason Anderson
Though Silent Hill's shoddy dialogue and incoherent story constantly irritate, several sights and scenes possess a certain surreal grandeur...Sadly, that's not enough to compensate for Silent Hill's utter lack of tension, intrigue, character development or satisfactory explanations for what the hell's happening on the screen.
|
| 33 |
Entertainment Weekly
A few of the images are startling, but as Radha Mitchell (a good actress) wanders through a ghost town, searching for her lost daughter as though she was touring an abandoned movie set, Silent Hill is mostly paralyzing in its vagueness.
|
| 30 |
LA Weekly
Buried beneath Silent Hill’s hyper-stylized stupidity (the film looks like a collaboration between David Fincher, Trent Reznor and music video director Mark Romanek) is the hollow effort to bottle something of the zeitgeist unease surrounding religious fundamentalism.
|
| 25 |
New York Post
A great-looking but stupefyingly incoherent supernatural thriller adapted from a popular video game that ransacks the entire catalog of horror film tropes for more than two mind-numbing hours.
|
| 25 |
New York Daily News
The worst kind of horror movie: trash that takes itself seriously.
|
| 20 |
The Hollywood Reporter
Witless, soulless and joyless, it displays its video game origins throughout.
|
| 12 |
Boston Globe
Tens of millions of dollars were spent to tell us what we should have known going in: that the makers of the movie you're slogging through will spare no expense to demonstrate how much they hate us. Do us a favor. Tell them the feeling is mutual.
|
| 10 |
The New York Times
Nathan Lee
From first frame to last, not a second of the film has a grip on reality. Structured around a series of blackouts and gross-outs, it is one long free fall through icky surrealism and underlighted nightmares. It takes us to the sort of world where hell is round the corner, secret doors abound and faux-blond policewomen outfit themselves in skin-tight leather.
|
| 0 |
San Francisco Chronicle
Silent Hill has plenty of bad acting, bad dialogue and a confusing plot -- all of which become exponentially more painful when the movie goes on forever.
|
