Metacritic Film

Simpatico

Starring Nick Nolte, Jeff Bridges, Sharon Stone, Catherine Keener, and Albert Finney

MPAA RATING: R for some strong sexuality, and for language

Fine Line Features
Drama
106 minutes | Color
France
Released In Theaters December 17, 1999

At first glance, Lyle Carter (Bridges) seems to have it all. Then he receives a collect call from Vinnie (Nolte), and a dark event from the past threatens to destroy his current success. (Fine Line Features)

WRITTEN BY
Sam Shepard (play)
Matthew Warchus
David Nicholls

DIRECTED BY
Matthew Warchus

Overall Metascore

This is a weighted, normalized average of all individual scores given by critics, on a scale of 0 (worst) to 100 (best).

41 / 100

Critic Reviews

83 Portland Oregonian
Possesses the open-ended, continual off-kilterness of Shepard theater.
70 LA Weekly Chuck Wilson
Demands full attention, if only for the pleasure of watching great actors mine Shepard's harsh, beautiful language for all it's worth.
70 TNT RoughCut Spencer H. Abbott
Many may find the ultimate drive behind the main characters (especially Nolte's) to be a misguided, feeble and disappointing payoff at best.
70 Variety
An unbeatable cast lends satisfying emotional texture.
70 TV Guide
This stylized tale of guilt and retribution is a surprisingly sleek and affecting drama.
63 Chicago Tribune
A somewhat bewildering and unsatisfying film that nevertheless contains more inspired moments and brilliant scenes than many movies we call successes.
60 Salon.com
Warchus seems as at ease with the complexity of the style as he is with directing actors.
50 Los Angeles Times
While it's entertaining, it's not as persuasive as it needs to be to succeed fully.
50 Time
Curiously, if fitfully, intriguing.
50 New York Daily News
Star-packed fiasco.
50 Dallas Observer
Proves only intermittently engaging as its twisted plot loses energy and becomes confusing in the latter half.
50 The New York Times
Far from being a typical Hollywood desecration of a difficult play, it stays true to the work's quirky, renegade spirit.
50 USA Today
It's an awkward jumble whose only value is as a forum for movie junkies to track the progress of half-a-dozen screen careers at once.
50 San Francisco Chronicle
A confounding and unsatisfying film.
42 Seattle Post-Intelligencer
As has been the case with most of Shepard's plays, transfer to the movies spells doom.
40 Rolling Stone
A promise unfulfilled.
38 New York Post
A non-starter.
38 Miami Herald
Feels static and constricted, its intensity dulled by overreliance on dialogue.
38 Chicago Sun-Times
A long slog through perplexities and complexities.
32 Mr. Showbiz Richard T. Jameson
The switch of medium hasn't reinvigorated the soil or resulted in a film with any compelling reason for being.
30 Village Voice
A decked-out mediocrity with a high-octane cast.
25 Entertainment Weekly
Stumbling adaptation of a Sam Shepard play about men, horses, chance, and lies.
25 Charlotte Observer
Atmosphere goes only so far in a story where the major characters fade from memory.
20 Film.com
Tired, overcomplicated mix of macho bullshit.
10 Chicago Reader
An extravagant waste of resources.

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