Metacritic Film

Sixteen Candles

Starring Molly Ringwald, Justin Henry, Michael Schoeffling, Haviland Morris, Gedde Watanabe, and Anthony Michael Hall

MPAA RATING: PG

Universal Pictures
Comedy  |  Drama  |  Romance
93 minutes | Color
USA
Released In Theaters May 4, 1984

Nothing seems to be going right for Samantha (Ringwald) on her sixteenth birthday. Her family forgets her birthday, she's in love with the school jock who doesn't seem to know she exists and the school nerd won't leave her alone.

WRITTEN BY
John Hughes

DIRECTED BY
John Hughes

Overall Metascore

This is a weighted, normalized average of all individual scores given by critics, on a scale of 0 (worst) to 100 (best).

57 / 100

Critic Reviews

78 Austin Chronicle
Molly Ringwald is radiant here as the eternal teen looking for love.
75 Chicago Sun-Times
This is a fresh and cheerful movie with a goofy sense of humor and a good ear for how teenagers talk.
75 TV Guide Staff (Not Credited)
The premise is ordinary, but the film is distinguished by funny gags and excellent performances by Molly Ringwald and Anthony Michael Hall.
70 Variety Staff (Not Credited)
Ringwald is engaging and credible. For the boys, there's a bright, funny performance by Anthony Michael Hall.
70 The New York Times
The movie is cheerful and light, showcasing Mr. Hughes's knack for remembering all those aspects of middle-class American adolescent behavior that anyone else might want to forget.
63 Boston Globe
Screenwriter John Hughes, making his directing debut, is at his best when he empathizes with the sensitivity in the ugly-duckling Ringwald and Hall characters. [04 May 1984]
50 The Globe and Mail (Toronto)
There are individual sequences alternately amusing and touching. [08 May 1984]
50 Christian Science Monitor
Along with the lapses of taste that have become standard in pictures aimed at teen audiences, filmmaker John Hughes offers moments of wit and warmth.
50 Empire Staff (Not Credited)
Hall is very funny as the energetic adolescent pest and a good supporting cast includes the Cusack sibings John and Joan.
30 Chicago Reader
Hughes invokes the classical unities of time, place, and plot symmetry, yet he trashes his careful structure every time he needs a gag - destroying the integrity of his characters, shattering the plausibility of his situations.

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