| 88 |
TV Guide
A sharp, superbly acted character-driven comedic drama.
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| 75 |
Entertainment Weekly
Smart People, unlike "Sideways" or "The Savages," has a plot that's a little too rote.
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| 75 |
Seattle Post-Intelligencer
After its rough opening, Smart People settles down to be a funny, wryly enjoyable, effortlessly poignant parable of family life and a splendid showcase for its cast -- especially Page, who handily steals the movie and proves that her "Juno" success was no fluke.
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| 75 |
New York Post
Page and Church work so brilliantly together as a comic team that it's worth enduring the leads' utter lack of chemistry together - not to mention the fact they're both wildly miscast.
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| 70 |
Time
There's nothing world shattering about Smart People. No one is ever going to call it a "must see" movie. But it is a trim, intelligent, reasonably amusing little movie. Call it a "could see."
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| 70 |
Wall Street Journal
A good deal of the freshness comes from a grand, clownish slob played by Thomas Haden Church -- he's actually the smartest person of the piece -- while Dennis Quaid occupies the center with a mastery that's all the more notable for its humanity.
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| 70 |
Chicago Reader
Poirer and director Noam Murro have trouble bringing this to a satisfying climax, but the characters are credible and sharply observed and all four actors go to town.
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| 70 |
The Hollywood Reporter
Poirier is a master at dialogue. His script crackles with sharp lines and he gives all his scenes a splendid comic undertow.
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| 70 |
Los Angeles Times
It's the kind of observational comedy, that'll be hard to find come summertime and should be enjoyed while there's still a chance.
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| 70 |
The New York Times
The great virtue of Smart People, attributable to Noam Murro’s easygoing direction as well as to Mr. Poirier’s wandering screenplay, lies in its general preference for small insights over grand revelations.
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| 70 |
The New Yorker
These small-scale, intelligent movies can fall into a trap: it’s hard to achieve a satisfactory dramatic climax when observation is your principal dramatic mode.
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| 67 |
Austin Chronicle
There much more roiling beneath the surface of these characters and it's a shame we don't come to understand them better. Smart people, dumb choices: it's true for both the characters and the filmmakers.
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| 67 |
The Onion (A.V. Club)
Dennis Quaid could stand in for Jeff Daniels' similarly toxic snob in "The Squid And The Whale," if only he were a little smarter and a little better-dressed.
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| 67 |
Baltimore Sun
A third of the way through Smart People, I channeled Randy Newman's "Short People" and thought, "Smart people got no reason to live."
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| 63 |
ReelViews
The main problem with Smart People is that it never breaks new ground. This is territory we have seen tilled to better effect by more perceptive motion pictures.
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| 63 |
USA Today
Though it features witty dialogue and good performances, the plot contrivances keep it from being an altogether winning enterprise.
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| 60 |
Slate
Dana Stevens
As tough as Lawrence is to like, Smart People is even harder to hate, mainly because of the sharply observed script by novelist Mark Jude Poirier. Just when you're losing patience with the movie, it sneaks up on you with a poignant detail or a character-defining turn of phrase.
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| 60 |
Film Threat
Zack Haddad
It is just too bad that this film isn’t as snarky and groundbreaking as it would like you to think it is.
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| 60 |
Variety
Dysfunctional family seriocomedy is well cast, but characters and conflicts lack the sharper definition of similar recent exercises like "Little Miss Sunshine," "The Upside of Anger" and Noah Baumbach's films.
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| 58 |
Portland Oregonian
The ensemble can't bring enough, though, to overcome the unoriginal setup and predictable story arc.
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| 50 |
Salon.com
Fine actors do their damnedest to make this dumb movie look sharp.
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| 50 |
San Francisco Chronicle
The movie gets bogged down in the formula conventions of romantic comedy, and in the process, it loses all honesty.
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| 50 |
Miami Herald
Smart People tastes as fake as a Wal-Mart corn dog. Besides, it doesn't even know the work is Faerie Queen, not ''Fairie.'' Somewhere, Edmund Spenser is turning in his grave. You don't even have to be smart to know that.
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| 50 |
New York Magazine
The middling romantic comedy Smart People, which centers on a hyperintellectual dysfunctional family, is of interest chiefly for the first post-Juno role of Ellen Page.
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| 50 |
Washington Post
It's impossible to tell whether the film's ending is happy because it's happy or because it's ending.
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| 50 |
The Globe and Mail (Toronto)
Quaid doesn't have much to work with, and so deflects the portrayal away from the mind toward the body – consistently giving the coot a hunched, pigeon-toed gait. Nice try, but that bird won't fly.
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| 50 |
Chicago Tribune
Church is most at home in his character’s skin; aside from the game but strident Quaid, all the leading players are ideally cast. It’s the script that isn’t ideally cast.
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| 50 |
Boston Globe
Mostly, Smart People is a failure of imagination.
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| 50 |
Christian Science Monitor
Quaid and Church are funny, but too much of this film is not half as smart as it thinks it is.
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| 40 |
Village Voice
Robert Wilonsky
It's like the entire season of a sitcom whittled down to a single episode. There's no time for characterization, no room for emotion, no interest in anything other than moving the story forward. It's all action, no reaction. One minute they're miserable; 90 minutes later, aww better.
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| 40 |
Empire
Helen O'Hara
Strong performances and a few laughs, but the story feels lazy next to superior efforts recently in the same genre.
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| 40 |
New York Daily News
In what world does Smart People exist? Clearly not the real one, though this dramedy wants to think it's filled with ironic insights about love and family.
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| 38 |
Premiere
Ryan Stewart
Dennis Quaid is mostly lost at sea as Lawrence Wetherhold, the Carnegie Mellon lit professor; he apparently saw fit to tinker with his performance as filming went along, greeting us in some scenes as a noticeably swishy highbrow, while at other moments he's channeling the smiling, drunken menace of Nicholson's Jack Torrance.
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