Metacritic Film

Solas

Starring Ana Fernández, María Galiana, Paco De Osca, and Carlos Álvarez-Novoa

MPAA RATING: Not rated

Samuel Goldwyn Films
Drama
98 minutes | Color
Spain
Released In Theaters September 8, 2000

When her husband becomes ill and needs an operation, a provincial Spanish woman moves in with her estranged adult daughter in an unfamiliar city.

WRITTEN BY
Benito Zambrano

DIRECTED BY
Benito Zambrano

Overall Metascore

This is a weighted, normalized average of all individual scores given by critics, on a scale of 0 (worst) to 100 (best).

75 / 100

Critic Reviews

90 Los Angeles Times
Alternately heart-wrenching, dismaying, raw and even funny, Solas is ultimately a wonderfully warm and embracing experience.
90 The New York Times
Galiana's quietly monumental performance is one for the ages.
88 Chicago Tribune
A beautifully acted and deeply compassionate study of ordinary people coping with the vicissitudes of life.
88 Baltimore Sun
Unsparing and uplifting - a wickedly difficult combination to pull off, but one that gives the film an emotional weight that's impossible to dismiss.
88 New York Daily News
A simple story that resonates deeply, largely thanks to the actors' ability to invest it with inner life.
80 LA Weekly
As a tactfully quiet story of mother-daughter estrangement and psychic rescue, Solas can hardly fail to excite the longing so many of us have to right domestic wrongs.
80 Village Voice
The fierce rigor of María Galiana's performance keeps this film from ever falling into sentimentality.
75 Christian Science Monitor
Splendidly acted, sensitively directed.
75 Seattle Post-Intelligencer
Zambrano shows an impressive sensitivity toward his actors and their characters and never allows hopelessness to quash hope in this lovely film.
75 Miami Herald Marta Barber
Digs deep into the roots of female fortitude.
75 San Francisco Chronicle
An extraordinary and heartfelt film.
70 Chicago Reader
Despite a melodramatic score that at times seems almost facetious, the movie's tone is sober and sincere, its unlikely ending persuasive.
67 Entertainment Weekly
After all of its sadness, a tender redemptive glow.
63 New York Post
A lovely, intelligent film from Spain about recognizable human beings with real-life problems.
60 TV Guide
The acting is superb.
50 Austin Chronicle
Fernandez is excellent as the maladjusted daughter, but the film's heart and soul is embodied in Galina's noble, understated performance.

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