| 90 |
TV Guide
In a film mercifully free of the usual warm and fuzzy movie sentimentality, director Maggie Greenwald and her fine cast shatter most hillbilly stereotypes.
|
| 90 |
Washington Post
It's a highly professional project complete with exquisite production details and superb actors, yet its subject matter is so far out of the mainstream, it feels almost radical.
|
| 80 |
New York Magazine
This is not just a musicologist's dream; it's our dream, too.
|
| 80 |
Washington Post
The haunting beauty of the music, and the people who produce it – that's the chapter and verse of this story.
|
| 80 |
Los Angeles Times
Has enough virtues to make it successful, including an unusual story and some fine acting, especially by the powerful Janet McTeer.
|
| 80 |
New Times (L.A.)
Combines strong feminist sensibilities with surprisingly old-fashioned melodrama.
|
| 80 |
Rolling Stone
McTeer and the transporting music hold you in thrall.
|
| 75 |
San Francisco Chronicle
Greenwald is fine at creating the texture of early mountain life but loses her footing by embracing several plot points at once.
|
| 75 |
Chicago Sun-Times
Perhaps too laden with messages for its own good, but it has many moments of musical beauty, and it's interesting to watch Janet McTeer.
|
| 75 |
Miami Herald
Connie Ogle
It may not get top billing, but glorious music is the star of Songcatcher, an intriguing and often lovely film.
|
| 75 |
Baltimore Sun
Whenever the movie threatens to become just another visit to hillbilly-land, the music starts up and the film's gentle, irresistible wonder takes hold. Songcatcher is a film very much worth catching.
|
| 75 |
Chicago Tribune
Any film about the folk tradition is required to have a stellar soundtrack, and Songcatcher does not disappoint.
|
| 75 |
Philadelphia Inquirer
Greenwald's film is filled with an infectious love for the region's songs. It could hardly be otherwise, given the level of musical talent she recruited for Songcatcher.
|
| 75 |
New York Post
Essential viewing for anyone who cares about American popular music and its roots.
|
| 75 |
Boston Globe
Somewhat sanitized but gorgeous Americana, with another impressive turn by McTeer.
|
| 75 |
Seattle Post-Intelligencer
The music is truly the thing in Songcatcher and it's awesome, haunting stuff.
|
| 70 |
LA Weekly
Best seen as a performance movie, featuring music (by Iris DeMent and Taj Mahal, among others) too wonderful to be overpowered by director Maggie Greenwald's plodding direction and leaden screenplay.
|
| 70 |
Variety
Unfolds at a leisurely but enjoyable pace, its dramatic contrivances never pushed too hard.
|
| 70 |
The New York Times
Songcatcher is a sweet, lyrical ode to rural America in the early 1900's.
|
| 67 |
Entertainment Weekly
There are mountain tunes as powerful as moonshine to be enjoyed in Songcatcher -- but there's also a mighty mushy heap of corn pone to be swallowed.
|
| 63 |
USA Today
With a half-dozen characters sorting out life's woes, the pacing is a couple of beats faster than languorous — just enough to sustain one's interest.
|
| 60 |
Mr. Showbiz
For the most part, it's when the women do the singing -- that Songcatcher really comes alive.
|
| 50 |
New York Daily News
For a film expressly about an underappreciated culture, there are some boulder-size cliches rolling down these hills.
|
| 40 |
Village Voice
The commonest sort of cultural pasteurization.
|
| 40 |
Salon.com
Songcatcher is like an "All Things Considered" report on "a vibrant and lasting folk tradition" that goes on for two hours. It's so relentlessly, goddamn worthy that you long for some cheapness and dirt, some energetic pop trash to liven it up.
|
| 30 |
Wall Street Journal
A good subject has been ill-served by Ms. Greenwald's cliched script and clumsy direction.
|
| 11 |
Austin Chronicle
It's all infuriatingly simplistic, and the performances help matters little. Quinn and McTeer are wholly uncompelling.
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