| 100 |
Seattle Post-Intelligencer
It's an extraordinary feat of animation, possibly the most lovingly conceived, uncompromisingly executed and totally successful animated film since "The Lion King."
|
| 90 |
Wall Street Journal
It's classic animation wedded to modern technology -- painted pictures that move in magical splendor.
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| 90 |
Washington Post
The movie's big action scenes, at times, make you forget you're even watching animation. There's an in-your-face sequence involving a runaway, crashing train that will make you squirm in your seat trying to get out of the way.
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| 83 |
Entertainment Weekly
An animated fairy tale made with simple, elegant conviction.
|
| 80 |
Chicago Reader
Staff (Not Credited)
The animators have re-created equine movement and behavior with uncanny verisimilitude.
|
| 75 |
USA Today
A poetic and lovely tale, told as a silent picture with music and narration.
|
| 75 |
Chicago Sun-Times
The film is short at 82 minutes, but surprisingly moving, and has a couple of really thrilling sequences.
|
| 75 |
Chicago Tribune
A welcome family film that extols noble values and offers first-class animation.
|
| 75 |
Philadelphia Inquirer
A cartoon that's truly cinematic in scope, and a story that's compelling and heartfelt - even if the heart belongs to a big, four-legged herbivore.
|
| 75 |
ReelViews
Those for whom Spirit was made will find this to be a thoroughly enjoyable production. As a "kids' movie", Spirit is a resounding success.
|
| 75 |
The Globe and Mail (Toronto)
Visually the film is a knockout. I'm not sure this will matter to the young adult audience, but the film is philosophically confusing.
|
| 70 |
Newsweek
John Horn
For all its retro design, Spirit actually represents a delicate marriage of the hand and the computer.
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| 70 |
Time
It's a pretty, high-strung story, handsomely done in traditional animation (mostly by hand) that you can take the kids to without wincing.
|
| 63 |
Baltimore Sun
Spirit lacks that essential emotional resonance, and suffers because of it.
|
| 63 |
New York Daily News
Popcorn-buyers, beware: This is no "Shrek," with raucous adult humor sailing over the heads of wee ones. This is "Sesame Street"-level, with white hats, black hats and simple moral messages.
|
| 60 |
Los Angeles Times
Despite its good intentions, Spirit is more self-conscious and uninspiring from a dramatic point of view than one might have wished. Still, whenever it threatens to get bogged down in earnest dramaturgy, a stirring visual sequence -- rouses us.
|
| 50 |
The Onion (A.V. Club)
It's handsomely mounted, and its heart seems in the right place, but that's not reason enough to put on a show.
|
| 50 |
LA Weekly
Rather exciting, rendered in a bright sunset palette and a mixture of expressive, boldly drawn traditional animation and fluid computer-generated imagery.
|
| 50 |
Christian Science Monitor
The action is mild enough for fairly young children, and grownups may enjoy its old-fashioned spirit.
|
| 50 |
San Francisco Chronicle
The result is a mishmash that is sometimes moving, sometimes absurd and most of the time just oddly off balance.
|
| 40 |
Variety
Saddled with a sentimentally "sincere" subject and lacking the stylistic and humorous cachet of the recent computer-animated smashes.
|
| 40 |
New York Magazine
Spirit's narration comes to us courtesy of Matt Damon, who, having played a horse's ass in some of his earlier movies, perhaps thought it wise to inhabit the entire nag this time around.
|
| 40 |
The New York Times
As it stands, "Spirit" provides neither the profound human touch of the great Disney animation of the past, nor the dazzling, high-tech fun of present-day digital cartooning.
|
| 30 |
Austin Chronicle
Can barely limp to its final CinemaScope sunset shot.
|
| 25 |
New York Post
A boring, wincingly cute and nauseatingly politically correct cartoon guaranteed to drive anyone much over age 4 screaming from the theater.
|
| 20 |
TV Guide
Think "The Lion King" redone for horses, with fewer deliberate laughs, more inadvertent ones and stunningly trite songs by Bryan Adams.
|
| 20 |
Village Voice
Dreary adventure. Parents, be forewarned: No talking equines means more songs, and the viselike soundtrack might be someone's idea of a cruel joke: hoarse whisperer Bryan Adams.
|
| 16 |
Portland Oregonian
The animation is dull, the thought is fuzzy, the storytelling is vague and the music just plain stinks. It's not "National Velvet," it's sure not "The Black Stallion," it's not even "Dances With Wolves."
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| 10 |
New Times (L.A.)
It's an exceptionally dreary and overwrought bit of work, every bit as imperious as Katzenberg's "The Prince of Egypt" from 1998.
|