Metacritic Film

Steal This Movie!

Starring Vincent D'Onofrio, Janeane Garofalo, Jeanne Tripplehorn, Kevin Pollack, Donal Logue, Kevin Corrigan, Alan Van Sprang, and Troy Garity

MPAA RATING: R for language, drug content and some nudity

Lions Gate Films Inc.
Drama
107 minutes | Color
USA
Released In Theaters August 18, 2000

The story of Abbie Hoffman, one of the "Chicago Seven."

WRITTEN BY
Bruce Graham
Abby Hoffman & Anita Hoffman (book To America with Love: Letters From the Underground)
Marty Jezer (book Abbie Hoffman American Rebel)

DIRECTED BY
Robert Greenwald

Overall Metascore

This is a weighted, normalized average of all individual scores given by critics, on a scale of 0 (worst) to 100 (best).

36 / 100

Critic Reviews

75 Seattle Post-Intelligencer
Unashamedly positive look at the rise of the '60s counterculture.
75 Chicago Sun-Times
Provides an untidy and frustrating but never boring look at his life and times.
67 Austin Chronicle Kimberely Jones
Too bad the movie about him is just as flawed.
63 Chicago Tribune
Feels more like a music video than a serious look back at a time, a place and a very smart, funny and unconventional man.
63 USA Today
A film dealing fully with Hoffman's final years might have had a lot more punch.
63 Boston Globe
An earnest but ultimately scattered effort to put Yippie radical Abbie Hoffman's best foot posthumously forward.
60 TV Guide
It's a compelling story, and very of its tumultuous time.
58 Entertainment Weekly
Scrappy and rambling and overly earnest.
50 San Francisco Chronicle
Won't work until the film comes out on video.
50 New York Post
Vincent D'Onofrio does capture Hoffman's charisma and nuttiness - and he's the only reason to resist the temptation to skip this exasperating movie.
50 San Francisco Examiner
It's often a lapsed, under-informed documentary with restagings.
50 Film.com
Not quite Abbie.
50 LA Weekly Marc B. Haefele
Throws in a lot of detail but withholds the real secrets of Abbie Hoffman. His life was no fairy tale. Why should it be filmed to end like one?
50 New York Daily News
An admiring but overly simplified walk down memory lane.
50 Los Angeles Times
There might have been a better, more involving method of telling Hoffman's story, but it is expressed with a firm sense of commitment to accuracy and authenticity.
45 Mr. Showbiz
Never better than middling, despite its best intentions.
40 Washington Post
It couldn't be any less revolutionary in style. It is straighter than a guitar string.
40 The New York Times
Likable but muddled screen biography.
30 Variety
A valiant but seriously flawed attempt to belie the notion that if you remember what you did in the '60s, you weren't there.
30 TNT RoughCut
Although Steal This Movie isn't worth the price of admission, it is worth sneaking in to see D'Onofrio and Garofalo's splendid performances.
30 Slate
Bizarrely depressing.
25 Christian Science Monitor
This superficial treatment makes so many dubious decisions - oversimplifying issues, for instance, so there'll be more time for high-flying emotion - that 1960s veterans may be moved to protest rather than praise.
20 Dallas Observer
Comes across as artificial.
10 Chicago Reader
Misshapen and obfuscating biopic.
10 Salon.com
The disgrace of Steal This Movie isn't just that it fails to do justice to its subject, but that, as a movie, it's barely competent.
10 Village Voice
At once simple-mindedly didactic and utterly chaotic, Steal This Movie! is interspersed with fake headlines and botched history.

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