Metacritic Film

Suzhou River

Starring Xun Zhou, Hongshen Jia, Anlian Yao, An Nai, and Zhongkai Hua

MPAA RATING: Not rated

Strand Releasing
Drama
83 minutes | Color
China / Germany
Released In Theaters November 8, 2000

Marda (Jia), a motorcycle courier becomes obsessed with a beautiful young girl named Moudan (Zhou), whom he falls in love with only to lose her in a botched kidnap attempt to gain money from her wealthy father. Moudan jumps into the murky waters of the Suzhou River and becomes lost forever. Marda is sentenced for three years, but upon his return he meets MeiMei (Zhou), an identical look-alike whom he suspects is actually Moudan, or is she? (Strand Releasing)

WRITTEN BY
Ye Lou

DIRECTED BY
Ye Lou

Overall Metascore

This is a weighted, normalized average of all individual scores given by critics, on a scale of 0 (worst) to 100 (best).

76 / 100

Critic Reviews

90 Time
Whatever city this one is showing in...move there.
90 Film.com
A delight to the eye, ear, and mind
90 LA Weekly
A waterlogged little jewel of a Chinese movie that you must rush out and see at once or else.
89 Mr. Showbiz
Suzhou River might be more pulpy than profound, but it still sings its old song better than we've heard in years.
83 Portland Oregonian
Seems deeply influenced by American film noir, the Western fairy tale (in this case, mermaids) and the works of Alfred Hitchcock in particular.
80 Washington Post
A Chinese film whose simple surface belies greater mysteries.
80 Variety David Rooney
A compelling story of love and obsession whose progress mirrors the sinuous flow of the Shanghai waterway that supplies its title.
80 Los Angeles Times
Daring and edgy, it's a German co-production (critical for avoiding censorship) that's filled with the intoxicating excitement of creating images for the screen.
75 New York Post
This intriguing film is the best variation on "Vertigo" since Brian DePalma's far more polished "Obsession" (1976), which ranks with the best Hitchcock knockoffs of all time.
75 San Francisco Chronicle
The film is energized by the naturalness of its characters and the way in which it plays a game of mixed signals and double illusions.
75 Miami Herald Marta Barber
Deliciously confusing.
75 Christian Science Monitor
This offbeat Chinese production is at once an innovative art film, a traditional suspense yarn, and a moody voyage through Shanghai's gritty back roads.
75 Seattle Post-Intelligencer
Casts a dreamy romantic spell that lingers pleasantly in the mind for a long time after experiencing it.
75 New York Daily News
This Asian-flavored Hitchcock is a complicated tale with no easy answers.
70 The New York Times
Mr. Lou lets it play on for too long. Suzhou River offers impeccable attitude and captivating atmosphere, but little emotional or intellectual impact.
67 Entertainment Weekly
Has more atmosphere than it does coherence; it's a series of floating tricks and gambits in search of a resolution. Even so, Ye's ''Vertigo'' fever is contagious.
60 TV Guide
A little too derivative of much better movies to succeed on its own. However, in the context of recent Chinese movies, it's a pretty amazing piece of work.
50 Village Voice
A ghost story that's shot as though it were a documentary -- and a documentary that feels like a dream. Almost too fashionable for its own good.

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