| 75 |
Chicago Sun-Times
It is a fantasy, a sweet, light-hearted fairy tale with Reese Witherspoon at its center. She is as lovable as Doris Day would have been in this role (in fact, Doris Day was in this role, in "Please Don't Eat the Daisies").
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| 75 |
San Francisco Chronicle
There's a certain formulaic and familiar quality about Sweet Home Alabama, but it doesn't matter.
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| 70 |
The New York Times
If Sweet Home Alabama, directed by Andy Tennant from a screenplay by C. Jay Cox, has the ingredients for a classic screwball comedy, the movie is in such a rush to entertain that it barely connects the dots of its story. But it still has its effectively goofy comic moments.
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| 63 |
ReelViews
Die-hard fans of Witherspoon and the romantic comedy genre will probably find enough to like in this film to make it worth a trip to the theater. Everyone else would be best served by spending their hard-earned money on something else.
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| 63 |
Philadelphia Inquirer
If you can tolerate the redneck-versus-blueblood cliches that the film trades in, Sweet Home Alabama is diverting in the manner of Jeff Foxworthy's stand-up act.
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| 63 |
New York Post
It's only when you're leaving the theater that her spell wears off and you realize just how bad the movie, directed by Andy Tennant, really is.
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| 60 |
Washington Post
If you're a fan of Witherspoon, this movie was produced, shot, edited and distributed entirely for you.
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| 60 |
The New Yorker
Makes a suitable staging post in Witherspoon's headlong career. She may want to forget it by Christmas, yet its cushioned slackness allows her to sharpen her grasp of a steely American type: the girl next door who will kill to get out of town. [30 Sept 2002, p. 145]
|
| 60 |
Washington Post
At the movie's thoroughly expected conclusion, a visual joke has a bedraggled cat licking at the icing on a wedding cake, but it's really Melanie who gets to have it and eat it, too.
|
| 58 |
Seattle Post-Intelligencer
Witherspoon shines. She's never looked better, and she carries herself with both her usual comedic flair and a surprising elegance.
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| 50 |
Portland Oregonian
Too sugary to be funny or offensive or even offensively funny, though any kind of funny would be welcome here.
|
| 50 |
New York Daily News
Trying to resist Reese is like trying to resist Reese's Pieces: They're always the same but you can't help yourself.
|
| 50 |
Salon.com
A good-natured but massively flawed little comedy.
|
| 50 |
Chicago Reader
This is the usual cartoon of hound dogs, roadhouses, antebellum mansions, and Civil War reenactments. Aside from that, it's not a bad date movie.
|
| 50 |
TV Guide
Fluff in the tradition of Hollywood's screwball comedies of remarriage, lacking the wit or grace of such classics as "His Girl Friday" (1940) and "The Awful Truth" (1937).
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| 50 |
Rolling Stone
Witherspoon has the class, the sass and the full-out talent to sustain a major career. Who else could turn the wimpy Sweet Home Alabama into a date-movie winner? She's one of that select group who is worth watching in anything. Even in this less-than-magic kingdom, Reese rules.
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| 50 |
Boston Globe
Isn't just lame; it's neutered.
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| 50 |
Wall Street Journal
The whole dumb movie is a baloney cake, but the enticing icing on it is Reese Witherspoon, who manages to have a few moments of spontaneous fun in this half-baked store-bought comedy.
|
| 50 |
Entertainment Weekly
Unbearable were Witherspoon not such a genuinely attractive performer.
|
| 50 |
Christian Science Monitor
It doesn't have a speck of authentic heart -- you can bet its Hollywood creators wouldn't move to Alabama if their lives depended on it -- but if you belong to the growing legion of Witherspoon worshippers, this is definitely the movie of the week.
|
| 50 |
USA Today
The latest picture to give you the sense that Hollywood filmmakers simply plucked another old pop-tune title ripe for ripping off, then were shaken by the rude reality of coming up with a script to jerry-build around it.
|
| 50 |
The Globe and Mail (Toronto)
Light to the point of disposability, Sweet Home Alabama is a small screwball comic idea that spins out far too long.
|
| 50 |
Austin Chronicle
What it needs is a little more dirtying down. What it needs, in short, is less New York, and more Alabama.
|
| 40 |
Village Voice
The clunky yee-haw script full of tired bitch/angel oppositions and Witherspoon's school-play petulance cranks the twang to a blare.
|
| 40 |
The Onion (A.V. Club)
The film does coast along smoothly to the inevitable, which is a credit to the always-game Reese Witherspoon, who's courteous enough to pretend she doesn't know what's coming, then make it look like a huge surprise.
|
| 40 |
Los Angeles Times
The South takes another beating in Sweet Home Alabama, but that's nothing compared with the one conferred on the sweetheart personality of its pint-sized Gen. Sherman.
|
| 40 |
Variety
Revives the format but not the fun of classic Hollywood screwball comedies about rediscovering the virtues of a former mate.
|
| 40 |
Film Threat
Goes south early and its director never comes close to turning things around.
|
| 40 |
Time
The film (directed by Andy Tennant) has more problems than Melanie, and they're insoluble. Its lazy calculation telegraphs each plot turn and underlines emotions with corn-pone music.
|
| 38 |
Baltimore Sun
And Witherspoon? She does the American equivalent of a mechanical British performance: She hits every note too perfectly. There's no shadow to her smile.
|
| 38 |
Chicago Tribune
This movie is phony, phony, phony -- from its Disneyland version of the Deep South to its pious lessons about the values of simple rural living.
|
| 38 |
Miami Herald
A romantic comedy so rote, dull and predictable that it makes "You've Got Mail" seem innovative and fresh.
|
| 38 |
Charlotte Observer
Speaking of sounding Southern, I have to admit that the accents didn't match, and half the actors couldn't even do accents. But since we all sound alike down here, that's no big deal.
|
| 30 |
New Times (L.A.)
Which leaves Witherspoon, that delicious pastry, to heave the movie on her small shoulders and carry it home. The load is light -- the movie weighs no more than a glass of flat champagne -- but even she can't withstand the burden.
|
| 30 |
LA Weekly
To call the film contrived would imply that some sort of effort had been made, when Sweet Home Alabama is nothing but dead lazy and slow — y'all.
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