| 91 |
Entertainment Weekly
A rowdy, richly offbeat biopic.
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| 88 |
Chicago Tribune
Talk to Me has a great subject and a great actor working in tandem, reminding audiences that once upon a time media personalities used to fight The Man, not be The Man.
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| 88 |
Chicago Sun-Times
Someone like Petey Greene made a difference and made a mark, and broadcasting is better because of his transparent honesty. He helped transform African-American stations more, probably, than their mostly white owners desired. And talk talents like Howard Stern, whether they know who he was, owe him something.
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| 88 |
Philadelphia Inquirer
As Greene, Don Cheadle - explosive because you've never before seen this model of actorly restraint - is a one-man fireworks show in Talk to Me, Kasi Lemmons' rollicking, resonant portrait of the real-life ex-con who improbably became a civic icon.
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| 88 |
Charlotte Observer
No matter what character Don Cheadle has played in his 23-year career, he's always seemed to be holding something back...Until Talk to Me.
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| 83 |
Seattle Post-Intelligencer
Gianni Truzzi
Hughes' push for Greene to succeed confronts the nettlesome issues of racial identity that most films vigorously avoid. The worthiness of Talk to Me will be proved if it gets us talking to each other.
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| 83 |
Portland Oregonian
Once Greene achieves fame, neither he nor the screenplay quite knows what to do; the first half-hour of Talk to Me is the most fun. But a vibrant feel for its era and a genuine affection for its characters make the whole thing a solid evocation of a time and a life worth remembering.
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| 83 |
Baltimore Sun
Kasi Lemmons' movie is called Talk to Me, but what it really does is sing to you, in the argot and cadences of soul, jazz, rock and rhythm and blues.
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| 80 |
The Hollywood Reporter
While Cheadle's fearlessly robust performance absolutely galvanizes Talk to Me, it's not the only thing that makes Kasi Lemmons' third feature such a pleasure to take in.
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| 80 |
The New York Times
The result is a movie that offers uplift without phoniness, history without undue didacticism and a fair number of funny, dirty jokes.
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| 80 |
Newsweek
A vital entertainment that struts confidently between comedy and drama.
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| 80 |
Time
Eventually you may come to think of Talk to Me as a true movie rarity -- a very honest yet curiously affecting experience.
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| 75 |
USA Today
Talk to Me speaks powerfully to audiences with its potent blend of extraordinary performances and engaging soundtrack.
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| 75 |
Miami Herald
Talk to Me is a welcome reminder of a time when radio truly listened to the people instead of just shouted at them.
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| 75 |
Boston Globe
Especially wonderful is Taraji P. Henson as Petey's longtime girlfriend Vernell , a vision in Foxy Brown period clothes with a pixie smile, lollipop legs, and a filthy mouth. After "Hustle & Flow ," this is at least the second movie Henson has stolen, and will Hollywood please do something about it?
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| 75 |
TV Guide
Cheadle and Ejiofor are riveting together; they have the kind of apparently effortless chemistry that makes every scene they share a delight. With a dynamite soundtrack under their feet, the two of them rock the house.
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| 70 |
Washington Post
Talk to Me, with two great actors, tells that story, and it makes you feel not only the joy people experienced in the wash of Greene's raucous, truth-saying humor, but also his wisdom and calm. And many mourned his death at 55 in 1984.
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| 70 |
Los Angeles Times
With its R&B soundtrack and footage of civil unrest, Talk to Me might seem to cover familiar ground. But as an intimate portrait of the complex, fruitful and extremely volatile friendship between trailblazing African American men whose daring came to redefine an industry, it's fresh and revelatory.
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| 70 |
Salon.com
An imperfect picture that's alive every minute, a movie that perfectly captures the vibe of a person, a place, a time and a way of being, and even gets, indirectly and without a whiff of sanctimoniousness, to the heart of what being an American ought to mean.
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| 70 |
Film Threat
A poignant reminder of why people used to actually listen to their radios.
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| 67 |
Austin Chronicle
Toddy Burton
From James Brown to Sam Cooke, the songs set a mood that lingers for some time after.
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| 63 |
The Globe and Mail (Toronto)
The problem is, the last section of the movie doesn't follow the career path of Greene: It traces the blander character of Hughes. Cheadle, who galvanizes the first half of the film, fades from view, and the best part of the conversation in Talk to Me goes with him.
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| 63 |
New York Daily News
Despite being abandoned in the late going by his director, Cheadle gives one of the year's most fully realized performances, and Henson is a revelation.
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| 63 |
New York Post
Don Cheadle has a fine time jiving through Talk to Me - accent, please, on the middle word. It's a black "Good Morning, Vietnam."
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| 60 |
Variety
Alternates too deliberately between jaunty comedy and serious message-making.
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| 60 |
LA Weekly
The movie always teeters on the verge of something deeper, and Cheadle’s rendering of Greene’s stubborn refusal to be domesticated is funny, exhilarating and then quietly tragic. But Lemmons keeps pulling back into jive-talking shtick, and for much of the time -- I felt as though someone had trapped me in a time-warped episode of "The Jeffersons."
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| 60 |
Empire
Helen O'Hara
There’s terrific chemistry between the leads, but an episodic structure set over 20 years is too sprawling to really allow for a connection.
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| 58 |
The Onion (A.V. Club)
Unfortunately, that story isn't particularly well told, and after a while, the strength of the two leads' work and the popping soundtrack can't hide the fact that Lemmons doesn't really have much to say about the material.
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| 58 |
Christian Science Monitor
Whatever brought Greene down was far more complex than this film allows for.
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| 50 |
Chicago Reader
The early scenes of Greene misbehaving on the air are pretty funny, thanks mainly to Martin Sheen as the apoplectic station manager. But I was bummed out by the movie's trite VH1 cartoon of the black power era--especially coming from Kasi Lemmons, who made her directing debut with the hauntingly ambiguous "Eve's Bayou."
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| 50 |
Village Voice
Nathan Lee
The banality of Talk To Me is only half disappointing; at least it babbles clichés with conviction.
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| 50 |
San Francisco Chronicle
A potentially great movie winds up buried inside a just OK one.
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| 50 |
Wall Street Journal
Joanne Kaufman
For a movie that celebrates the power of speech, Talk to Me is oddly tongue tied. Its dialogue, equal parts uptight honky and jumping jive seems, particularly in the early stretches, to have been generated by a computer.
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