| 100 |
TNT RoughCut
Graham Verdon
This just may be the greatest war movie ever made.
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| 100 |
Chicago Tribune
One of the most curious and perversely brilliant films ever made in the American studio system. It's a shining example of qualities we don't normally see in our big theatrical pictures: vast ambition, huge resources and technical genius mated to a unique and compelling vision of life.
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| 100 |
San Francisco Chronicle
Unique and courageous. It may be counted as one of the year's few steps forward in cinema.
|
| 100 |
New York Daily News
Here is something great and startling -- not necessarily the kind of comforting, consensus-creating film that wins Oscars, but unquestionably a movie that will live in the history of the medium.
|
| 90 |
Village Voice
As mystical as it is gritty, as despairing as it is detached.
|
| 90 |
Washington Post
The disturbing ideas it plants in the soil of the soul need time and darkness ? not light ? to germinate.
|
| 90 |
Mr. Showbiz
Richard T. Jameson
It's the awesome, metaphysically charged spectacle of man doing terrible things to man within the multicolored and multifarious cathedral of Nature.
|
| 90 |
Film.com
Misshapen but magnificent vision of a soulful quest -- in the thick of misery and fear -- for the meaning of our lives.
|
| 90 |
The Onion (A.V. Club)
Malick's powerful intermingling of brutality and beauty, his signature cutaways to indigenous flora and fauna, and the gentle lyricism of his disjunctive narration and painterly images are too rich to fully register in a single viewing.
|
| 90 |
Time
The film is a gorgeous garland on an unknown soldier's grave.
|
| 90 |
Film.com
Could be called the "Red Badge of Courage" of World War II movies.
|
| 80 |
TV Guide
An intensely internalized portrait of external pandemonium, a slippery, insidiously haunting work of poetry rather than brilliantly realized pulp.
|
| 80 |
Film.com
Norman Green
The Thin Red Line attempts to soar much nearer to the sun than "Ryan." Its imagery aims at our souls. It wrestles with complexity, speaks to us in poetry, weaves multiple narrative strands into a tapestry, opens the festering wounds of war and gazes inside without blinking.
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| 80 |
Los Angeles Times
An art film to the core. If it's an epic, it's an intimate, dream-time epic, an elliptical, episodic film, dependent on images and reveries, that treats war as the ultimate nightmare, the one you just cannot awaken from no matter how hard you try.
|
| 80 |
Newsweek
Juxtaposes beauty and horror to fashion a savage and lyrical cinematic poem.
|
| 80 |
Film.com
I was so taken by the film's sublime visual poetry, its telling silences, its finely orchestrated editing rhythms.
|
| 80 |
Variety
Like a Rousseau painting splattered with carnage of warfare.
|
| 80 |
Slate
No movie in the last decade has succeeded in psyching out critics and audiences as fully as the powerful, rambling war epic The Thin Red Line.
|
| 80 |
Chicago Reader
This may have its occasional dull stretches, but in contrast to "Saving Private Ryan" it's the work of a grown-up with something to say about the meaning and consequences of war.
|
| 78 |
Austin Chronicle
Despite this film's narrative lapses, Malick has a unique way of distilling the poetry from the commonplace -- and for that precious gift we should say amen.
|
| 75 |
Christian Science Monitor
Although the story seems disjointed at times, no other war movie has tried so valiantly to convey not only the suffering of combat but the awful fissures it leaves between humanity's ideal oneness with itself and the world we live in.
|
| 75 |
The Globe and Mail (Toronto)
Like no other war movie you've ever seen.
|
| 75 |
ReelViews
The director is a poet of images.
|
| 75 |
Chicago Sun-Times
The movie's schizophrenia keeps it from greatness (this film has no firm idea of what it is about), but doesn't make it bad. It is, in fact, sort of fascinating: a film in the act of becoming, a field trial, an experiment in which a dreamy poet meditates on stark reality.
|
| 70 |
Washington Post
A big, fat, gorgeous, mesmerizing mess.
|
| 70 |
Dallas Observer
What Malick has fashioned here is less a conventional narrative than an impressionistic mosaic of our common, yet varied experience of life and death, as focused and clarified through the relentless lens of war.
|
| 70 |
The New York Times
One more film that could have been helped by excising repetition and focusing performances, but it wanders almost randomly instead. The heart-piercing moments that punctuate its rambling are glimpses of what a tighter film might have been.
|
| 67 |
Entertainment Weekly
An epic aestheticization of World War II, a movie at once bold and baffling, immediate and abstract.
|
| 63 |
San Francisco Examiner
Edvins Beitiks
Powerful war spectacle neglects novel's heart and much of story.
|
| 60 |
LA Weekly
Malick dangles his maddeningly innocent ideas about life and death and man's gift for self-destruction.
|
| 50 |
The New Republic
But it is precisely with these contrapuntal strands of huge, timeless nature, of the complexity of every human mind, that Malick bloats his film into banality. [Jan. 25, 1999]
|
| 50 |
Salon.com
The Thin Red Line, either by incompetence or willful perversity, dispenses with plot, characterization, dramatic structure and emotional payoffs in favor of the sort of painstakingly composed pictorial diddling that invariably gets critics frothing about the director's "indelible" images.
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