| 100 |
The Hollywood Reporter
A wondrous flight of fancy, a stop-motion-animated treat brimming with imaginative characters, evocative sets, sly humor, inspired songs and a genuine whimsy that seldom finds its way into today's movies.
|
| 100 |
TV Guide
But the real marvel is that beneath the ghoulish in-jokes and horror-geek allusions, there's a core of the same bittersweet truth that makes the best fairy tales resonate from one generation to the next.
|
| 100 |
Salon.com
A lush, modern valentine to old-fashioned sentiment, and to old-fashioned moviemaking, too.
|
| 91 |
Seattle Post-Intelligencer
One more good thing is that the movie doesn't overstay its welcome. At 76-minutes, it's wisely calculated to give us as much of its ghoulish whimsy as we can take in one sitting, and not a second more.
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| 90 |
The Onion (A.V. Club)
Like all Burton's best work, it takes place in a distorted, vividly colored, meticulously crafted world where whimsy and gleeful ghoulishness mix freely.
|
| 90 |
Slate
The movie is so Burtonesque that it verges on self-parody--but it's fun and stunningly beautiful anyway.
|
| 90 |
Dallas Observer
Not just great fun but high art.
|
| 90 |
Wall Street Journal
This stop-action animated feature is downright sweet and tender, as well as all the other things we've come to expect from him -- funny, bizarre, graphically stunning and blithely necrophilic.
|
| 90 |
Variety
An endearingly schizoid Frankenstein of a movie, by turns relentlessly high-spirited and darkly poignant.
|
| 90 |
Village Voice
Corpse Bride never skimps on the sass (as a good folktale shouldn't). And the variety of its cadaverous style is never less than inspired; never has the human skull's natural grin been redeployed so exhaustively for yuks.
|
| 88 |
Rolling Stone
It's warped and wonderfully effervescent. Ditto the songs by Danny Elfman, who sings the role of Bonejangles, the frontman for a skeleton jazz band at a swinging underworld club. Best of all is the love story.
|
| 88 |
The Globe and Mail (Toronto)
Ghoulishness and innocence walk hand-in-hand in Tim Burton's Corpse Bride, a movie that digs into Hollywood's past to resurrect the antique art of stop-motion animation and create a fabulous bauble of a movie.
|
| 88 |
USA Today
Features the season's most tragic heroine along with some of the liveliest dead people ever seen on film.
|
| 88 |
New York Daily News
The story itself is a smooth little gem.
|
| 88 |
New York Post
An instant classic.
|
| 88 |
Baltimore Sun
Will be hailed for its macabre imagination and inventive farce. But it also elegantly renders an archetypal teenage tale.
|
| 88 |
Boston Globe
Burton, who directed the film with animator Mike Johnson, has rarely been in brisker, friskier form.
|
| 88 |
Chicago Tribune
If "Nightmare" was a jazzy pop number, "Bride" is a waltz--an elegant, deadly funny bit of macabre matrimony.
|
| 88 |
Charlotte Observer
Corpse Bride had me at the maggot.
|
| 88 |
Philadelphia Inquirer
Easily the best stop-motion animated necrophiliac musical romantic comedy of all time. It is also just simply, wonderful: a morbid, merry tale of true love that dazzles the eyes and delights the soul.
|
| 83 |
Portland Oregonian
Such a treat for the eyes, ears and funny bone that you feel cheated that it clocks in at less than an hour-and-a-quarter.
|
| 80 |
Empire
Staff (Not credited)
A precious thing, if likely to please refined aesthetes and odd children rather than win over Pixar-sized crowds.
|
| 80 |
Chicago Reader
This may be light family entertainment, but it's also a pleasingly perverse celebration of Victorian morbidity.
|
| 80 |
Film Threat
A visual triumph, and also a work of surprising warmth. No small accomplishment for a bunch of cadavers.
|
| 80 |
The New York Times
There is something heartening about Mr. Burton's love for bones and rot here, if only because it suggests, despite some recent evidence, that he is not yet ready to abandon his own dark kingdom.
|
| 78 |
Austin Chronicle
The dead have more fun than the living, again, in Tim Burton’s new stop-motion animated feature, a gift to gothlings everywhere and as exquisitely crafted as one of Federico’s post-mortem still lifes on "Six Feet Under," and just as melodramatically melancholic.
|
| 75 |
Chicago Sun-Times
Not the macabre horror story the title suggests, but a sweet and visually lovely tale of love lost.
|
| 75 |
San Francisco Chronicle
Deliriously original.
|
| 75 |
Premiere
Ryan Devlin
The Poe-esque story, the wonderfully twisted physical geometry of the characters, and the director’s signature sense of humor, combine to make Corpse Bride a fun movie, and one that breathes life not only into stop motion, but into animation as a whole.
|
| 75 |
ReelViews
As animated films go, this is easily the best of a weak year.
|
| 75 |
Entertainment Weekly
As an achievement in macabre visual wizardry, Tim Burton's Corpse Bride has to be reckoned some sort of marvel.
|
| 70 |
Washington Post
For all its charm, we can't quite figure out for whom the film is intended: Talking maggots and decaying bodies do not a kiddie movie make.
|
| 63 |
Miami Herald
Populated by all kinds of grinning skeletons and decomposing zombies, but in Burton's universe, they aren't the slightest bit threatening. It's the drab, flesh-and-blood living you have to worry about.
|
| 60 |
LA Weekly
There is much clattering and clanking plus a couple of songs; some of the gothic-inspired, neo-Victorian visuals are quite arresting; and the corpse bride herself is, dare one say, surprisingly hot. But the whole thing just isn’t much fun.
|
| 60 |
Los Angeles Times
Corpse Bride has more warmth and appeal than its title would indicate, but it is finally more grotesque than good-humored. And, even at 75 minutes, it feels longer than its content can comfortably support.
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