| 100 |
Newsweek
By the end of this white-knuckle movie, you stand in awe at the depth of man's will to survive. Touching the Void leaves you emotionally and physically spent, and grateful it was only a movie, not a mountain, you had to endure.
|
| 100 |
Chicago Sun-Times
The most harrowing movie about mountain climbing I have seen, or can imagine.
|
| 100 |
Wall Street Journal
An absolutely thrilling recreation, in documentary style, of a now-legendary story.
|
| 100 |
Baltimore Sun
For audiences, two things keep the tension from becoming too excruciating: the presence of the survivors in front of us and the knowledge that in the grip of Macdonald's humane, lucid filmmaking, we're in the best of hands.
|
| 100 |
Charlotte Observer
Warms the heart while chilling the bones.
|
| 90 |
Dallas Observer
One of Void's great strengths is that it doesn't say much about "voids." It simply shows us, in incredibly vivid detail, heart-stopping danger and the raw will to survive.
|
| 90 |
Chicago Reader
Something of a tour de force, this adaptation of Joe Simpson's nonfiction book about his climbing the 21,000-foot Siula Grande mountain in Peru, breaking a leg, and eventually making it back alive is remarkable simply because the story seems unfilmable.
|
| 90 |
New York Magazine
As a piece of inspirationalism about human stamina, Touching the Void is peerless, but what it doesn't--perhaps can't--explain is why people place themselves in such peril.
|
| 90 |
LA Weekly
Breathtaking stuff that freezes the toes, harrows the soul and turns the viewer's seat into a foot-wide ledge over a yawning chasm.
|
| 90 |
The Hollywood Reporter
Factoring in Mike Eley's breathtakingly vivid photography and a virtuoso sound mix that completely envelops the viewer, it's enough to make you never again want to poke your head into the freezer.
|
| 90 |
The New Yorker
Kevin Macdonald has a terrific tale on his hands, and his telling of it, very British in its matter-of-factness, can barely be faulted; yet the facts drop away, and it becomes impossible not to read the movie symbolically--as a journey to the center of the earth, or farther still.
|
| 90 |
Variety
Uses first-person on-camera accounts of the adventure by Simpson and fellow climber Simon Yates to backdrop newly shot you-are-there footage that brings home the awesome and harrowing aspects of their feat.
|
| 90 |
Washington Post
Tells a tale of fortitude that comes not from muscle but from the ineffable, bungee-like sinew that is the human spirit.
|
| 88 |
Chicago Tribune
So well cast and well captured is Touching the Void that it suspends disbelief, making us feel as if we're actually watching Simpson's own icy version of Dante's "Inferno."
|
| 88 |
ReelViews
Truth, they say, is stranger than fiction… and also potentially more nail-biting and harder to believe. Touching the Void is an extreme example of this.
|
| 88 |
New York Post
A stunning achievement, every bit the equal of the classic moun taineering book which inspired it.
|
| 88 |
Boston Globe
As sagas of endurance in the face of ridiculous odds go, this story is up there with Shackleton and ''Into Thin Air.''
|
| 88 |
Philadelphia Inquirer
Don Sapatkin
Touching the Void is, indeed, about living, but not the exhilarating kind. It's about survival -- raw, real, by force of will.
|
| 83 |
Entertainment Weekly
The story itself is so powerful and troubling, the moral geometry so vertiginous, and the photography so big that anything other than the natural sounds of snowfall and footfall is a Flat Earth Society intrusion.
|
| 83 |
Seattle Post-Intelligencer
It's a gripping outdoor adventure and the movies' most inspiring epic survival story in years.
|
| 80 |
Village Voice
Unexpectedly bridges genres -- it's a buddy movie, a horror story, a boy's-own adventure, and a near metaphysical meditation on the limits of human endurance.
|
| 80 |
Film Threat
Suffice it to say that MacDonald has made the finest mountain climbing movie you are likely ever to come across. The cinematography is awesome, the score by Alex Heffes terrific, the reenactments remarkably credible.
|
| 80 |
The New Republic
The film, directed almost with fierceness by Kevin Macdonald, is a wondrous recreation of that physical adventure. The most profound element, the moral crux, is skimped, but I kept wondering, not so much about the actors who were playing Simpson and Yates, as about the cameramen who were photographing them on that icy face, possibly suspended while they were doing it.
|
| 75 |
The Globe and Mail (Toronto)
It's also mysterious in fresh ways. Like Hillary, Yates and Simpson climbed the mountain because it was there -- but what strange deity sent down a Boney M song to help Joe Simpson get home?
|
| 75 |
Miami Herald
Even for a sport already filled with horrific accidents and tales of unlikely survival, the mountain-climbing nightmare told in Touching the Void is astonishing.
|
| 75 |
Christian Science Monitor
Don't miss this harrowing movie if you're in the mood for adventure more thrilling than anything Hollywood has to offer these days.
|
| 75 |
San Francisco Chronicle
Real acting replaces re-enacting, and amazing cinematography pits the limits of human will against the unruliness of nature.
|
| 70 |
The Onion (A.V. Club)
At its heart, Touching The Void contends with the physical and spiritual dilemma of facing the unknown and overcoming paralyzing fear in order to emerge reborn on the other side. But the film's appeal is even more fundamental than that: It's just one of those stories that catches the breath, no matter how often it's told.
|
| 67 |
Austin Chronicle
Without really understanding what drove these two men to attempt the risky climb in the first place, it’s hard to extend the requisite sympathy for their plight. A void was definitely touched in this movie, and it was inside me.
|
| 63 |
New York Daily News
Simpson and Yates give a good idea why individuals are drawn to extreme sports.
|
| 60 |
TV Guide
Stunningly beautiful scenery and the nearly unbelievable true story of a mountain-climbing expedition gone awry to chilling effect.
|
| 60 |
The New York Times
This is compelling stuff, but there is something deeply distracting in the use of recreated material.
|
| 60 |
Los Angeles Times
It's a nervy, quasi-documentary scheme that's often successful, perhaps more so than you'd expect for this kind of a hybrid endeavor. But Macdonald's technique eventually turns out to be as distancing as it is involving, paradoxically undercutting the reality as often as it enhances it.
|
| 60 |
Slate
It's true that the movie, arrested between documentary and drama, doesn't quite do justice to either medium: The actors playing Joe and Simon don't have anything like "lines" to simulate "drama," or even just "conversation," while the real guys often fall back on bland English understatement.
|
