| 90 |
Film Threat
Mark Sells
A charming, highly entertaining romantic adventure full of life, spectacular vistas, and sensual delight.
|
| 80 |
The Hollywood Reporter
All elements click in "Sun," a shimmering, deeply felt film.
|
| 80 |
Washington Post
The cliches are obscured by the sheer fun of it all.
|
| 75 |
Miami Herald
The whole movie is at once formulaic, clichéd and predictable, yet surprising, engaging and filled with subtle, unexpected details.
|
| 75 |
Philadelphia Inquirer
Movie and book both are delightful, but very, very different.
|
| 75 |
USA Today
Staff (Not Credited)
A fun movie to sit through even when you don't always buy it.
|
| 75 |
Boston Globe
You come away enchanted less by the character than by the woman playing her.
|
| 75 |
Chicago Sun-Times
What redeems the film is its successful escapism, and Lane's performance. They are closely linked.
|
| 75 |
San Francisco Chronicle
Chalk it all up to prettiness, if you like, but Lane's case has more to do with spirit -- with warmth and emotional readiness, plus a kind of open-book quality that makes her both lovely and comical, usually at the same time.
|
| 67 |
Seattle Post-Intelligencer
Diane Lane overplays many scenes, she tries way too hard to be ingratiating and, in many other ways, it's one of the least of her performances.
|
| 63 |
ReelViews
This is a beautifully shot motion picture, and there's no doubt that the lush scenery upstages the actors.
|
| 63 |
The Globe and Mail (Toronto)
While both the scenery and star Diane Lane are highly watchable, the movie is pure froth, a plate-sized helping of zabaglione.
|
| 60 |
Slate
The movie is sweet but deeply suspect: It's like "Lost Horizon" re-imagined by a realtor.
|
| 60 |
Variety
Ronnie Scheib
Lane transforms this seriocomic saga of a devastated American divorcee who impulsively purchases a Tuscan villa, thereby changing her life, into a spellbinding display of emotional transparency.
|
| 60 |
The New Yorker
This movie, though perfectly pleasant, does not have a great script.
|
| 60 |
LA Weekly
The movie is not without charm or humor, but it leaves little for Lane to do besides chuckle at setbacks as if they were naughty children.
|
| 58 |
Portland Oregonian
Does at least come bearing two gifts: the rolling beauty of Tuscany and the understated elegance of actress Diane Lane. The rest of the film is fit fodder for the Oxygen Network.
|
| 58 |
Entertainment Weekly
The author was able to compensate for the book's plotlessness by contemplating other people leading full lives quite as important as hers. In Wells' movie adaptation, even the birth of a friend's baby becomes all about Frances and the play of emotions on Lane's busy, beautiful face.
|
| 50 |
The Onion (A.V. Club)
Writer-director Audrey Wells never aims higher than postcard filmmaking, and Under The Tuscan Sun at least works on that level, by casting its little operetta of self-realization and remodeling travails against some of the most beautiful scenery in the world.
|
| 50 |
Los Angeles Times
It's a pleasure to watch Lane's delicately lived-in face tremble with feeling -- it's the truest thing in the movie -- but the character's desperation feels wrong, the worst kind of sellout.
|
| 50 |
The New York Times
The story of self-discovery through which the writer and director Audrey Wells leads Frances is eminently superficial, although Ms. Wells keeps the movie going with a steady, commanding hand and casts it with an actress who can deftly downshift from serene to sodden.
|
| 50 |
Chicago Tribune
Most definitely a chick flick.
|
| 50 |
Rolling Stone
Just soak up that Tuscan sun and wonder when Lane will get another movie, like "Unfaithful" or "A Walk on the Moon," that will let her really shine.
|
| 50 |
Dallas Observer
The dumbed-down movie version of Frances Mayes' best-selling travel memoir Under the Tuscan Sun is a virtual case study of Hollywood's irrepressible urge to lower the bar in the hopes of upping the take.
|
| 50 |
New York Daily News
Lane...is as stunning and changeable as that Tuscan countryside. Without her, this movie would be irksome, pandering as it does to stereotypes, including that of the American woman who goes abroad for easy sex with limpid-eyed hunks.
|
| 50 |
New York Post
The emotional honesty of [Lane's] performance provides a foundation that supports this shaky and often unbelievable Italian-set hybrid of "Shirley Valentine" and "Mr. Blandings Builds His Dream House."
|
| 50 |
Chicago Reader
Rises only slightly above the level of a Harlequin romance.
|
| 50 |
Premiere
An uneven love story but a picture-perfect love letter to Italy.
|
| 40 |
Empire
Joe Berry
Packed with more clichés than a pizza has pepperoni slices, this is truly disappointing, especially after Lane’s stunning performance in "Unfaithful."
|
| 40 |
Austin Chronicle
My cynical half hated it, despite the presence of Lane, who is so magnetic that she could prance around the countryside in the absence of plot and still be compelling somehow.
|
| 40 |
TV Guide
Rather than converting messy, real-life experience into slick, formulaic entertainment, Well's script transforms it into a shapeless, internally inconsistent mess of artificial contrivances.
|
| 40 |
Salon.com
The movie has some sex in it, and yet it's as unsexy as a rusty old olive oil can (minus the olive oil).
|
| 30 |
Washington Post
It's like a music video of Helen Reddy's "I Am Woman" filmed in the Chevy Chase Pottery Barn.
|
| 30 |
Wall Street Journal
Unforeseeably bad things can happen to good performers.
|
| 30 |
Village Voice
Anya Kamenetz
Only Sandra Oh, as the wisecracking lesbian Asian pregnant best friend, provides a bright spot. Get this sidekick her own sitcom!
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