| 100 |
San Francisco Chronicle
One of the most powerful romances of recent years, it is as generous as they come.
|
| 100 |
TNT RoughCut
Bilge Ebiri
Gordon directs with a graceful precision and shorthand that makes the story seem simple, though it's anything but. Indeed, it's fascinatingly complex, juggling time periods and political, mystical, and psychological themes without ever losing touch with the core message: Love conquers all.
|
| 90 |
Los Angeles Times
It is a film of uncommon intelligence and rigor that illuminates a complex era, and the romance at its center is also one of exceptional passion and honesty.
|
| 75 |
Seattle Post-Intelligencer
A film with a real depth, resonance and texture, and room for an ensemble of supporting characters.
|
| 75 |
Miami Herald
It's almost startling to see a film that believes in itself and its characters so deeply.
|
| 75 |
New York Post
Structurally flawed, occasionally shlocky, but written with unusual intelligence and subtlety.
|
| 75 |
Baltimore Sun
Milton Kent
Gordon deserves credit for at least attempting to deal with political themes, and the tension isn't bad either.
|
| 75 |
Christian Science Monitor
Offbeat tale, which tackles weighty themes. But sentimentality overtakes intelligence.
|
| 75 |
New York Daily News
It's a romantic weepie.
|
| 70 |
Dallas Observer
A pensive, reflective movie, more or less equal in tone to Ang Lee's "The Ice Storm," yet, because of its temporal breadth and tight emotional focus, it packs a more intimate punch.
|
| 70 |
LA Weekly
Catches the volatile beauty of what it was to be alive and politically aware in the early '70s with a rare accuracy and depth.
|
| 70 |
Washington Post
This wonderfully acted romance brings the touching fantasy "Truly, Madly, Deeply" to mind.
|
| 63 |
Chicago Sun-Times
Has a good heart and some fine performances, but is too muddled at the story level to involve us emotionally.
|
| 63 |
San Francisco Examiner
As involved as Crudup and Connelly beseech you to be with this story, their very youthfulness, their nagging lack of adulthood, keeps the film from being anything more credible than a tight grad-school tryst.
|
| 60 |
Chicago Reader
Its virtues are still genuine and durable enough to resist the blandishments of hype.
|
| 58 |
Mr. Showbiz
The movie is a shambles, a rambling, disjointed love tragedy with a story that amounts to little more than a mess of fade-outs, sloppy montages, and dramatic sketches.
|
| 50 |
Film.com
Crudup tends to take average parts in standard genre films and turn them into something special.
|
| 50 |
TV Guide
A tale of conscience lost and found becomes little more than a smart but tepid ghost story for idealists and '60s survivors, and not a terribly spooky one at that.
|
| 50 |
Chicago Tribune
Marc Caro
By the time of Fielding's and Sarah's final, gooey encounter, she's not the only one who needs waking.
|
| 50 |
Austin Chronicle
The film is one of the more adult offerings out there in a spring movie season peppered with martial arts and superheroes. It may be just what you're looking for.
|
| 50 |
Film.com
Its evocation of the politics and Zeitgeist of the late '60s is so right on, as we used to say, that it left me stunned.
|
| 50 |
Boston Globe
It's too fragmented and diffuse to ever bring its parts together in any really satisfying manner.
|
| 50 |
Entertainment Weekly
Enough to anesthetize the living.
|
| 50 |
The New York Times
Forever stumbling over itself and breaking its own spell.
|
| 50 |
Rolling Stone
Gorden teases out some affecting scenes, but not enough to carry a film that promises more than it delivers.
|
| 33 |
Portland Oregonian
Bob Campbell
As so often happens, politics and religion add up to a double dose of self-righteousness.
|
| 25 |
USA Today
Spanning the counterculture '70s to the more career-oriented '80s and doing justice to neither decade, this event-heavy adaptation of Scott Spencer's novel may give viewers whiplash.
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