| 100 |
Chicago Tribune
Michael Phillips
Gripping documentary.
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| 100 |
Chicago Reader
The best documentary to date about the military occupation of Iraq.
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| 100 |
Baltimore Sun
It's an experience that blows your mind, clears it and educates it.
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| 100 |
San Francisco Chronicle
There's a lot to process when watching The War Tapes, and that's probably why the documentary gets even better a few days later.
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| 91 |
Entertainment Weekly
The War Tapes captures how the war in Iraq, for all its terrible carnage and death, is in a way too random in its destruction to even be called ''combat.''
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| 89 |
Austin Chronicle
Toddy Burton
A powerfully unique film.
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| 88 |
Boston Globe
Really the film is a deft first-person character study with a war zone for a background.
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| 88 |
Philadelphia Inquirer
Must-see stuff.
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| 88 |
New York Post
Kyle Smith
We get to know three of these courageous, funny, smart and perhaps permanently damaged men in a film that largely avoids telling us what to think and makes an effort to get near the truth of the soldiers' experience.
|
| 83 |
The Onion (A.V. Club)
The War Tapes falls just short of greatness, because its scope is too limited.
|
| 83 |
Christian Science Monitor
This film is apolitical in the best sense - it bears witness to a time and a place.
|
| 83 |
Portland Oregonian
The edited footage has an intensity and immediacy you won't find on cable news networks.
|
| 80 |
Los Angeles Times
Mark Olsen
The film acutely captures the topsy-turvy uncertainty of life during wartime, where there's Burger King and land mines and Pizza Hut and snipers.
|
| 75 |
Seattle Post-Intelligencer
In the latest of what is getting to be a booming genre of Iraq war documentaries, director Deborah Scranton gives digital video cameras to five members of the New Hampshire Army National Guard so they can intimately record their year of service in the Middle East.
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| 75 |
The Globe and Mail (Toronto)
The documentary camera has made repeated trips to occupied Iraq, but never to such raw and honest effect as in The War Tapes. The reason is surprisingly simple: This time, the lens is being pointed not by embedded journalists, but by the American soldiers themselves.
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| 70 |
The New York Times
Whatever your opinion of the war - and however it has changed over the years - this movie is sure to challenge your thinking and disturb your composure. It provides no reassurance, no euphemism, no closure. Given the subject and the circumstances, how could it?
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| 70 |
The Hollywood Reporter
The latest in a series of big-screen documentaries dealing with the conflict, and it does so in a particularly involving, fly-on-the-wall manner.
|
| 70 |
Variety
The picture's deepest fascination lies in the soldiers' complicated reactions to the war, perceived simultaneously as funny, horrific, stirring and traumatic.
|
| 70 |
New York Magazine
David Edelstein
See The War Tapes. Maybe this picture can be worth a thousand lives.
|
| 70 |
LA Weekly
Tim Grierson
With its weary disillusionment, The War Tapes shouldn't be criticized for its seeming lack of outrage. Indeed, from the overwhelming grief and anger it uncovers, the film feels appropriately, uncomfortably numb.
|
| 63 |
TV Guide
While we at home can't come close to experiencing the war in any real sense, we do come away from Scranton's film with a greater sense of the soldiers' everyday fear, helplessness and horror.
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| 63 |
New York Daily News
A gripping, sometimes dramatic, sometimes annoying collection of jerky images and subjective impressions.
|
| 60 |
Washington Post
Make no mistake: The War Tapes is not an overtly political film. It appears to grind no partisan ax nor score either red or blue points. Whether viewers support the war or not -- or find themselves somewhere in the mushy middle -- this documentary won't fit comfortably into the pigeonholes of their preconceptions.
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| 40 |
Village Voice
On a strictly experiential level, Deborah Scranton's The War Tapes is remarkable, tactile, and affecting; as a piece of sociopolitical culture with context and ramifications of its own, it's a worthless ration of war propaganda--ethnocentric, redneck, and enabling.
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