Metacritic Film

Wind Will Carry Us, The

Starring Behzad Dourani

MPAA RATING: Not rated

New Yorker Films
Drama
118 minutes | Color
Iran / France
Released In Theaters July 28, 2000

With a strange mission, a group of people from the city come to a small village in Iran. They are awaiting the death of a 100+ year old woman, while pretending to be communication engineers.

DIRECTED BY
Abbas Kiarostami

Overall Metascore

This is a weighted, normalized average of all individual scores given by critics, on a scale of 0 (worst) to 100 (best).

86 / 100

Critic Reviews

100 Seattle Post-Intelligencer
A celebration of the human spirit nothing short of sublime.
100 San Francisco Examiner
Kiarostami's genius is elusive. His films may be unknowable, but they are undeniably hypnotic, charismatic.
100 Village Voice
To my mind, the greatest film by Iranian master Abbas Kiarostami.
100 Christian Science Monitor
A full-fledged masterpiece.
100 Chicago Tribune
A film poem of sometimes humbling beauty: a movie that opens up a new world to us - in the mountains of Iranian Kurdistan - with an enchanting freshness and austerity of vision.
93 Mr. Showbiz
The best film we'll see this year.
90 The New York Times
Its effects seem more like those of a poem or a piece of music than a movie. Requires the reverent darkness and communal solitude of a theater.
90 Variety
Takes the refined work of Iranian helmer Abbas Kiarostami up another notch to ever more metaphoric ground.
90 Film.com David D'Arcy
Will test your powers of attention. The effort is worth every minute.
90 Time
The rhythm of rural life has rarely seemed so lucid and luminous.
88 Philadelphia Inquirer
If you've had enough of the loony tunes coming from Florida, this piece of absurdist serio-comedy is the perfect picture.
88 New York Daily News
A brilliant if slow-paced movie about one man's unwitting journey into adulthood.
88 Boston Globe
It's a meditation on life and death, but it's less somber and more light-handed, subtle, and mischievously funny.
80 LA Weekly
"Nothing happening" is everything happening between the lines, in the gap created between what is unstated onscreen and what we bring to the story ourselves.
78 Austin Chronicle
No doubt some viewers could find fault with the slack pacing, though it's hardly inappropriate for a film that's fundamentally about emerging from frustration and stasis into a state of grace.
70 Los Angeles Times
The impact of its finish has been dissipated by too much meandering along the way.
63 New York Post
Poetic but tedious and all but plotless.
63 San Francisco Chronicle
Film is often too subtle and languorous for its own purposes: At times, it's close to soporific.
60 TV Guide
On the surface, nothing really happens, but to call it a nonevent would be to miss the point entirely.

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