| 91 |
Baltimore Sun
Wristcutters: A Love Story is a lousy title for a lovely-loony picture about an afterlife for suicides. It's an off-road "road movie" about people who off themselves.
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| 83 |
The Onion (A.V. Club)
For a film about suicide, Wristcutters is agreeably loopy and game. Dukic is bitterly funny rather than maudlin, and his carefully plotted grunge chic, in addition to being cheap, lends the film a great deal of Jim Jarmusch grime to go with its unmistakable Jim Jarmusch quirk.
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| 83 |
Entertainment Weekly
The whole film is cracked, but in a stylish, downtown way.
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| 83 |
Seattle Post-Intelligencer
Gianni Truzzi
This delightful piece of whimsy uses its simple premise effectively to gain and keep our attention and to remind us simply that, while this world appears ordinary, it is still unbounded by reality.
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| 80 |
The New York Times
Has an offbeat, absurdist charm that turns a potentially creepy conceit into an odd, touching adventure.
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| 75 |
New York Post
The result is wholly original, sort of like "The Wizard of Oz" as filtered through the sensibilities of Emir Kusturica, the cult filmmaker and musician.
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| 75 |
Philadelphia Inquirer
For a film about suicides, Wristcutters: A Love Story is strangely life-affirming. This film about slackers stuck in limbo between life and death is upbeat in an offbeat way.
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| 75 |
Boston Globe
Turns out to be a sweetly grim lark: a road film through Limbo. It takes the self-pity associated with ending one's life and uses it for the purposes of mordantly aware comic fantasy.
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| 75 |
San Francisco Chronicle
A quirky but surprisingly lighthearted dark comedy.
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| 70 |
Salon.com
Simultaneously dark and sweet, always a difficult combination to pull off. It views its characters with both archness and affection, and even as it lovingly recalls films of another era it insists that the painful awkwardness of youth is perennial.
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| 67 |
Portland Oregonian
The film has a spry quality, but the jokes are neither funny nor dark enough, the quirky roadside episodes aren't sufficiently outlandish or imaginative, the romantic sparks don't convince and the plotting becomes increasingly silly and tedious. Dukic conjures an air of play and naughtiness, but that's about as deep as he cuts.
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| 63 |
Chicago Sun-Times
The movie isn't laugh out loud funny, under the circumstances, but it is bittersweet and wistfully amusing; the actors enjoy lachrymosity. We witness the birth of a new genre, the Post-Slasher Movie.
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| 63 |
ReelViews
It is neither as clever nor as funny nor as inventive as the daring title might lead one to expect.
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| 63 |
Chicago Tribune
Jessica Reaves
Quite a bit darker than most mainstream romantic comedies. As you might not expect, it’s also quite a bit more inventive and far wittier than most mainstream romantic comedies.
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| 60 |
Los Angeles Times
It's borderline parody of a kind of fey filmmaking popular at crunchy-granola festivals, but the counterfeit aesthetic is ultimately outshone by the life-affirming message.
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| 60 |
Film Threat
Imagine a blend of "The Wizard of Oz," "Beetlejuice" and "Roadside Prophets" and you'll know exactly what Wristcutters is like.
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| 60 |
Variety
Though its absurdist inventions occasionally border on twee, this affectionate slow-blooming romance mines an understated vein of comic melancholy that the actors' wistful performances perfectly capture.
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| 60 |
Village Voice
A well-wrought indie written and directed by Goran Dukic, has to be the kewpie doll of current zombie flicks: Its walking dead are a bunch of attractive slackers whose wounds are largely internal. They've got attitude.
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| 60 |
Empire
Staff (Not credited)
Despite being occasionally hilarious, director Goran Dukic should have toned down the wackiness.
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| 50 |
The Hollywood Reporter
Somewhat original and amusing. But only somewhat.
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| 50 |
Washington Post
Seems to me, teenage suicide isn't that funny, and nothing in this movie changed my mind.
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| 50 |
Chicago Reader
Like some laid-back distant cousin of Tim Burton, writer-director Goran Dukic manages to balance the ghoulishness with whimsy and melancholy, at least for a while. But the strain is obvious in the story's last third, as the filmmaker struggles toward a resolution that fits the logic of the hero's netherworld.
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| 40 |
Austin Chronicle
Josh Rosenblatt
But absurdity alone won’t get the train into the depot, and no amount of quirky characters floating in their chairs or fish changing colors at random can make up for the film’s lack of real humor or meaning. Which is to say, if you’re going to make a comedy about suicide, you’d better make sure the jokes land. There are people out there who could use a laugh.
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| 38 |
New York Daily News
It's described as a black comedy, but you can forget the comedy part. There wasn't so much as a snicker at the screening I attended, though I may have heard a snore or two.
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