Arizona Republic's Scores

  • Movies
  • TV
For 1,251 reviews, this publication has graded:
  • 65% higher than the average critic
  • 3% same as the average critic
  • 32% lower than the average critic
On average, this publication grades 2.8 points higher than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Inception
Lowest review score: 10 The Legend of Hercules
Score distribution:
1,251 movie reviews
  1. As creepy as it is fun, and it's plenty of both, ParaNorman will delight fans of old-time horror movies.
  2. A mix of comedy, science fiction, nostalgia, adolescent wish-fulfillment and beer, beer, beer, its parts shouldn’t fit together as neatly as they do. But somehow Edgar Wright and Simon Pegg have again managed to make a movie that is knowing, touching and hilarious.
  3. It is just a tremendous amount of fun.
  4. Taken strictly as a piece of filmmaking, Aranofsky's Noah is ambitious. And as theology, well, it may not hew exactly to the letter of the law, but the spirit survives intact.
  5. When it's good, The Imitation Game is very good. Cumberbatch is terrific, which is not surprising, given the marriage of role and actor.
  6. There is no denying that the environmental message is heavy-handed.
  7. A really entertaining effort, aided by some terrific performances.
  8. It is a brutal, beautifully shot movie that starts out to be about revenge but then becomes something more, something even more primal and disturbing.
  9. These characters are more than willing to risk their lives to further advances in science. That’s a passion and dedication that fuels Europa Report, and Cordero makes the most of it.
  10. Brown is a sick man, but Harrelson makes him so interesting, so charismatic, so ... watchable, that you can't look away, even if his actions make you want to (and they will).
  11. One would expect a film about French artist Pierre-Auguste Renoir to look beautiful, to be shot in warm, sumptuous colors. And one would not be disappointed in Gilles Bourdos’ Renoir.
  12. By the end of the ride, we’ll see glimpse of happiness, sadness, joy, heartbreak, maybe even tragedy, if cell phone-shot recollections are to be believed. All bases are covered, in other words, in one late-afternoon ride, a ride Gondry and his cast will make you want to take.
  13. Mud
    The story is intriguing enough to make Mud a good movie. Led by Sheridan and McConaughey, the performances make it something more.
  14. For less patient viewers, the film might play out like an endurance test, a two-hour documentary on wind. But as unforgiving as the glacially paced film is, it's nonetheless utterly absorbing - a cool pink tongue flicking against an open wound. [18 Oct 2012]
    • Arizona Republic
  15. The Babadook is a terrific horror film.
  16. What makes the movie so good is Williams' absolute refusal to play along.
  17. Scafaria gives her characters and the situation an absurdist tone that makes the whole concept a little more palatable.
  18. Eschewing a tidy wrap-up, Reeves doesn't leave us feeling manipulated, as so often happens in films like this. Instead, we want to know where the story goes from here, and that's no small accomplishment.
  19. Floridly explicit, gleefully disgusting and yet somehow kind of sweet, the film is a showcase for Carla Juri.
  20. Creepy, confounding and more than a little curious. It's also quietly compelling.
  21. Now this is a scary movie. And, given that it's a horror film, that means it's a good one. [18 Oct 2012]
    • Arizona Republic
  22. An unorthodox delight.
  23. The Dark Knight Rises brings the Batman story to a close in enormous, satisfying fashion, not just on the huge scale it builds for itself, but on a human level as well.
  24. The directors (Lapeyre also wrote the film) have gathered a terrific bunch of young actors for the film, which plays at times like a “Lord of the Flies” knockoff but also has something original to say.
  25. Abu-Assad does a masterful job of showing, in these seemingly hopeless circumstances, the fragility of life.
  26. We Steal Secrets: The Story of WikiLeaks is at once an awkward mingling of two complex life stories and a gripping, necessary look at how information is gathered, shared and, yes, stolen.
  27. Not a lot happens, other than eating between small bits of drama and large doses of humor. If you saw the first film, you know how good that can be.
  28. If you're willing to let a movie wash over you and work at what it might mean, you'll love "Holy Motors," Leos Carax's surreal ode to … identity? Movies? Performance?
    • Arizona Republic
  29. Affleck is the center of the film. His Doug is, in some respects, rather like Affleck - the director of the elaborate heists, as well as a performer in them.
  30. This is real edge-of-your-seat stuff, in a throwback way - no booming special effects, just old-school timing and execution.

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