Arizona Republic's Scores

For 37 reviews, this publication has graded:
  • 62% higher than the average critic
  • 2% same as the average critic
  • 36% lower than the average critic
On average, this publication grades 4.1 points higher than other critics. (0-100 point scale)
Average TV Show review score: 68
Highest review score:
Critic Score 100
Lowest review score:
Score distribution:
  1. Positive: 25 out of 25
  2. Mixed: 0 out of 25
  3. Negative: 0 out of 25
25 tv reviews
  1. The new fall season's best show...Here's how good: It will make you like a Styx song. Yes. It may even make you love it. It will definitely make you hum Come Sail Away, that awful anthem from one of corporate rock's biggest hack acts. Why? Because it is the dead solid perfect choice for the first episode's closing scene, a scene so painfully perfect you'll wish you were 16 again. [25 Sept 1999, p.1D]
  2. Lost is rip-roaring fun, an adventure that's best undertaken if you just sit back and enjoy the ride without thinking about it too much. [22 Sept 2004, p.1E]
  3. What a brilliant, hilarious treasure this show is, a real work of skewed art. It's also the last, best argument against the assertion that comedy is dead on TV. Watch a couple of episodes of Arrested Development and you'll be convinced it's not even ailing. [7 Nov 2004, p.1E]
  4. It's far and away the best new show on television this fall. [7 Oct 2000, p.1E]
  5. A wonderful, brilliantly brutal, scathing look at British politics.
  6. The biggest and most pleasant surprise of the season.
  7. It's a fantastic show, neck-and-neck with Studio 60 on the Sunset Strip for best new show of the season.
  8. Elizabeth [is] portrayed by Mirren in as brilliant a performance as you're likely to see.
  9. It's easily one of the best new shows of the season.
  10. The best new comedy of the season.
  11. These episodes aren't as slam-bang great as last season's first four. But they are scarier, more personal, making it seem as if this time we have more to lose.
    • Metascore: 77
    • Critic Score 80
    The premiere is so well constructed in every department, it would be near-impossible to skip the next episode. If the show can keep up this level of quality, it could wind up being one of the greats.
  12. So it's not the most original plot. So what? Kids are going to freak over it, and watch it again and again and again.... Tisdale is once again great as Sharpay--her performance of Fabulous is the best thing in the movie--and Lucas Grabeel gets his chance to shine as her long-suffering brother Ryan.
    • Metascore: 66
    • Critic Score 80
    He is just as blustery and foul-mouthed here as he is on "Hell's Kitchen." But he is also oddly endearing, mainly because he genuinely seems invested in the fate of each restaurant.
    • Metascore: 66
    • Critic Score 80
    Dirty Sexy Money is filled with clever touches and neat subplots.
  13. The interaction between Mal and the other characters boasts the same seamless savvy that makes Buffy and her pals so winning. [20 Sept 2002, p.1E]
  14. Yes, it's a ridiculous notion, but it's also a lot of stylish fun. [29 Sept 2001, p.1E]
  15. In Angel, both Angel and Cordelia are far more appealing than they were in Buffy. [5 Oct 1999, p.1D]
    • Metascore: 88
    • Critic Score 80
    The Sopranos, which lovingly embraces its debt to The Godfather movies,offers TV viewers an option they should not refuse. [10 Jan 1999, p.7E]
  16. Sounds ho-hum, but it's really quite funny. Sheen may be playing himself, but he plays himself well, and Cryer is a gas. [22 Sept 2003, p.E1]
  17. It's seriously good, though not always serious. [3 June 2001, p.1E]
  18. Ambitious and well-made, good cast, but brutal.
  19. Nothing groundbreaking here, obviously, but it's still pretty funny.
  20. There are reasons not to like Dexter, but thanks to Hall's winning portrayal and the cool, creep-out idea, it's almost impossible not to.
    • Metascore: 81
    • Critic Score 70
    There are lots of laughs and thrills here, and just the occasional misstep: Someone, anyone, please get sidekick Tyler Labine to tone down the obnoxious Jack Black impression.
  21. It ain't bad. Unnecessary, maybe. Why watch the road-show version when you can rent the DVD of the original? But not bad. [20 Mar 2005, p.1E]
  22. Gilmore Girls tries to be edgy, but at its core it's -- there's just noother word -- sweet. It's nothing groundbreaking. [5 Oct 2000, p.1E]
  23. The family faces all of the usual TV problems -- girl trouble, parent trouble, popular-goon-at-school trouble, etc. -- that come with trying to fit in in a new town. And it all looks great, with the snow and mountains and whatnot. But it plays out ... calculated. [16 Sept 2002, p.1E]
  24. Too often it feels like a missed opportunity, though there's always hope for improvement, more realistic in this case than most.
  25. And you thought Lost could be confusing. At least it doesn't give you a headache just thinking about it.