Austin Chronicle's Scores
- Movies
- Music
For 1,950 reviews, this publication has graded:
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43% higher than the average critic
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3% same as the average critic
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54% lower than the average critic
On average, this publication grades 3.3 points lower than other critics.
(0-100 point scale)
Average Music review score: 70
Highest review score: | Wincing The Night Away | |
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Lowest review score: | Luminous |
Score distribution:
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Positive: 1,538 out of 1950
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Mixed: 380 out of 1950
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Negative: 32 out of 1950
1950
music
reviews
- By Date
- By Critic Score
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- Critic Score
No Line on the Horizon reaches for "The Unforgettable Fire's" post-"War" reinvention but misfires this side of "Pop" without the songs.- Austin Chronicle
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- Critic Score
Fool Metal Jack looks at modern America with kaleidoscope eyes, but it's more bad parody than pastiche.- Austin Chronicle
- Posted May 3, 2013
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- Critic Score
Those farty sounds and the guy with the deeeeeeeeeep voice on "It Overtakes Me" are called "bells and whistles." That's what bands do when they don't have anything to say.- Austin Chronicle
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- Austin Chronicle
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Based on this evidence, Cold Cave is merely the New Coke of New Wave.- Austin Chronicle
- Posted Nov 3, 2011
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- Critic Score
Maybe this is what passes for rebellion now -- a major label, videogenic looks, and VH1's stamp of approval -- but it equals undistinguished California rock and will probably sell a couple million.- Austin Chronicle
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- Critic Score
Pharrell's all-too-shallow schtick becomes monumentally tired over the course of an entire album.- Austin Chronicle
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The onetime rapper's new foray into Lionism deviates so far from the norm that its proprietor's been edged out, melded into a nonconfrontational reggae singer whose drops can't muster a single memorable moment.- Austin Chronicle
- Posted Nov 7, 2013
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The band's full-length debut, however, still turns up drier than Laurel Canyon. Like most of Modern Rituals, "Nothing's Wrong" because it was assembled piecemeal in Pro Tools, stiff and lifeless.- Austin Chronicle
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'Cotopaxi' and 'Desperate Graves' are the Volta's most straightforward carbon-burners since Frances the Mute's 'Cygnus ... Vismund Cygnus' yet lack structure and memorable hooks, while the introductory ballad 'Since We've Been Wrong' soars closer to the Eagles than Led Zeppelin.- Austin Chronicle
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- Austin Chronicle
- Posted Nov 30, 2012
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It's one thing to be eclectic; it's another thing entirely for an album to lack a cohesive conceit that connects one track to all the others.- Austin Chronicle
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Ultimately, The Civil Wars plays out lyrically insipid and completely oblivious to the fact that their vocals strive for meaningful but define overbearing.- Austin Chronicle
- Posted Sep 5, 2013
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Oberst's voice trembles with the emotion of his youth, only ripped with spite instead of vulnerability. That solipsism has shifted to an even more detached universalism, which leaves little for the listener to connect with.- Austin Chronicle
- Posted Mar 17, 2011
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What stands out are shallow hooks ("I Stand Alone"), disjointed memoirs ("Love Is Real"), and the painful lyrical repetition of "Girls Girls $" littering a nightclub-ready canvas. "Stop It."- Austin Chronicle
- Posted Sep 12, 2011
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The Watson Twins have inherent and proven talent, but it hardly shows here.- Austin Chronicle
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Kweli's generic sounds belie the so-called revolutionary front of his lyrics.- Austin Chronicle
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Digital garnishment works for Wilco, but not so much for the beat-impaired Oberst.- Austin Chronicle
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Kings of Leon here depend on a major label production budget rather than hooks. Caleb Followill's nasal yelp remains totally disarming, but the stupidity of 'Sex on Fire' douses all credibility.- Austin Chronicle
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Square-peg/round-hole pairings of the Kinkster and guests seldom jell as duets (Bruce Springsteen), but covers from Lucinda Williams ("Long Way From Home") and Jackson Browne ("Waterloo Sunset") make for choice B-sides.- Austin Chronicle
- Posted May 19, 2011
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Everything about The Cost is inflated and with little payoff, a blight for a band worth so much more.- Austin Chronicle
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- Austin Chronicle
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- Austin Chronicle
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The remainder of the 16-song, hourlong question mark is emphatic spoken word hurled over a sound check--pretentious, superfluous, and ultimately unlistenable.- Austin Chronicle
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Bogged down by Meth's lackadaisical approach and reliance on guest appearances, Tical 0: The Prequel falls flat on its befuddled front.- Austin Chronicle
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An alternate and/or nascent mix of Achtung Baby not only doesn't add to the dialog, it perhaps subtracts from it.- Austin Chronicle
- Posted Dec 8, 2011
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- Austin Chronicle
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