Austin Chronicle's Scores
- Movies
- Music
For 4,512 reviews, this publication has graded:
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37% higher than the average critic
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2% same as the average critic
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61% lower than the average critic
On average, this publication grades 7.8 points lower than other critics.
(0-100 point scale)
Average Movie review score: 54
| Highest review score: |
Critic Score
100
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| Lowest review score: |
Critic Score
0
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Score distribution:
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Positive: 2,133 out of 4512
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Mixed: 1,442 out of 4512
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Negative: 937 out of 4512
4,512
movie reviews
- By critic score
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Reviewed by
Marjorie Baumgarten 100
Barry Sonnenfeld's stunning cinematography and the sharply etched characterizations make this film one for the ages. -
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Reviewed by
Kimberley Jones 100
It's huge and bewildering and it hurts to watch, but it hurts so good it's gorgeous. -
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Reviewed by
Russell Smith 100
In this magnificent, profoundly tragic film, Nolte and Coburn each turn in career-best performances as a father and son who embody the ancient, seemingly ineradicable male pathology of violence, retribution, and the slow death of the soul. -
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Reviewed by
Marjorie Baumgarten 100
I can think of no other movie that has dared to analyze grief and its aftermath with such naked honesty and precision. -
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Reviewed by
Marjorie Baumgarten 100
This is a movie to love, that touches you in places you never suspected, that shows you that the road less traveled is the road to your dreams. -
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Reviewed by
Kimberley Jones 100
It’s a movie made of moments, the antithesis of "plot-driven," but the sum of these moments is magnificent, the culmination of so many elements: acting, scripting, score (by locals Michael Linnen and David Wingo), and cinematography. -
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Critic Score 100
But in the genre, as both a movie and a conscious addition to the ongoing celluloid Western mythology, the film is a masterpiece, a stunning and awe-inspiring statement. -
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Reviewed by
Marc Savlov 100
Such gorgeous explosions, such a terrible vision, such an amazing work of art. Go. Now. -
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Reviewed by
Marjorie Baumgarten 100
An amazing work, a film that seems to gurgle up from the American heartland, resonant and fully formed, ripe with possibilities. -
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Reviewed by
Marjorie Baumgarten 100
Amy Heckerling’s portrait of high school/shopping mall life in Southern California is still just about as good as it gets...The panoply of teen types and turmoils is dead-on accurate. -
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Reviewed by
Steve Davis 100
Its simplicity belies an emotional complexity that will linger in your mind like a gentle dream. -
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Reviewed by
Marjorie Baumgarten 100
As sad and poignant and potentially hopeful as it is amusing. The movie is our story as much as it is Schmidt's, no matter if it's viewed as a self-reflection or cautionary tale -
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Reviewed by
Marjorie Baumgarten 100
It's paved with delightfully irregular and unanticipated bits of business that stimulate the viewer to stay fully alert, while renewing our faith in the sheer joy of watching movies. -
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Reviewed by
Marjorie Baumgarten 100
As disturbing as it is well-made, this low-budget indie is a thoroughly original piece of work. -
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Reviewed by
Marjorie Baumgarten 100
A movie that amply delivers on the epic promise of its title, entertaining, enlightening, and emboldening viewers with its deceptively simple premise and execution. -
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Reviewed by
Marjorie Baumgarten 100
One of the most exciting movies of this, or any other, year. It's smart, funny, and wonderfully crafted and performed. -
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Reviewed by
Marjorie Baumgarten 100
Just about as great as a movie's ever gonna be... As for the storytellng, The Godfather is an intricately constructed gem that simultaneously kicks ass. -
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Reviewed by
Marjorie Baumgarten 100
By the end of the movie, it’s no longer possible to know anything with certainty -– so convoluted, contradictory, pathological, and long ago have the events become. It’s a movie that will have you talking and thinking for hours. -
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Reviewed by
Marjorie Baumgarten 100
Very satisfying. Classic storytelling, modern techniques. And the images: This movie has embedded so many strange and new mental pictures in my head that I'm not able to shake free. Yet, neither would I want to be free. -
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Reviewed by
Marjorie Baumgarten 100
A marvelous achievement that refuses to avert its gaze from the poetry and the insane savagery of the hopeless. -
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Reviewed by
Marjorie Baumgarten 100
A chilling classic, the movie is a scabrous satire about human deviance, brutality, and social conditioning that has remained a visible part of the ongoing public debate about violence and the movies. -
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Reviewed by
Marjorie Baumgarten 100
A wildly inventive, unrelenting thrill that amazes us with its visual and intellectual treats and dazzles us with its ongoing ingenuity. -
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Reviewed by
Marjorie Baumgarten 100
More lethal than a nuclear waste dump, Kubrick's komedy at least kills us with laughter... It's one of the greatest - and undoubtably the most hilarious - antiwar statements ever put to film. -
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Reviewed by
Marjorie Baumgarten 100
Ghost World resists convenient closures and summaries and some may take issue with its open-endedness. But anything else would have been phony, and Enid would never have stood for it. -
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Reviewed by
Steve Davis 100
Near-perfect in every way, The Hours is a compelling meditation on making the most of what we're given in life. For some, it may be too cerebral a film experience, but for those who blissfully fall into its finely tuned modulations, The Hours is timeless. -
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Reviewed by
Marjorie Baumgarten 100
This modern cult classic is a triumphantly dark comedy directed by one of the film world's truly original visionaries, Terry Gilliam. "Imagination" is this futuristic film’s middle name. -
